was born in 1788 to Rosa Rudesinda Retuerto, a free mulatto woman. On his certificate of baptism, he is documented as a son without a father; however, on his marriage certificate, his father is identified as the surgeon and pharmacist José Isidoro Alcedo. He began his studies in the Augustine music academy in Lima, which was run by the friar Cipriano Aguilar; he later moved to the Santo Domingo convent, where he received his true musical education under the direction of Friar Pascual Nieves. In 1807 he took simple vows as a third-order Dominican for three years, having worn the friar’s habit the year before. At that time he began to teach music at the convent. In 1821 he was among the signatories of Peru s Declaration of Independence and he presented two compositions to the competition led by General José de San Martín to select a national march ...
Juan Carlos Estenssoro
(b Philadelphia, PA, Feb 14, 1760; d Philadelphia, March 26, 1831). American tunebook compiler. A former slave, he founded the African Methodist Episcopal Church in Philadelphia in 1794 and was elected its first bishop on the incorporation of the church in 1816. He compiled a hymnbook of 54 hymns, A Collection of Spiritual Songs and Hymns, for use by his congregation, the Bethel AME Church, in 1801. Later that year an enlarged version was published as A Collection of Hymns and Spiritual Songs. It was the first hymnbook published by an African American for use by African Americans, and many of the hymns later became sources for black spirituals. With Daniel Coker and James Champion, Allen also compiled the first official hymnbook of the AME Church in 1818.
Mary Krane Derr
multi‐instrumental musician, teacher, and orchestra conductor, was born in Lynchburg, Virginia. Some sources give her birth year as 1885; however, according to U.S. census data, it was most likely 1882. Her mother, Betty Anderson, was born March 1849 in Virginia. Little is known about Hallie Anderson's father except that he was also a Virginia native. When Hallie was three, the family migrated to New York City. As a child, Hallie took public school and private music lessons. She received classical training at the New York German Conservatory of Music. Although it did not record her occupation, the 1900 census noted that Hallie's mother was a widow who could neither read nor write, and who had seven living children. Betty Anderson was then living with three of her children, all of whom could read and write: Charles (born Sept. 1872), a waiter; John ...
Genaro Vilanova Miranda de Oliveira
better known as Lereno freeborn in Brazil from a Portuguese father and an Angolan mother rose to be a celebrated eighteenth century artist of the Portuguese Empire Details about Barbosa s childhood are largely unknown He was probably born in Rio de Janeiro just after his merchant father arrived from West Central Africa Barbosa s mother initially brought as a slave by his father was manumitted after giving birth so that the mixed descent child could be raised in freedom Because of his Iberian father Barbosa was able to enroll at a Jesuit school where he received instruction in liberal arts and philosophy including rhetoric and music He eventually moved to Portugal to study law at the prestigious University of Coimbra However following the death of his father and sponsor he was forced to prematurely abandon his studies and move to Lisbon Penniless he turned to the lyrical and poetic ...
jazz guitarist and banjoist, vocalist, and author, was born Daniel Moses Barker in New Orleans, Louisiana, to Moses Barker, a drayman, and Rose Barbarin Barker. Barker grew up in New Orleans with a largely absent Baptist father of rural origins and a mother whose familial connections to the Barbarin family, famed in New Orleans music, rooted him in the city's Creole of Color musical community. His childhood experiences immersed him in the cultures of both sides of his family: rural Protestant and urban Roman Catholic.
Barker's uncle, the drummer Paul Barbarin composer of the jazz standard Bourbon Street Parade started Danny on drums after trying the clarinet Danny decided to play multiple string instruments guitar banjo and ukulele A teenaged Barker played in spasm bands children s bands that featured rudimentary instruments often created from discarded objects Playing ukulele Barker led a spasm band named ...
was born Mariano de la Cruz on 14 September 1749, the illegitimate son of an unknown father and Feliciana Barros, who was described on her son’s baptismal certificate as a parda, a designation commonly applied in eighteenth-century Chile to free men and women of African descent. In 1769, at age 20, he married Josefa Guerrero Morales (1748–1842), a mixed-race slave of Inés Echevarría Portillo.
Barros established his candle making workshop with the financial assistance of someone named José Baeza and with the earnings from this shop he was able to buy his wife s freedom They would ultimately have ten children Barros s status as a master candle maker allowed him to join the black militia a group of free men of African ancestry who were charged with patrolling the city at night and protecting its stores and warehouses He soon became an officer in ...
Teresa L. Reed
singer, was born in Washington, D.C. Though her father's name is unknown, evidence suggests that he was a Union soldier. After her father died from injuries sustained during the Civil War, Batson moved with her mother, Mary Batson, to Providence, Rhode Island. She attended school and studied music in Providence; by the age of nine she was a featured soloist at Bethel Church as well as at other local churches in the Rhode Island and Boston, Massachusetts, region.
Batson's professional career began to blossom at a time when several black women were achieving renown as classically trained singers. Nellie Brown Mitchell, Sissieretta Jones, Marie Selika all classical singers and contemporaries of Batson stood in stark contrast to the Jim Crow stereotypes that prevailed in a nation only recently rid of institutionalized slavery In the early 1880s Batson was the featured soloist at People s Church ...
