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Teri B. Weil

military leader, nurse, educator, and entrepreneur, was born Clara Mae Leach Adams in Willow Springs, North Carolina. Her parents, Otha Leach and Caretha Bell, were sharecroppers, and she was the fourth of ten children. Her parents were staunch supporters of education and made sure that all of their children knew this. Her parents further instilled in the children a sense of self-respect and a belief that with knowledge they could do anything.

As a child growing up in a family of sharecroppers, Adams-Ender realized early that she wanted more out of life. Her perseverance in continuing her education while missing school to work the farm with her family was evident when she graduated second in her class at the age of sixteen. Although she enrolled in a nursing program, her first career choice was to be a lawyer. However, in 1956 her father believed that ...

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Regenia A. Perry, Camara Dia Holloway, Christina Knight, Dele Jegede, Bridget R. Cooks, and Jenifer P. Borum

Term used to describe art made by Americans of African descent. While the crafts of African Americans in the 18th and 19th centuries continued largely to reflect African artistic traditions (see Africa, §VIII), the earliest fine art made by professional African American artists was in an academic Western style (see fig.).

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Camara Dia Holloway

photographer, was born in New York City to Virginia Allen, a dressmaker who migrated from the British Virgin Islands in 1900, and an unidentified father. James attended Dewitt Clinton High School, where he discovered photography through the school's camera club, the Amateur Cinema League. The school was fertile ground for several members of the upcoming Harlem Renaissance, including the poet Countee Cullen, whose first published piece appeared in the school magazine, the Magpie. The artist Charles Alston also developed his talents as the art editor for the Magpie and leader of the art club. In 1923 Allen began a four year apprenticeship at Stone Van Dresser and Company a white owned illustration firm where he received additional instruction in photography Louis Collins Stone the firm s owner and a portrait painter and his wife seem to have taken a personal interest in Allen and ...

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Mary Anne Boelcskevy

artist and teacher, was born in Charlotte, North Carolina, the youngest of five children of the prominent Episcopalian minister Primus Priss Alston and his second wife, Anna (Miller) Alston. Nicknamed “Spinky” by his father, Charles showed his artistic bent as a child by sculpting animals out of the red clay around his home. His father died suddenly when Charles was just three. In 1913 his mother married a former classmate, Harry Pierce Bearden (uncle of Romare Bearden), and the family moved to New York City. Charles's stepfather worked at the Bretton Hotel as the supervisor of elevator operators and newsstand personnel, and over the years the family lived in comfortable brownstones in better neighborhoods.

Alston attended DeWitt Clinton High School, where he was art editor of the student newspaper the Magpie during the week and he studied at the National Academy of Art on Saturdays He turned ...

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Amalia K. Amaki

sculptor, ceramicist, and educator, was one of America's most prolific and respected three‐dimensional artists in the mid‐twentieth century. Born in Washington, North Carolina, to Elizabeth Davis and Thomas Miggett, he lived primarily with his father until the fall of 1926 when he relocated to Harlem and began living with his mother and her husband, George Artis. In New York he assumed the surname of his stepfather. He attended Haaren High School and went on to study sculpture and pottery at the Augusta Savage Studio of Arts and Crafts in the early 1930s, joining the ranks of Jacob Armstead Lawrence, Gwendolyn Knight, Romare Bearden, Norman Lewis, and other notable artists whose initial studies included instruction under Savage. Artis was also a contemporary of his fellow sculptors Selma Hortense Burke and Richmond Barthé the latter the most exhibited and honored three dimensional artist associated with ...

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Rebekah Presson Mosby

The colonial period in America was not noted for its fine arts there was little in the way of sculpture and most of the paintings that were made were stiff portraits in the manner of European mostly British art The puritanical spirit that dominated America at the time was not one that nurtured the arts in general Very little if any experimentation went on in any of the arts as most art was regarded as frivolous and a distraction from what was held to be the serious and important business of religion and work Within this context there is evidence that fine art in the form of portraits was made by Africans in colonial America However most of the known artifacts from both slave and free blacks are the work of artisans Some of this work is of exceptionally high quality and it includes just about every imaginable practical and ...

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Kimberly L. Malinowski

skilled daguerrean who practiced photography in Massachusetts and in White Sulphur Springs, West Virginia. Little is known about his early life, other than that he was from Boston, Massachusetts, and was most likely a freeman. He was a pioneer of the daguerreotype. The daguerreotype process is exceedingly laborious and includes polishing the daguerreotype plate, buffing it, coating it with iodine and bromine, exposing the plate in the camera, positioning both the subject and the camera, and then developing it, exposing it to mercury, removing the coating, gilding the image, and then coloring the image as necessary. This process requires highly skilled artists to get a clean image.

While little is known about Bailey, his importance stems from his role in teaching James Presley Ball the art of daguerreotyping in the 1840s Bailey most likely taught Ball in White Sulphur Springs West Virginia Ball was a renowned abolitionist who published ...

