Egyptian composer, musician, and film star, was born in the early 1900s, either in Cairo or in the village of Abu Kibir, Sharqiya Province. There is confusion regarding both the date and the place of his birth. Two official identification cards in his possession listed his birth in 1910 but in the two different locations named above. ʿAbd al-Wahhab’s contemporaries have suggested that he was born sometime between 1896 and 1907 their suggestions are supported by reported incidents of his early musical life and encounters with important historical figures of the 1910s His early years were spent in the Bab al Shaʿrani quarter of Cairo where his father Muhammad Abu ʿIsa ʿAbd al Wahhab was shaykh religious scholar and caretaker of the neighborhood mosque ʿAbd al Wahhab was one of five children born to his father and Fatima Higazi his mother Early on ʿAbd al Wahhab was enrolled by ...
Anne Elise Thomas
The first image of an African American in film occurred in 1903 with the silent movie Uncle Tom's Cabin. The twelve-minute-long movie, though, starred a white actor in blackface as the title character. For African American actors and actresses, the opportunity to appear in films, and subsequently in television and serious theater productions, took a while to develop. During the late nineteenth and early twentieth centuries, the white actors who portrayed black characters, such as those who performed in D. W. Griffith'sThe Birth of a Nation in 1915, established several derogatory characters. Over the next century, black actors and actresses found themselves working against these stereotypes.
The practice of excluding African Americans from performing began during the post Civil War period and extended to all forms of acting In Wild West shows and circuses black actors and actresses were almost nonexistent The African Americans who appeared usually ...
Mousstapha Alassane, one of Niger's first filmmakers, excels in animation, a genre of film typically ignored in Africa. His work aims to preserve and revalue his African cultural heritage and to provide biting social commentary on Niger's postcolonial bourgeoisie.
Alassane was born in N’Jougou, Benin. He moved with his family to Niger in 1953. While in primary school, he began to develop the film style he would later polish as an adult. Alassane entertained his relatives and friends with shadow shows and makeshift cartoons drawn on translucent wrappings and shown through a projector he built. Throughout his teenage years, he refined his animation technique and at the age of twenty, he produced two short animated films—Le Piroguier (The Canoe-Paddler) and La Pileuse de mil Woman Pounding Millet While working at the Institut Fondamental d Afrique Noire Alassane had the opportunity to show these films to French ...
Nigerois filmmaker, was born in Ndougou (Niger). A mechanic by trade, he revealed himself to be an inventive young man at an early age. When no film theater existed in his village, indeed at a time when most of his fellow villagers had never seen a film, Alassane drew characters on cardboard, cut them out, and offered his fellow villagers their first cinematic experience by animating a rudimentary set of puppets.
In 1960 Alassane met Jean René Debrix and with his support obtained employment at the Institut d Afrique Noire Ifan in Niamey Later on two major figures exerted profound influence on the art and filmmaking career of Moustapha Alassane Jean Rouch a French engineer turned Africanist and advocate of direct anthropology and Norman McLaren a Scottish Canadian who made his first film at age twenty and later became the animation guru at the studios of National Film Board ...
Eritrean comedian, theater artist, musician, and sports teacher, was born on 1 February 1925 during the Italian colonial period in Eritrea in Abba Shawl, the poor segregated Eritrean quarters of the capital Asmara. His father was Kahsay Woldegebr, and his mother, Ghebriela Fitwi.
At the age of ten he attended an Orthodox Church school and then received four years of Italian schooling, the maximum period of formal education for Eritreans under Italian rule. Thereafter Alemayo worked as a messenger for an Italian lawyer and, at the age of seventeen, found employment as a stagehand in Cinema Asmara, then Teatro Asmara, an imposing Italian theater and center for Italian social and cultural life. Here Alemayo was exposed to European variety shows, operas, and cinema that fascinated him greatly, particularly the genre of comedy, such as the works of Charlie Chaplin and the Neapolitan comedian Totò.
Italian colonization was characterized by strict ...
Ambitious, talented Debbie Allen has broken ground for black women in a variety of roles, primarily behind the scenes of the entertainment industry—directing, producing, writing, and choreographing television shows, films, and musical theater.
Debbie Allen was born into a remarkable family in Houston, Texas. Her father, Andrew Allen, was a dentist, and her mother, Vivian Ayers Allen, is a poet who has been nominated for the Pulitzer Prize. Her sister, Phylicia Rashad, is a well-known actor, and one of her brothers is Andrew “Tex” Allen, a jazz musician.
Allen decided early that she wanted to be a dancer She began her training when she was three and by the time she was eight she had decided to go into musical theater When she tried to enroll in the school of the Houston Foundation for Ballet she was rejected for reasons her mother considered discriminatory As a ...
was born in Algiers, Algeria on 6 October 1944. Allouche completed his primary and secondary education in Algiers and lived through the horrors of the Algerian war of independence against France. He joined the Institut National du Cinema in Algiers and made his first film to complete his undergraduate degree in 1964, Croisement. Allouche then moved to France, where he worked at the Office Radio-Television Français in Paris in 1968. He had already completed a second short film in Algeria, Le Voleur (1966), in which a boy keeps hiding things he has stolen at the beach.
