Egyptian composer, musician, and film star, was born in the early 1900s, either in Cairo or in the village of Abu Kibir, Sharqiya Province. There is confusion regarding both the date and the place of his birth. Two official identification cards in his possession listed his birth in 1910 but in the two different locations named above. ʿAbd al-Wahhab’s contemporaries have suggested that he was born sometime between 1896 and 1907 their suggestions are supported by reported incidents of his early musical life and encounters with important historical figures of the 1910s His early years were spent in the Bab al Shaʿrani quarter of Cairo where his father Muhammad Abu ʿIsa ʿAbd al Wahhab was shaykh religious scholar and caretaker of the neighborhood mosque ʿAbd al Wahhab was one of five children born to his father and Fatima Higazi his mother Early on ʿAbd al Wahhab was enrolled by ...
Anne Elise Thomas
classical singer, author, gay rights activist, and former literary assistant to writer Langston Hughes, was born in Cleveland, Ohio. Abdul's father, Hamid Abdul, was from Calcutta, India, and his mother, Bernice (Shreve) Abdul, was able to trace her ancestry back to the pre-Revolutionary War era. Abdul got his start in theater at a young age, participating in children's theater by age six. He attended John Hay High School and, after graduation, worked as a journalist for the Cleveland Call and Post. He would later go on to earn a diploma from the Vienna Academy of Music in 1962. He also studied at Harvard University, the New School for Social Research, the Cleveland Institute of Music, New York College of Music, and the Mannes College of Music.
In 1951 at age twenty two Abdul relocated to New York City There he began studying music and was ...
Ronald P. Dufour
pianist and composer, was born in Chicago. He began studying piano at age seventeen and is largely self-taught, though in the late 1940s he studied briefly at Chicago Musical College and at Governors State University in Chicago. Abrams played his first professional gig in 1948, and during the early 1950s he wrote arrangements for the saxophonist King Fleming and other rhythm and blues groups. From 1957 to 1959 he was pianist, composer, and arranger for the hard-bop group MJT+3. Throughout the 1950s he also accompanied visiting soloists like Miles Davis, Sonny Rollins, Johnny Griffin, Dexter Keith Gordon, and Max Roach.
In the early 1960s Abrams and a group of young Chicagoans that included saxophonist Eddie Harris and bassist Donald Garrett began to make plans for a rehearsal band. This initial attempt failed, but Abrams and Garrett revived the effort in 1961 and ...
(b St Thomas, VI, Nov 4, 1889; d St Thomas, VI, Nov 24, 1987). American bandmaster, composer and educator. He taught himself to play the flute and piccolo, took correspondence courses from several universities, and received the BMus degree from the University Extension Conservatory of Music, Chicago. In 1910 he formed Adams’ Juvenile Band, which was incorporated into the US Navy when it assumed the administrative duties of the US Virgin Islands in 1917. He was editor of the band department of Jacobs’ Band Monthly (1913–17), the Virgin Islands correspondent for the Associated Press, and the author of articles for various music journals, newspapers and magazines. From 1918 to 1931 he supervised the music programme in the Virgin Islands public schools, modelling it after similar programmes on the mainland. After retiring from the navy in 1947 he produced musical ...
Mark Clague and John H. Zimmerman
flutist, composer, bandmaster, music educator, journalist, and hotelier, was born in Charlotte Amalie, St. Thomas, Danish West Indies (later U.S. Virgin Islands) and is remembered as the U.S. Navy's first African American bandmaster. Adams was the son of Jacob Henry Adams, a carpenter, and Petrina Evangeline Dinzey, a tailor; both his parents were members of the black artisan class centered around St. Thomas's port. This culture celebrated music and literature and instilled the young Adams with values of hard work and self-education. Although professional musicians were unknown in the Virgin Islands in his youth, Adams dreamt of a musical career inspired by his deeply held belief that music was not just entertainment, but vital to community health.
Adams attended elementary school and apprenticed as a carpenter and then a shoemaker choosing his trade based on the musical abilities of his master ...
was born in the multiracial District Six neighborhood of Cape Town, South Africa on 21 April 1929. His birth name was James Christian Apolis Adams. Arnie Adams, his father, was a barber, and moved the family to the Salt River section of Cape Town when Adams was a young boy, and he was raised there rather than in District Six. He lost two brothers to illnesses while he was quite young. Adams first became involved in music thanks to his father, who belonged to a dance band. By 1929 Adams had learned to play the banjo and had joined his father’s group.
During his early adolescence, Adams had joined the popular musician Leslie Stiger’s Senators of Swing. Stigers owned a second-hand store just across the road from Adams’ father’s barber shop. Around 1947 Adams met the saxophonist Tim Hawker who introduced Adams to the alto saxophone At a ...
Joseph S. Mella
painter, graphic artist, printmaker, and publisher, was born in Detroit, Michigan, the son of Ned Adams, an electrician and occasional sign painter, and Laura. Adams first explored art making by mimicking his father, who, according to Adams, enjoyed drawing. After the divorce of his parents around 1944, Adams lived with his aunt and uncle, Claudia and Caleb Spivey. Although he sought to attend a program for gifted children at the Detroit Institute of Arts, his uncle vehemently prohibited it, preferring that Adams spend his free time working jobs such as delivering newspapers. Adams attended Northwestern High School in Detroit while continuing to live with the Spiveys until age fifteen, when he moved to his father's home.