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Born free in Virginia, James Presley Ball opened several short-lived businesses in Cincinnati, Ohio in 1845, 1847, and 1849. Two years later he established his first successful photography studio, which prospered until the early 1870s. Active in the movement for Abolitionism in the United States, he commissioned a 2,400 sq ft painted antislavery panorama, Ball's Splendid Mammoth Pictorial Tour of the United States Comprising Views of the African Slave Trade; of Northern and Southern Cities; of Cotton and Sugar Plantations; of the Mississippi, Ohio and Susquehanna Rivers, Niagara Falls (1855).

In 1887 Ball became the official photographer for a celebration of the twenty-fifth anniversary of the Emancipation Proclamation in Minneapolis, Minnesota. After his move to Helena, Montana that same year, he was elected to several local political and civic positions. Ball moved to Seattle, Washington, around 1900 and opened Globe Studios He ...

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Charles L. Hughes

singer and member of the Supremes, was born in Rosetta, Mississippi, the eighth child of Jessie and Lurlee Ballard. In 1953 the Ballards, following the Great Migration path taken by millions of African Americans, moved to Detroit, Michigan, where Jessie Ballard worked in an automobile factory until his death in 1959. The family lived in the Brewster-Douglass Projects, and Ballard's powerful singing voice distinguished her both in school and around the neighborhood. Two of her neighbors, Eddie Kendricks and Paul Williams, who were members of the local singing group the Primes, told their manager, Milton Jenkins, about Ballard, and Jenkins was impressed enough to book Ballard—still in her teens—as a solo act at the Primes' performances.

This early connection between Ballard and the Primes is vitally important both to Ballard s career and to the history of American popular music for two reasons First the Primes would ...

Article

American painter . Bannister grew up in St Andrews, a small seaport in New Brunswick, Canada. His interest in art was encouraged by his mother, and he made his earliest studies, in drawing and watercolour, at the age of ten. After working as a cook on vessels on the Eastern seaboard, he moved in 1848 with his brother to Boston, where he set up as a barber serving the black community. During the 1850s and 1860s he learned the technique of solar photography, a process of enlarging photographic images that were developed outdoors in daylight, which he continued to practise while working in Boston and New York. Documented paintings from this time include religious scenes, seascapes and genre subjects, for example the noted Newspaper Boy (1869; Washington, DC, N. Mus. Amer. A.), a rare study of urban black experience.

In 1870 Bannister and his wife moved to ...

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Betty Kaplan Gubert

Edward Mitchell Bannister was the first of two sons born to Edward and Hannah Alexander Bannister. His father was from Barbados; his mother, who was probably of Scottish descent, was a native of St. Andrews, New Brunswick, and fostered her older son's love of drawing. His father died when Bannister was six; his mother died in 1844. The two boys were sent to live with a wealthy white lawyer, Harris Hatch, and his family. They worked on the Hatches' farm but had access to the Hatches' library, which was filled with books and with paintings that Bannister copied incessantly.

Following the path of many young men who lived in coastal communities, Bannister went to sea, working on fishing boats and schooners. He settled in Boston in 1848 laboring at menial jobs before he learned the skilled trades of barbering and women s hair styling He ...

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Pamela M. Fletcher

painter, was born in St. Andrews, New Brunswick, Canada, the son of Hannah Alexander, a native of New Brunswick, and Edward Bannister, from Barbados. While his birth date has generally been given as 1828, recent research has suggested that he was born several years earlier. After the death of his father in 1832, Edward was raised by his mother, whom he later credited with encouraging his artistic aspirations: “The love of art in some form came to me from my mother. … She it was who encouraged and fostered my childhood propensities for drawing and coloring” (Holland, Edward Mitchell Bannister, 17). His mother died in 1844 and Edward and his younger brother William were sent to work for a wealthy local family where he was exposed to classical literature music and painting Edward s interest in art continued and an early biography of the ...

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Amalia K. Amaki

photographer and educator, was born in Augusta, Georgia, to Florida and Robert Battey, both laborers. He was living in New York City by his late teens and had become one of the most famous African American photographers in the country by 1900, although nothing is known about his educational background. In 1900 Battey married Anna H. Stokes, who gave birth to two daughters, Edyphe F. (born 1901) and Antoinette (born 1908). Affiliated with studios in Cleveland and New York, his primary base, he enjoyed a lucrative career as a studio and commercial photographer with a respected reputation among Americans and Europeans. He was superintendent of the Bradley Studio in New York with such clientele as Sir Thomas Lipton and Prince Henry of Prussia, and was a partner in Battey and Warren Studio in the city.

Battey made classic photogravure portraits of the Tuskegee Normal and ...

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Amalia K. Amaki

photographer and businessman, was born in New Orleans, where he remained professionally based throughout his sixty-plus-year career.

The leading African American photographer in New Orleans in the first half of the twentieth century, Bedou saw his reputation grow to national proportions as a result of his images of the life and travel of Tuskegee Normal and Industrial Institute (later Tuskegee University) President Booker T. Washington from the early 1900s through 1915. He photographed Washington at public-speaking engagements addressing crowds in Arkansas, Florida, Louisiana, Mississippi, South Carolina, Tennessee, Texas, Virginia, California, and numerous other locations during his final tour, which ended in 1915. He recorded Washington in transit by coach, train, and automobile in addition to his famous portraits of the education leader posed upon his horse.