As he also gained experience joining film crews in the late 1960s and early 1970s, Allouche matured as an artist and director. His international reputation emerged with his 1977 film Omar Gatlato This remarkable work studies the lives of the first generation of adult Algerians who had ...
Maxamed Dahir Afrax
Somali poet, dramatist, actor, and political activist, was born in Gabiley in northwestern Somalia in 1935. His father, Muxumed Amiin, was a soldier. His mother, Muumina Kaahin, Muxumed Amiin’s first wife, died when Cabdi, her only child, was still an infant. Cabdi’s grandmother Murriya took care of him until he was a teenager. He lived in the towns of Berbera and Arabsiyo where he attended a qurʾanic school. As a teenager he had to support himself through different kinds of hard physical labor.
In 1953 he moved to Hargeisa then the capital of the British Protectorate of Somaliland where he started composing his first poems Soon after in the same year he moved to Mogadishu the Somali capital There he was recognized as a talented poet and artist and was employed by Radio Mogadishu At the same time he joined the movement for national independence He worked for ...
actor and comedian. Anderson's character Rochester, the manservant in the Jack Benny radio shows and films of the 1930s and 1940s and later on the Jack Benny Show on network television brought him fame and fortune and made him a household name in mid twentieth century America During the 1930s and later most African American screen actors and actresses who took roles in white produced Hollywood films were depicted in subservient or demeaning parts Anderson however was the independent hilariously witty favorite loved by audiences across the nation His unique ability to stir his audience with humor and sympathy made him the highest paid black actor of his time Though his role as a manservant was superficially subservient he was in fact saucy sarcastic ironic and anything but subservient His trademark answer to his boss Yes Mister Benny was delivered in a tone that let viewers know that ...
The humor and energy between Benny and Anderson led to the development of a twenty-year collaboration that delighted radio, television, and film audiences. The relationship between Anderson and Benny, for all of its sarcasm, wit, and camaraderie, was typical of the “Uncle Tomism” of the era. Anderson's trademark line to Benny became “What's that, Boss?” Yet blacks not only appreciated the comedy but were also pleased that the character was played by a black actor instead of by a white actor attempting to imitate black expression.
Anderson was born in Oakland, California. His parents performed in vaudeville, and he began acting when he was eight. His formal show business career began in 1919 when he appeared in a black revue and continued when he and his older brother Cornelius toured as a two-man music and dance team. After appearing in his first film, Green Pastures (1936 Anderson ...
Lisa Clayton Robinson
The wit, wisdom, and power of Angelou's work have made her one of the most beloved contemporary American writers. Angelou was born Marguerite Johnson in St. Louis, Missouri. Later she chose a new name for herself by combining her childhood nickname, Maya, with a version of her first husband's last name. Her family moved to California soon after her birth, but her parents divorced when she was three, and she was sent to Stamps, Arkansas, to be raised by her paternal grandmother. When Angelou was seven, her mother's boyfriend raped her. The trauma of this made Angelou unable to speak for five years. During this period she began to read widely.
Angelou returned to California during high school and took drama and dance lessons. As a teenager, she became San Francisco's first female streetcar conductor. She gave birth at age sixteen to her only child, Guy Johnson To ...
A prolific author, with a successful career as a singer, actress, and dancer, Maya Angelou became one of America's most famous poets when she stood before the nation to deliver her poem “On the Pulse of Morning” at President Bill Clinton's inauguration on 20 January 1993. At sixty-four years old, she was the first black woman to be asked to compose such a piece, and the second poet to be so recognized after the pairing of Robert Frost and John F. Kennedy in 1961. Born Marguerite Johnson in St Louis but raised in Arkansas Angelou was a natural choice for the forty second president and fellow Arkansan The poem reflects a theme that is common to all of Angelou s published works namely that human beings are more alike than different and that a message of hope and inclusion is a most inspiring dream and ideal ...
Tasha M. Hawthorne
Angelou’s creative talent and genius cut across many arenas. One of the most celebrated authors in the United States, Angelou writes with an honesty and grace that captures the specificity of growing up a young black girl in the rural South.
Born Marguerite Johnson in St. Louis, Missouri, to Bailey, a doorman and naval dietician, and Vivian, a registered nurse, professional gambler, and rooming house and bar owner, Angelou spent her early years in Long Beach, California. When she was three, her parents divorced, and she and her four-year-old brother, Bailey Jr., were sent to Stamps, Arkansas, to live with their maternal grandmother, Annie Henderson. In I Know Why the Caged Bird Sings, Angelou recalls in vivid detail this lonely and disconcerting journey to Stamps.
Under the watchful and loving gaze of her grandmother Angelou lived a life defined by staunch Christian values and her grandmother s ...
