At the end of the nineteenth century, just at the time of the abolition of slavery in Brazil, Rio de Janeiro's Praça Onze was the center of a neighborhood composed largely of Afro-Brazilians. Many of these people were recent migrants from the state of Bahia, and the Praça Onze neighborhood became known as “Pequena África” (or small Africa). Tia Ciata moved to Rio from Bahia at the age of twenty-two, and during the day worked selling home-cooked food at a food stall. Tia Ciata was also deeply involved in the Afro-Brazilian religion of Candomblé. At night and on the weekends she hosted gatherings at her home in Praça Onze that united some of the most famous black Brazilian musicians and composers, probably serving as one of the birthplaces of Samba music.
See also Afro-Brazilian Culture.