Term used to describe art made by Americans of African descent. While the crafts of African Americans in the 18th and 19th centuries continued largely to reflect African artistic traditions (see Africa, §VIII), the earliest fine art made by professional African American artists was in an academic Western style (see fig.).
Regenia A. Perry, Camara Dia Holloway, Christina Knight, Dele Jegede, Bridget R. Cooks, and Jenifer P. Borum
Kimberly L. Malinowski
skilled daguerrean who practiced photography in Massachusetts and in White Sulphur Springs, West Virginia. Little is known about his early life, other than that he was from Boston, Massachusetts, and was most likely a freeman. He was a pioneer of the daguerreotype. The daguerreotype process is exceedingly laborious and includes polishing the daguerreotype plate, buffing it, coating it with iodine and bromine, exposing the plate in the camera, positioning both the subject and the camera, and then developing it, exposing it to mercury, removing the coating, gilding the image, and then coloring the image as necessary. This process requires highly skilled artists to get a clean image.
While little is known about Bailey, his importance stems from his role in teaching James Presley Ball the art of daguerreotyping in the 1840s Bailey most likely taught Ball in White Sulphur Springs West Virginia Ball was a renowned abolitionist who published ...
Charles L. Hughes
singer and member of the Supremes, was born in Rosetta, Mississippi, the eighth child of Jessie and Lurlee Ballard. In 1953 the Ballards, following the Great Migration path taken by millions of African Americans, moved to Detroit, Michigan, where Jessie Ballard worked in an automobile factory until his death in 1959. The family lived in the Brewster-Douglass Projects, and Ballard's powerful singing voice distinguished her both in school and around the neighborhood. Two of her neighbors, Eddie Kendricks and Paul Williams, who were members of the local singing group the Primes, told their manager, Milton Jenkins, about Ballard, and Jenkins was impressed enough to book Ballard—still in her teens—as a solo act at the Primes' performances.
This early connection between Ballard and the Primes is vitally important both to Ballard s career and to the history of American popular music for two reasons First the Primes would ...
Amalia K. Amaki
photographer and businessman, was born in New Orleans, where he remained professionally based throughout his sixty-plus-year career.
The leading African American photographer in New Orleans in the first half of the twentieth century, Bedou saw his reputation grow to national proportions as a result of his images of the life and travel of Tuskegee Normal and Industrial Institute (later Tuskegee University) President Booker T. Washington from the early 1900s through 1915. He photographed Washington at public-speaking engagements addressing crowds in Arkansas, Florida, Louisiana, Mississippi, South Carolina, Tennessee, Texas, Virginia, California, and numerous other locations during his final tour, which ended in 1915. He recorded Washington in transit by coach, train, and automobile in addition to his famous portraits of the education leader posed upon his horse.
As official photographer for the Institute, Bedou covered any number of events for the school. He recorded the 24 October 1905 ...
photographer, politician, sheriff, assayer, barber, and lawyer, was born a slave in Carroll County, Kentucky. William Hines Furbush became a member of the Arkansas General Assembly as well as the first sheriff of Lee County, Arkansas. His Arkansas political career began in the Republican Party at the close of Reconstruction and ended in the Democratic Party just as political disfranchisement began.
Little is known about Furbush's early life, though his literacy suggests a formal childhood education. Around 1860 he operated a photography studio in Delaware, Ohio. In March 1862 he traveled to Union-controlled Helena in Phillips County, Arkansas, on Kate Adams and continued to work as a photographer. In Franklin County, Ohio, that December he married Susan Dickey. A few years later, in February 1865 he joined the Forty second Colored Infantry at Columbus Ohio He received an honorable discharge at the ...
John V. Jezierski
Wallace L. Goodridge (4 Sept. 1840–3 Mar. 1922), and William O. Goodridge (28 May 1846–17 Aug. 1890), photographers, were born in York, Pennsylvania, three of seven children of William C. Goodridge and Evalina Wallace. Among the first African Americans to work as professional photographers, Glenalvin J. Goodridge in 1847 established a studio in York that Wallace L. Goodridge and William O. Goodridge continued to operate after 1863 in Saginaw, Michigan, until Wallace's death in 1922. During three-quarters of a century the Goodridge brothers experimented with all forms of photography, from daguerreotypes and ambrotypes in the 1840s and 1850s, to X-ray images and motion pictures in the early twentieth century. Their portrait, landscape, and stereoscopic images gained the studio both national and international recognition.
The sons success was due in part to the energy and enterprise of their father a slave descendant of the Carrolls ...
photographer, was born in Madison, Indiana, one of six children of Alexander A. Hunster, a barber, and Catherine Campbell Hunster. The Hunsters were both free blacks whose families had left the South in the mid- to late 1830s.
When Richard was only a few years old the Hunsters moved to Portsmouth Ohio where his father was employed as a barber aboard an Ohio River steamboat There is limited information available about Hunster s early life but his family apparently lived comfortably in Portsmouth Hunster and his siblings attended school although their education was probably limited to the elementary grades Growing up in a town along the river and having a father who worked on a steamboat Hunster no doubt visited the Portsmouth wharf regularly and marveled at the big paddle wheelers that plied up and down the Ohio River These childhood images of steam rising from the ...
Amy Helene Kirschke
The examination of African American history and culture must necessarily include an extended exploration of the visual arts—an African American “visual vocabulary”—that examines how African Americans visually define their own collective identity and historical identity. W. E. B. Du Bois, the towering black intellectual of the twentieth century, stated that history must be explored and felt in order to know the responsibilities of the present; imagery was and is a part of that history. Past and present would meet in this imagery with frightful intensity and authentic tragedy. Art could be a means of trying to establish a new memory of the black American experience, and in doing so, discovering an identity both American and African.
Black society and white society saw the same events differently and then also recalled them differently African American visual artists had to be empowered with political rights and access to political power which ...
Ann M. Shumard
abolitionist, photographer, and Liberian statesman, was born in Trenton, New Jersey, the son of Christian Washington, a former slave from Virginia who operated an oyster saloon, and a woman who is identified only as a native of South Asia. She apparently died soon after his birth, for his father remarried in October 1821. Washington was raised in Trenton and until early adolescence attended school with white students. When access to such schooling ended in the face of growing racism, he was left to continue his education on his own. He worked for his father for several years, studied intermittently, and became an avid reader of Benjamin Lundy's Genius of Universal Emancipation and William Lloyd Garrison's Liberator These papers aroused Washington s hatred of slavery and racial prejudice and inspired him to become an activist Eager to contribute to the uplift of his ...