Sholomo B. Levy
writer, poet, and performer, was born Marguerite Annie Johnson in St. Louis, Missouri, the second of two children of Bailey Johnson, a doorman and a naval dietician, and Vivian Baxter Johnson, a card dealer who later became a registered nurse. Her parents called her “Rita,” but her brother, Bailey, who was only a year older, called her “My Sister,” which was eventually contracted to “Maya.” When Maya was three years old, she and Bailey were sent to Stamps, Arkansas, to live with their paternal grandmother, Annie Henderson, whom Maya often referred to as “Mother.”Mrs. Henderson was a strong independent black woman who owned a country store in which Maya lived and worked Maya was a bright student and an avid reader she absorbed the contradictory messages of love emanating from the Christian Methodist Episcopal Church and of hatred revealed in the pervasive mistreatment of ...
Maxwell Akansina Aziabah
Ghanaian filmmaker, writer, producer, and director, was born in Agona Swedru in the Central Region of Ghana. His father, J. R. Ansah, was a professional photographer, a painter, dramatist, and musician, and his mother was a trader. Kwaw Ansah, after his Anglican elementary education in Agona Swedru, moved to Accra, where he completed his ordinary-level certificate examinations. While studying for his ordinary-level certificate, he worked as a fashion designer for the United Africa Company. He later entered London Polytechnic (now the University of Westminster) in 1963 to study theater design. Having decided to pursue a career in film production, he then enrolled in the American Academy of Dramatic Arts in New York and graduated two years later, in 1965 with a diploma in dramatic arts That same year he was admitted to the American Musical and Dramatic Academy It was while there that he understudied film production in R ...
The Apollo Theater, located at 253 West 125th Street in central Harlem, New York, was the most important venue in black show business from the 1930s through the 1970s, before waning popularity caused it financial problems. With live broadcasts that featured the orchestras of African American pianists Duke Ellington and Count Basie, the Apollo became a mecca for Jazz bands in the 1930s and 1940s. By the 1950s, the theater was the nation's top stage for established black artists, while the Apollo's famous Amateur Night, in which unknown performers had their talent assessed by the notoriously raucous Harlem audience, had become a springboard for many careers. African American singers Ella Fitzgerald, Sarah Vaughan, and Pearl Bailey, for example, were all early Amateur Night winners, and later acts such as that of Stevie Wonder and the Jackson Five also enjoyed their first major exposure at ...
Inheriting the hopes and dreams of the fading Harlem Renaissance, New York's famed Apollo Theater opened at 253 West 125th Street between Seventh Avenue (now Adam Clayton Powell Boulevard) and Eighth Avenue (now Frederick Douglass Boulevard) in January 1934, becoming the first theater on 125th Street, the commercial center of Harlem, to provide live performances to black Harlem. Built in 1913, the Apollo's building had previously been occupied by two entertainment companies that had practiced “segregation without signs,” the exclusionary racial policies that motivated the fierce “Buy Black” campaign begun on 125th Street in the spring of 1934.
Besting the Lincoln and the historic Lafayette theaters both located north of 125th Street where racial barriers had already fallen the Apollo emerged as the victor in a frantic struggle for audiences in a Depression ridden Harlem where nearly 50 percent of the population was on the unemployment rolls ...
leading male vocalist of his generation in Egypt, composer and box- office sensation with a career spanning five decades, was born in Suwayda, a village in the Druze stronghold of Southern Syria. He was the eldest child of Fahd al-Atrash, an Ottoman official related to the leading Druze princely clan and Alia al-Mundhir, a Druze from Beirut. At the end of World War I, Fahd al-Atrash was posted in the Turkish district of Demirci. Fearing arrest, he fled with his family to Beirut; on the sea passage from Izmir, Alia gave birth to a daughter, Amal, whose fame as the musical artist Asmahan would equal, if not surpass, her older brother’s.
In 1923 against her husband s will Alia took her children to Damascus and then to Cairo She fled the violence that had followed the bombardment of the Druze stronghold in response to an attack on French forces ...
Famous pianist in the United Kingdom during the 1950s, selling over 20 million records. She was born in Tunapuna, Trinidad, in February 1914. She studied the piano as a child and had a local following. It was hoped that she would eventually work for the family business, after her training in pharmacy.
To gain further musical training, Atwell moved to the United States in 1945, and then came to London in 1946, to the Royal Academy of Music, to become a concert pianist. To sustain her studies, she performed piano rags at hotels, theatres, and clubs in London. By 1950 she had attained national celebrity, and signed to record with Decca. She recorded such hits as Let's Have a Ding‐Dong, Poor People of Paris, Britannia Rag, and many others. The Black and White Rag became the signature tune for the BBC's Pot Black ...
Sibyl Collins Wilson
(now Suffolk), Virginia to Florence Avery. He was one of three children whom his mother raised on her own. When he was still very young, his family moved to Atlantic City, New Jersey, where he spent most of his early life. After graduating high school in 1963, Avery enlisted in the Navy, serving in Vietnam from 1968 to 1969.
After leaving the military, he relocated to San Diego, California and began writing for PBS. He won an LA Area Emmy Award for a show he produced, Ameda Speaks: Poet James Avery. He received a scholarship from the University of California, San Diego, from which he graduated in 1978 with a Bachelor s degree in Literature and Drama Writing was always what he aspired to do professionally but his rich voice and imposing physical presence opened the door to an acting career He performed in community plays ...