Egyptian composer, musician, and film star, was born in the early 1900s, either in Cairo or in the village of Abu Kibir, Sharqiya Province. There is confusion regarding both the date and the place of his birth. Two official identification cards in his possession listed his birth in 1910 but in the two different locations named above. ʿAbd al-Wahhab’s contemporaries have suggested that he was born sometime between 1896 and 1907 their suggestions are supported by reported incidents of his early musical life and encounters with important historical figures of the 1910s His early years were spent in the Bab al Shaʿrani quarter of Cairo where his father Muhammad Abu ʿIsa ʿAbd al Wahhab was shaykh religious scholar and caretaker of the neighborhood mosque ʿAbd al Wahhab was one of five children born to his father and Fatima Higazi his mother Early on ʿAbd al Wahhab was enrolled by ...
Anne Elise Thomas
classical singer, author, gay rights activist, and former literary assistant to writer Langston Hughes, was born in Cleveland, Ohio. Abdul's father, Hamid Abdul, was from Calcutta, India, and his mother, Bernice (Shreve) Abdul, was able to trace her ancestry back to the pre-Revolutionary War era. Abdul got his start in theater at a young age, participating in children's theater by age six. He attended John Hay High School and, after graduation, worked as a journalist for the Cleveland Call and Post. He would later go on to earn a diploma from the Vienna Academy of Music in 1962. He also studied at Harvard University, the New School for Social Research, the Cleveland Institute of Music, New York College of Music, and the Mannes College of Music.
In 1951 at age twenty two Abdul relocated to New York City There he began studying music and was ...
Ronald P. Dufour
pianist and composer, was born in Chicago. He began studying piano at age seventeen and is largely self-taught, though in the late 1940s he studied briefly at Chicago Musical College and at Governors State University in Chicago. Abrams played his first professional gig in 1948, and during the early 1950s he wrote arrangements for the saxophonist King Fleming and other rhythm and blues groups. From 1957 to 1959 he was pianist, composer, and arranger for the hard-bop group MJT+3. Throughout the 1950s he also accompanied visiting soloists like Miles Davis, Sonny Rollins, Johnny Griffin, Dexter Keith Gordon, and Max Roach.
In the early 1960s Abrams and a group of young Chicagoans that included saxophonist Eddie Harris and bassist Donald Garrett began to make plans for a rehearsal band. This initial attempt failed, but Abrams and Garrett revived the effort in 1961 and ...
The first image of an African American in film occurred in 1903 with the silent movie Uncle Tom's Cabin. The twelve-minute-long movie, though, starred a white actor in blackface as the title character. For African American actors and actresses, the opportunity to appear in films, and subsequently in television and serious theater productions, took a while to develop. During the late nineteenth and early twentieth centuries, the white actors who portrayed black characters, such as those who performed in D. W. Griffith'sThe Birth of a Nation in 1915, established several derogatory characters. Over the next century, black actors and actresses found themselves working against these stereotypes.
The practice of excluding African Americans from performing began during the post Civil War period and extended to all forms of acting In Wild West shows and circuses black actors and actresses were almost nonexistent The African Americans who appeared usually ...
(b St Thomas, VI, Nov 4, 1889; d St Thomas, VI, Nov 24, 1987). American bandmaster, composer and educator. He taught himself to play the flute and piccolo, took correspondence courses from several universities, and received the BMus degree from the University Extension Conservatory of Music, Chicago. In 1910 he formed Adams’ Juvenile Band, which was incorporated into the US Navy when it assumed the administrative duties of the US Virgin Islands in 1917. He was editor of the band department of Jacobs’ Band Monthly (1913–17), the Virgin Islands correspondent for the Associated Press, and the author of articles for various music journals, newspapers and magazines. From 1918 to 1931 he supervised the music programme in the Virgin Islands public schools, modelling it after similar programmes on the mainland. After retiring from the navy in 1947 he produced musical ...
was born in Charlotte Amalie, St. Thomas (now the US Virgin Islands) on 4 November 1889. He was the son of Jacob Henry Adams, a carpenter, and Petrina Dinzey, a tailor, and followed their career trajectory as part of the community’s black artisanal class. He served apprenticeships in the trades of carpentry and shoemaking.