After graduating from high school in 1951 Adams moved to Romeo Michigan a then rural town forty one miles north of Detroit There Adams worked at ...
Born Julian Edwin Adderley in Tampa, Florida, Adderley earned the nickname “Cannonball,” a corruption of “cannibal,” for his huge appetite. Adderley was introduced to music by his father, a cornetist, and was performing in bands by the time he was fourteen. He played in local bands as well as in the United States Army (he enlisted in 1950) and taught music before moving to New York to join his brother Nat in 1955. He immediately found success on the New York Jazz scene, joining the bands of bassist Oscar Pettiford.
The recordings Adderley made with Davis, which included John Coltrane on tenor saxophone, Paul Chambers on bass, and Wynton Kelly on piano, are some of the most celebrated of the 1950s. In 1959 Adderley and his brother Nat formed their own quintet and built on the influence of Davis and saxophonist Charlie Parker During ...
Adderley, Cannonball (15 September 1928–08 August 1975), jazz saxophonist, was born Julian Edwin Adderley in Tampa, Florida, the son of Julian Carlyle Adderley, a high school guidance counselor and jazz cornet player, and Jessie Johnson, an elementary school teacher. The family moved to Tallahassee, where Adderley attended Florida Agricultural and Mechanical College High School from 1941 until 1944. He earned his bachelor’s degree from Florida A & M in 1948, having studied reed and brass instruments with band director Leander Kirksey and forming, with Kirksey, a school jazz ensemble. He then worked as band director at Dillard High School in Fort Lauderdale, Florida, and jobbed with his own jazz group.
Adderley served in the army from 1950 until 1953 leading the 36th Army Dance Band to which his younger brother cornetist Nathaniel Nat Adderley was also assigned While stationed in Washington D C in 1952 Adderley continued ...
jazz saxophonist, was born Julian Edwin Adderley in Tampa, Florida, the son of Julian Carlyle Adderley, a high school guidance counselor and jazz cornet player, and Jessie Johnson, an elementary school teacher. The family moved to Tallahassee, Florida, where Adderley attended Florida Agricultural and Mechanical College High School from 1941 until 1944. He earned his bachelor's degree from Florida A&M in 1948, having studied reed and brass instruments with the band director Leander Kirksey and forming, with Kirksey, a school jazz ensemble. Adderley then worked as band director at Dillard High School in Fort Lauderdale, Florida, and jobbed with his own jazz group.
Adderley served in the army from 1950 until 1953, leading the Thirty-sixth Army Dance Band, to which his younger brother, the cornetist Nathaniel “Nat” Adderley, was also assigned. While stationed in Washington, D.C., in 1952 Adderley continued to play ...
cornetist, trumpeter, bandleader, composer, arranger, and college educator, was born Nathaniel Adderley in Tampa, Florida, the second of two sons of Julian Adderley Sr. and Jessie Adderley. Julian Sr. was an educator who played trumpet and cornet, thus becoming Nat's first music teacher. Jessie was also a teacher. Nat's only sibling, Julian Adderley Jr., nicknamed “Cannonball” because of his rotund build, was three years older than his brother. The Adderleys moved from Tampa to Tallahassee, Florida, when Nat was a toddler so that Julian Sr. and Jessie could take teaching jobs at Florida A&M College (FAMC), a historically black school. The college changed its name to Florida A&M University (FAMU) in 1953.
Cannonball was the first of the two brothers to play trumpet He later became more interested in the alto saxophone leaving his trumpet to sit idle Nat showed no ...
Baqi<ayn>e Bedawi Muhammad
pioneer Sudanese woman singer and activist during the struggle for Sudanese independence and the first woman to perform on the radio in Sudan. Born in 1905 in Kassala City in the eastern region of Sudan, Ahmad was the eldest among her seven siblings, including three brothers and four sisters. Among them was a sister Jidawiyya who played a crucial role with Ahmad in their journey as female musicians. Ahmad’s family was originally from Nigeria and migrated to Sudan in the late nineteenth century as pilgrims on their way to the holy places in Saudi Arabia. Her father, Musa Ahmad Yahiyya, was from the Fulani-Sokoto ethnic group, while her mother, Hujra, was from Hausa. Ahmad’s nickname is Aisha al-Falatiyyia, a reference to her father’s ethnic group, the Fulani, or Fallata, as they are known in Sudan.
The documented history indicates that Sudan served as a crossroads to the holy places in ...
His father, Benjamin, was an accountant and his mother Molly (née Ekere) was a teacher and a singer, and the family belonged to the Ibibio ethnic group, chiefly resident in Akwa Ibom state in southeastern Nigeria. Akpabot taught himself to play piano when he was young. After he graduated from primary school, he moved to Lagos, where he enrolled at King’s College secondary school, which was known for its classical musical education. Akpabot also sang treble in the choir of the Anglican Cathedral Church of Christ until 1949, and he worked under Thomas Ekundayo Phillip, a skilled educator who ran the choir and taught the singers about Western classical choral music. Once he graduated from King’s College, he worked as a sports reporter for the Lagos Daily Times. During his secondary school days, Akpabot had starred on the soccer field.