Marlene L. Daut
Medal of Honor recipient, actor, and playwright, was born in Richmond, Virginia, of unknown parentage. Beaty (sometimes spelled Beatty) was born a slave, but little else is known of his early years or how he came to be free. Beaty left Richmond in 1849 for Cincinnati, where he would spend the majority of his life, and became a farmer. Later, Beaty's education consisted of an apprenticeship to a black cabinetmaker in Cincinnati, as well as a tutelage under James E. Murdock, a retired professional actor and dramatic coach.
On 5 September 1862 Powhatan Beaty along with 706 other African American men was forced to join Cincinnati s Black Brigade after Confederate troops repeatedly threatened the city The Black Brigade was one of the earliest but unofficial African American military units organized during the Civil War but it did not engage in any military action since the city was ...
Alias of Thomas Wiggins (1849–1908), famous slave pianist, described by Mark Twain as a musical prodigy. He was born in May 1849 in Columbus, Georgia, being blind, and in today's terms an ‘autistic savant’. The renowned lawyer James N. Bethune bought Wiggins's parents as slaves. Recognizing that Wiggins was a musical genius capable of imitating noises, improvising, and composing at 6, Bethune's daughter Mary taught him to play the piano.
In 1857 Bethune paraded Wiggins's talent across Georgia, meeting rapturous responses. Consequently, Bethune had tours organized by Perry Oliver (concert promoter) earning them $100,000 a year. Wiggins would play European classical music, improvisations, popular ballads, and his own compositions, examples of the last being ‘The Rainstorm’ (1865) and ‘Cyclone Gallop’ (1887).
The Bethune family forced him to tour the South performing to raise funds during the Civil War for the confederacy and its army ...
During the period commonly referred to as the post–civil rights era—starting from the late 1960s and proceeding into the early twenty-first century—two significant cultural developments (among others) emerged simultaneously. With newfound access to the social, cultural, and economic institutions central to American life, black cultural artists achieved a level of (hyper) visibility unimaginable during the previous historical period, when segregation was the law of the land. As part of this shift, hip-hop music and culture emerged and evolved into one of the (if not the most prominent forms of popular culture Similarly paralleling the mainstream political gains achieved by evangelicals a Christian culture industry grew exponentially largely by capitalizing upon the resources attached to media innovations such as cable television and the Internet and reconfigurations of market forces in the era of consumer capitalism The latter advances have enabled the emergence of a new crop of televangelists a number ...
Black televangelism is a catchall category to describe a range of Protestant and predominantly evangelical ministries that utilize television and/or Webcasts as the primary means of Christian proselytization. This form of religious expression exploded in the final quarter of the twentieth century and propelled the cultural celebrity and spiritual authority of leading televangelists such as Bishop T. D. Jakes and Creflo and Taffi Dollar. Hollywood motion pictures, gospel stage plays, and bestselling publications are just a few of the outgrowths of this ministry form.
Greater inclusion of African American evangelists on white owned conservative Christian networks such as Pat Robertson s Christian Broadcasting Network and Paul and Jan Crouch s Trinity Broadcasting Network can account for in part the expanded opportunities and increased visibility of select African American evangelists Couple this with the expansion of cable networks catering to primarily African American audiences such as Black Entertainment Television and ...
minstrel performer and composer, was born in Flushing, Long Island, New York, the son of Allen M. Bland, an incipient lawyer, and Lidia Ann Cromwell of Brandywine, Delaware, of an emancipated family. Bland's father, whose family had been free for several generations, attended law school at Howard University in Washington, D.C., and in 1867 became the first black to be appointed an examiner in the U.S. Patent Office.
James Bland entered Howard University as a prelaw student in 1870 at the urging of his father but the subject and the life associated with it did not appeal to him Instead he was attracted to the minstrel show that was approaching its peak during the 1870s He played the guitar danced the steps sang the minstrel songs and most important composed songs for the shows A free black man who attended college for two years Bland had to learn ...
pianist and composer, was born John William Boone in a Union army camp in Miami, Missouri, to Rachel Boone, an army cook and former slave to descendants of Daniel Boone, and to a white bugler for the Seventh Missouri State Militia, Company I, suggested by the historian Mike Shaw to have been Private William S. Belcher (Shaw, 2005). Although Boone's early biographer, Melissa Fuell, referred to Boone as having had five brothers—Ricely, Edward, Sam, Tom, and Harry (Fuell, 137)—according to Shaw it is likely that, except for a half brother, Edward (alternately referred to in census records as both Wyatt and Edward), all were step siblings via Rachel Boone's 17 May 1871 marriage to James Harrison Hendrick (a.k.a. Harrison Hendrix).