With only a primary education and no formal school of music on the islands, Adams studied in the United States. He enrolled at the University of Pennsylvania as well as Carnegie Hall’s School of Music Theory in New York. Unable to sojourn long enough in the States, Adams completed his study of music by correspondence, a mark of distinction of the self-motivation that shaped his life. He attained a bachelor’s degree in music from the University Extension Conservatory of Chicago in 1931.
Adams organized his first musical band in 1904 and launched his ...
Mark Clague and John H. Zimmerman
flutist, composer, bandmaster, music educator, journalist, and hotelier, was born in Charlotte Amalie, St. Thomas, Danish West Indies (later U.S. Virgin Islands) and is remembered as the U.S. Navy's first African American bandmaster. Adams was the son of Jacob Henry Adams, a carpenter, and Petrina Evangeline Dinzey, a tailor; both his parents were members of the black artisan class centered around St. Thomas's port. This culture celebrated music and literature and instilled the young Adams with values of hard work and self-education. Although professional musicians were unknown in the Virgin Islands in his youth, Adams dreamt of a musical career inspired by his deeply held belief that music was not just entertainment, but vital to community health.
Adams attended elementary school and apprenticed as a carpenter and then a shoemaker choosing his trade based on the musical abilities of his master ...
was born in the multiracial District Six neighborhood of Cape Town, South Africa on 21 April 1929. His birth name was James Christian Apolis Adams. Arnie Adams, his father, was a barber, and moved the family to the Salt River section of Cape Town when Adams was a young boy, and he was raised there rather than in District Six. He lost two brothers to illnesses while he was quite young. Adams first became involved in music thanks to his father, who belonged to a dance band. By 1929 Adams had learned to play the banjo and had joined his father’s group.
During his early adolescence, Adams had joined the popular musician Leslie Stiger’s Senators of Swing. Stigers owned a second-hand store just across the road from Adams’ father’s barber shop. Around 1947 Adams met the saxophonist Tim Hawker who introduced Adams to the alto saxophone At a ...
was born Wilfred Robert Adams, in Georgetown, British Guiana (now Guyana), the son of Robert Adams, a boat builder. He was educated in Georgetown at St. Stephen’s Scots School, and St. Joseph’s Intermediate. He studied engineering drafting, but then trained as a teacher at the leading British West Indian teachers’ training college, Mico College in Jamaica. After his marriage broke down, he left for England, arriving there in September 1930. Failing to study law because of a lack of the necessary qualifications, he did a number of menial jobs and even became a professional wrestler with the name “The Black Eagle” (there is a 1934 painting by William Roberts of one of his bouts).
Acting then took over. His stage debut, with Paul Robeson in Stevedore, received favorable reviews. A year later he played Jean-Jacques Dessalines to Robeson’s Toussaint Louverture in C. L. R. James’s Toussaint Louverture ...
Joseph S. Mella
painter, graphic artist, printmaker, and publisher, was born in Detroit, Michigan, the son of Ned Adams, an electrician and occasional sign painter, and Laura. Adams first explored art making by mimicking his father, who, according to Adams, enjoyed drawing. After the divorce of his parents around 1944, Adams lived with his aunt and uncle, Claudia and Caleb Spivey. Although he sought to attend a program for gifted children at the Detroit Institute of Arts, his uncle vehemently prohibited it, preferring that Adams spend his free time working jobs such as delivering newspapers. Adams attended Northwestern High School in Detroit while continuing to live with the Spiveys until age fifteen, when he moved to his father's home.
After graduating from high school in 1951 Adams moved to Romeo Michigan a then rural town forty one miles north of Detroit There Adams worked at ...