In 1949 he left the choir and ...
Nigeriancomposer, organist, and ethnomusicologist born in Uyo, Akwa Ibom state, Nigeria, in 1932. In his early education at King's College, Lagos, and as a chorister at Christchurch Cathedral, in that city, he was exposed to European classical music, Mendelssohn being his favourite composer. His musical outlook was eclectic, and he was involved in dance bands such as the Chocolate Dandies and the Akpabot Players (his own band), formed in 1949, as well as being organist at St Saviour's Anglican Church in Lagos.
Akpabot studied the trumpet and organ in London at the Royal College of Music in 1954, with teachers such as John Addison, Osborn Pisgow, and Herbert Howells. Study at the University of Chicago yielded a Master's degree in Musicology, and he also received a Ph.D. from Michigan State University. He was a broadcaster for the Nigerian Broadcasting Corporation (1959 ...
Aladura is a Yoruba word for “People of Prayer.” The name describes an informal religious movement that began during the first half of the twentieth century in West Africa, particularly Nigeria The movement has grown steadily since Aladura began mostly among members of mainline churches such as the Anglican Methodist or Baptist churches These members usually followed a charismatic man or woman or both who felt called to lead their members as prophets Some of the earliest such movements or churches were the Church of the Lord Aladura Christ Apostolic Church the Garrick Braide movement and the Cherubim and Seraphim The most popular and fastest growing of the Aladura churches in the 1990s included the Celestial Church of Christ and the Brotherhood of the Cross and Star which though established in Nigeria grew to include churches in Europe and the United States The members formed prayer groups thus the ...
Composer, contralto, successful vocal coach, accompanist, and teacher. She was the youngest daughter of the famous African‐American actor Ira Aldridge, and born in Upper Norwood, London. Early on she was educated at a convent school in Belgium. At the age of 17 she was awarded a scholarship to study singing at the Royal College of Music. Her teachers included Jenny Lind and George Henschel for singing, along with Frederick Bridge and Frances Edward Gladstone for harmony and counterpoint.
Aldridge's career was successful and varied, as a contralto until an attack of laryngitis damaged her voice, an accompanist, vocal coach, and later a composer. She accompanied her brother Ira Frederick Aldridge on musical tours until his death in 1886. She also accompanied her sister Luranah in concerts at many well‐known London venues at the turn of the 20th century.
Aldridge also played a seminal ...
soul and rhythm and blues singer and songwriter, was born Arthur Alexander Jr. in Florence, Alabama, to Arthur Alexander, a laborer and musician, and Fannie Scott Spencer. He was exposed to music at an early age by his mother and older sister, who sang in church, and by his father, who played weekend gigs as a bottleneck blues guitarist. After high school Alexander was working as a bellhop at the Sheffield Hotel when he met Tom Stafford, a white R&B enthusiast who introduced him to what would become the nucleus of the Muscle Shoals–area studio scene: Dan Penn, Rick Hall, Spooner Oldham, and Billy Sherrill. The men, all then working for Rick Hall's Fame Music Stafford, found Alexander's songwriting abilities every bit as intriguing as his singing, and soon made sure that Alexander became part of Fame's writing operation. In 1958Alexander and Henry Lee Bennett coauthored ...
jazz drummer, was born Robert Patterson in Philadelphia, Pennsylvania, the son of Poston Patterson. His talented pianist aunt was asked by the famous bandleader Lionel Leo Hampton to tour with him, but as she was not yet finished with school her grandmother would not allow it. However, Ali liked what he heard emanating from his aunt's living-room rehearsals with a local group, especially the sounds from the drummer. Although he did not graduate, Ali's high school dances provided him the opportunity to hear such luminaries as the saxophonist Charlie Parker and the big bands of Woody Herman and Stan Kenton. The young Rashied listened to the jazz drummers Max Roach and Art Blakey, but his earliest influences were his father's first cousins, the drummers Bernard and Charlie Rice Upon returning to Philadelphia after beginning his drumming career in the U S Army Ali briefly studied ...
cabaret and vaudeville singer and performer, was born Eliza May (or Mae) Alix in Chicago, Illinois, to Rossetta (or Rasetta) Hayes and Ernest Alix; her parents’ occupations are not known. When Alix was a teenager, her mother remarried; it is not known if Alix's father died or if her parents divorced. Alix lived with her mother; stepfather, Arthur Davis; older sister, Josephine Alix; and younger stepsister, Ellen Davis, in Chicago.
Alix probably began her career singing and performing in chorus lines and local shows. By the early 1920s, she had already established a modest local name for herself when jazz clarinetist and bandleader Jimmie Noone took notice of her in 1921 She continued her collaboration with Noone s Apex Club Orchestra for a series of recordings for Vocalion Records in the late 1920s and early 1930s including recordings of My Daddy Rocks Me and Birmingham Bertha a song ...