Little Willie as the newborn John William was called and his mother soon moved to Warrensburg Missouri where at the ...
also known as Chevalier de Saint-Georges, one of the most accomplished musicians, composers, and fencing masters of eighteenth-century Europe, was born on 25 December 1745 on the plantation Saint-Robert in the town of Baillif, near the region of Basse-Terre, Guadeloupe. (Some sources give his birth year as 1739 Born a slave he was the son of Georges de Bologne de Saint Georges a wealthy white planter who had purchased a title of minor nobility and his black concubine Nanon a Senegalese house slave The ancestry of Joseph Bologne de Saint Georges places him from his earliest childhood at a precocious juncture of influences in the theater of revolutionary change in the Antilles encompassing multiple debates over slavery Although slavery had been abolished in France in the late eighteenth century it remained institutionalized in the colonies Created to normalize the life of slaves in the Antilles Le Code Noir initiated ...
Blackviolinist who performed extensively in Britain. Bridgetower was born in Biała, Poland, the son of John Frederick Bridgetower, who might have come from the Caribbean, and his wife, Marie Ann, a Polish woman who died when their son was young. Bridgetower was said to have been a child prodigy, having made his debut as a soloist in April 1789 in Paris. The environment in which he was brought up was a significant factor in the development of his talent. His father was employed by Prince Nicholas Esterhazy, and John and his son lived at the back of the opera house with the court's musicians. Haydn was also an employee of the Prince, and it is possible that the young Bridgetower studied under him. A few years later, in England, Bridgetower would play the violin in Haydn's symphonies at concerts commissioned by Johann Peter Solomon where ...
Mark Anthony Phelps
was born in Baila, Galicia, in modern-day Poland. The precise date of his birth is uncertain. Some sources give 29 February 1780, while others state 11 October 1779. He was the son of a black Barbadian father, John Frederick Bridgetower, and Maria (or Marie) Sovinski, a Polish mother. Though his father told a number of stories about his background, including being an Abyssinian prince, he likely was an escaped slave from Barbados.
The elder Bridgetower (who was fluent in five languages) was valet of the Hungarian house of Esterhazy. They were patrons of music, and Franz Josef Haydn was the house conductor. Thus, George was discovered as a prodigy. His first public performance was at the Concert Spirituel in Paris in 1789 He performed early the next year in England coming to the attention of the English royal family The Prince of Wales who would become George ...
Called the Abyssinian Prince by an admiring public, George Frederick Polgreen Bridgetower gained renown throughout nineteenth-century Europe as a violinist of exceptional talent. As a youth, he became the prized violinist of the Prince of Wales, and he is said to have studied with Joseph Haydn. In 1803 he gave the first performance of Beethoven's Kreutzer Sonata for violin—written expressly for him—with the great German composer accompanying him at the piano.
Bridgetower grew up in London, England, the son of an African father and a European mother. At the age of ten, he debuted publicly as a violinist in Paris and soon after gave his first London performance, at the Drury Lane Theatre. His violin playing so impressed the Prince of Wales (later King George IV) that he was taken into the royal retinue. He also received extensive musical instruction from such noted violinists as Giovanni Mane ...
George A. Thompson
theater manager and playwright, was born in the West Indies, probably on Saint Vincent, before 1780. Little is known about Brown's early life. He worked for some years as a steward on passenger ships, then left the sea and settled in New York City, where he worked as a tailor. The 1820 census shows him as middle-aged and free, living with his wife and daughter. At about this time he opened a public garden in the grounds behind his house on Thomas Street, between West Broadway and Hudson Street. An open-air cabaret offering light refreshments and music, the African Grove, as he called it, served the city's African American population, which was excluded from the other larger public gardens in the city.
The African Grove presumably opened in the spring of 1821, but the only knowledge of it comes from a story in the National Advocate of ...
George A. Thompson
Brown, William Alexander (fl. 1817–1823), theater manager and playwright, was born in the West Indies, probably on St. Vincent, before 1780. Little is known about Brown’s early life. He worked for some years as steward on passenger ships, then left the sea and settled in New York City, where he worked as a tailor. The 1820 census shows him as a middle-aged free black man, living on Thomas Street with his wife and daughter. At about this time he opened a public garden in the grounds behind the house in which he lived on Thomas Street, between West Broadway and Hudson Street. This was a sort of open-air cabaret, offering light refreshments and music. The “African Grove,” as he called it, served the city’s African-American population, which was excluded from the other, larger public gardens in the city.
The African Grove presumably opened in the spring of ...
was a black banjoist of the early 1800s who played for coins (picayunes) in the streets of New Orleans. Butler was celebrated as far away as Louisville and Cincinnati. Possibly from the French-speaking Caribbean or Louisiana, Butler may not have been his real name. Already described as “old” by 1830, there are no reports of Butler from after 1830. The popular minstrel song “Picayune Butler's Coming to Town” created an international legend about him.
The closest thing to what may be a contemporary New Orleans account of Picayune Butler is music historian Henry Kmen's conjecture that the words “old Butler's banjow [sic]” in the 24 December 1830Louisiana Advertiser refer to Picayune Butler.
In 1860 T. Allison Brown wrote in the New York “sporting” newspaper The Clipper that in 1834 George Nichols a white Cincinnati circus clown learned the song Jim Crow from a French darkie a ...