Born Julian Edwin Adderley in Tampa, Florida, Adderley earned the nickname “Cannonball,” a corruption of “cannibal,” for his huge appetite. Adderley was introduced to music by his father, a cornetist, and was performing in bands by the time he was fourteen. He played in local bands as well as in the United States Army (he enlisted in 1950) and taught music before moving to New York to join his brother Nat in 1955. He immediately found success on the New York Jazz scene, joining the bands of bassist Oscar Pettiford.
The recordings Adderley made with Davis, which included John Coltrane on tenor saxophone, Paul Chambers on bass, and Wynton Kelly on piano, are some of the most celebrated of the 1950s. In 1959 Adderley and his brother Nat formed their own quintet and built on the influence of Davis and saxophonist Charlie Parker During ...
Adderley, Cannonball (15 September 1928–08 August 1975), jazz saxophonist, was born Julian Edwin Adderley in Tampa, Florida, the son of Julian Carlyle Adderley, a high school guidance counselor and jazz cornet player, and Jessie Johnson, an elementary school teacher. The family moved to Tallahassee, where Adderley attended Florida Agricultural and Mechanical College High School from 1941 until 1944. He earned his bachelor’s degree from Florida A & M in 1948, having studied reed and brass instruments with band director Leander Kirksey and forming, with Kirksey, a school jazz ensemble. He then worked as band director at Dillard High School in Fort Lauderdale, Florida, and jobbed with his own jazz group.
Adderley served in the army from 1950 until 1953 leading the 36th Army Dance Band to which his younger brother cornetist Nathaniel Nat Adderley was also assigned While stationed in Washington D C in 1952 Adderley continued ...
jazz saxophonist, was born Julian Edwin Adderley in Tampa, Florida, the son of Julian Carlyle Adderley, a high school guidance counselor and jazz cornet player, and Jessie Johnson, an elementary school teacher. The family moved to Tallahassee, Florida, where Adderley attended Florida Agricultural and Mechanical College High School from 1941 until 1944. He earned his bachelor's degree from Florida A&M in 1948, having studied reed and brass instruments with the band director Leander Kirksey and forming, with Kirksey, a school jazz ensemble. Adderley then worked as band director at Dillard High School in Fort Lauderdale, Florida, and jobbed with his own jazz group.
Adderley served in the army from 1950 until 1953, leading the Thirty-sixth Army Dance Band, to which his younger brother, the cornetist Nathaniel “Nat” Adderley, was also assigned. While stationed in Washington, D.C., in 1952 Adderley continued to play ...
cornetist, trumpeter, bandleader, composer, arranger, and college educator, was born Nathaniel Adderley in Tampa, Florida, the second of two sons of Julian Adderley Sr. and Jessie Adderley. Julian Sr. was an educator who played trumpet and cornet, thus becoming Nat's first music teacher. Jessie was also a teacher. Nat's only sibling, Julian Adderley Jr., nicknamed “Cannonball” because of his rotund build, was three years older than his brother. The Adderleys moved from Tampa to Tallahassee, Florida, when Nat was a toddler so that Julian Sr. and Jessie could take teaching jobs at Florida A&M College (FAMC), a historically black school. The college changed its name to Florida A&M University (FAMU) in 1953.
Cannonball was the first of the two brothers to play trumpet He later became more interested in the alto saxophone leaving his trumpet to sit idle Nat showed no ...
Baqi<ayn>e Bedawi Muhammad
pioneer Sudanese woman singer and activist during the struggle for Sudanese independence and the first woman to perform on the radio in Sudan. Born in 1905 in Kassala City in the eastern region of Sudan, Ahmad was the eldest among her seven siblings, including three brothers and four sisters. Among them was a sister Jidawiyya who played a crucial role with Ahmad in their journey as female musicians. Ahmad’s family was originally from Nigeria and migrated to Sudan in the late nineteenth century as pilgrims on their way to the holy places in Saudi Arabia. Her father, Musa Ahmad Yahiyya, was from the Fulani-Sokoto ethnic group, while her mother, Hujra, was from Hausa. Ahmad’s nickname is Aisha al-Falatiyyia, a reference to her father’s ethnic group, the Fulani, or Fallata, as they are known in Sudan.