As official photographer for the Institute, Bedou covered any number of events for the school. He recorded the 24 October 1905 ...

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Theresa Leininger-Miller

artist, was born in Washington, D.C., the daughter of James F. Bell and Susanna County, probably laborers. Little is known about Bell's early life. She presumably attended segregated schools. It is unlikely that she ever received artistic training; she declared that she drew “without human teaching.” She probably worked as a domestic servant, laundress, or seamstress, beginning in her teenage years, and she may have traveled extensively. Bell said she “lived all around” before World War I. Since she does not appear in early-twentieth-century city directories or census records in Washington, D.C., or Boston, Massachusetts, and because she apparently never married or had children, it is likely that she resided with her various employers.

By the mid-1920s Bell was working for Edward Peter Pierce, justice of the Supreme Judicial Court of Massachusetts from 1914 to 1937, and Adele Dutaud Pierce his wife as a live ...

Article

Sophie Sanders

artist and educator, later known as John “Anansa” Thomas Biggers, was born in Gastonia, North Carolina, to Cora Biggers, a homemaker who excelled in sewing and quiltmaking, and Paul Biggers, an educator, preacher, carpenter, and farmer. The youngest of seven children, John learned to appreciate the creativity, industry, and struggle of African American families in the example of his parents. When his father died in 1937, John was only thirteen. Cora Biggers took a job as a matron in an orphanage for black children and sent John and his brother Joe to Lincoln Academy, a boarding school that prepared black students to be teachers and ministers.

Biggers's artistic self‐discovery began in 1941 when he enrolled at a black college in Virginia Hampton Institute later Hampton University Although he intended to study the practical trade of plumbing he ultimately majored in art because he was encouraged ...

Article

María de Lourdes Ghidoli

who specialized in portraiture. Blanco de Aguirre received artistic training in Florence (Italy) thanks to a grant from the presidential administration of Domingo Faustino Sarmiento (1868–1874). Although nineteenth-century publications highlighted his work as an oil painter, the three pieces that Blanco de Aguirre is best known for are pencil drawings: Retrato de José Mármol (1871), El negro Falucho (1889), and Heroísmo del negro Falucho (1889). In 1888 Blanco de Aguirre wrote a book (Colección de Artículos Literarios) that authorship offers ample information on Blanco de Aguirre’s childhood and adolescence.

Blanco de Aguirre was born in a rural part of San José Uruguay in the 1850s to a humble family of farmers According to Blanco de Aguirre himself because of his interest in studying and limited access to formal education his family placed him under the tutelage of Colonel Manuel Fernández ...

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Glenn Allen Knoblock

artist and political activist, was born in Baltimore, Maryland. In 1937 Bolden received a four‐year scholarship to the Philadelphia Museum School of Art, where he majored in illustration and advertising design. Upon his graduation he became an artist and layout designer for a top advertising agency in Philadelphia. His duties included prep work for original work by Norman Rockwell. In fact Bolden and Rockwell became close friends, and it was Rockwell who “encouraged Bolden to use neighbors and local townspeople as models for his art,” according to a New Hampshire Circle of Friends flyer.

After World War II Mel Bolden moved to New York and became a full‐time illustrator, working first for black newspapers, then for such general magazines as Fortune, Saturday Review, Colliers, Saturday Evening Post, Boy's Life, as well as for major newspapers like the New York Times and the New York ...

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Susan B. Iwanisziw

commercial painter, artist, and activist, was born in Philadelphia, Pennsylvania, the only known child of Jeremiah Bowser from Maryland and Rachel Bustill, daughter of the prosperous black abolitionist and educator Cyrus Bustill. The intermarriage among the region's free black Quaker families headed by Cyrus Bustill, Robert Douglass Sr., Jeremiah Bowser, and David Mapps created a dynamic force that benefited all African Americans and particularly spurred David s personal growth and accomplishments Jeremiah a member of the Benezet Philosophical Society served as a steward on the Liverpool lines and later it seems he was the proprietor of an oyster house near the intersection of 4th and Cherry Streets where David Bowser first hung up his sign as a commercial painter Later the Bowser family moved to the Northern Liberties section of Philadelphia into a house at 481 North 4th Street where Bowser remained for the ...

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Vincent F. A. Golphin

artist and creator of Luther, one of the first comic strips with African American characters to be widely published in U.S. newspapers, was born in Washington, D.C., two blocks north of Union Station, then the national capital's major transportation center. Brumsic Brandon Sr. worked there as a railway porter. Brandon Jr.'s mother, the former Pearl Brooks, was a stock clerk and maid at the Kann's Department Store.

At Charles Young Platoon Elementary School, Brandon was a high achiever who loved to draw, which inspired him to pursue art as a career. In 1942, when he entered Armstrong Technical High School, he took nearly every painting, sketching, and sculpture course. Also, at the urging of teachers, he added courses in drafting, which later made him more employable. Brandon graduated in February 1945 intent on becoming a comic strip artist but instead he became one of the first African ...