The documented history indicates that Sudan served as a crossroads to the holy places in ...
was born Geraldine Molly Leotaud on 29 May 1933, in Port-of-Spain, Trinidad, into a mixed-race, middle-class, single-parent, devoutly Roman Catholic family. Her mother, however, was also a keeper of Shango religion, a legacy of the Yoruba peoples brought to Trinidad during the African slave trade.
She grew up in a hybrid cultural milieu of Christianity and Yoruba religious tradition (called “Ifa” today). She later recalled her early life as a Roman Catholic, with its elaborate ceremonies, and her love of participation in them, when she was allowed to carry the censer. Beginning in her teens, she was an avid student of dance, and met
USdancer, choreographer, and director. He studied in Los Angeles with Horton and later with Graham, Holm, and Weidman in New York, making his debut in Horton's company in 1950. In 1953, after Horton's death, he took over as director, then in 1954 went to New York to dance in the Broadway musical House of Flowers. In the same year he also appeared in the film Carmen Jones. A big, graceful dancer he gave his first New York concert in 1957 and in 1958 formed the Alvin Ailey American Dance Theater. In the company's first year he created Blues Suite a work exploring the pain and anger of his own African American heritage It became one of his most popular works defining his stylistic mix of modern jazz classical and black dance as well as his unique ability to fuse ...
Alvin Ailey was born in Rogers, Texas. He grew up in a single-parent household headed by his mother, Lula Elizabeth Cooper. As a boy, he helped her pick cotton. In 1942 they moved to Los Angeles, California, where she found employment in the World War II aircraft industry. Ailey attended George Washington Carver Junior High School and Jefferson High School, primarily black schools. He went on to study literature at the University of California at Los Angeles (UCLA). Ailey's dancing career started in 1949 when a high school friend, Carmen DeLavallade, introduced him to Lester Horton, his first dance instructor at the Lester Horton Dance Theater. When Horton died in 1953, Ailey became the director of the company. The following year, Ailey moved to New York City where he joined DeLavallade in the Broadway dance production House of Flowers While appearing in other stage ...
Lili Cockerille Livingston
actor, dancer, and choreographer, was born in Rogers, Texas, the son of Alvin Ailey, a laborer, and Lula Elizabeth Cliff, a cotton picker and domestic. Before Ailey was a year old, his father abandoned the family, leaving them homeless for close to six years. During that time Ailey and his mother made their way, often by foot, across the unforgiving terrain of the impoverished and bitterly racist Brazos Valley in southeastern Texas to seek shelter with relatives and find work in nearby fields.A bright curious child Ailey joined his mother in the cotton fields as soon as he could carry a sack He reveled in the sights and sounds of the gospel choirs and worshipers that he witnessed in the black Baptist churches of his youth Ailey also became acquainted with the less pious side of life through those who spent Saturday nights dancing ...
choreographer and dancer. Born in Rogers, Texas, Alvin Ailey was raised in a single-parent home headed by his mother, Lula Elizabeth Cooper. Ailey and his mother earned money by picking cotton and doing domestic work for local families. In 1942 Ailey moved to Los Angeles; he attended George Washington Carver Junior High School and Jefferson High School, where he developed an interest in music and literature. After graduation he went on to study literature at the University of California at Los Angeles.
Ailey's dance training began in 1949 when a friend, Carmen DeLavallade, introduced him to Lester Horton, founder of the Lester Horton Dance Theater. Horton was one of the few dance instructors who accepted black students, and he became Ailey's first dance coach. When Horton died in 1953 Ailey became the director of the company The following year Ailey moved to New York City where ...