artist, was born in Colquitt County, Georgia, son of John Henry Adams, a former slave and preacher in the Methodist Church, and Mittie Rouse. Many questions surround Adams's early life. While he reported in an Atlanta Constitution article (23 June 1902) that he came from a humble background, his father served parishes throughout Georgia. According to the History of the American Negro and His Institutions (1917), Adams Sr. was a man of accomplishment, leading black Georgians in a colony in Liberia for two years and receiving two honorary doctorates, from Bethany College and Morris Brown University. Educated in Atlanta schools, Adams claimed in the Atlanta Constitution article to have traveled to Philadelphia in the late 1890s to take art classes at the Drexel Institute of Art, Science, and Industry (later Drexel University). Drexel, established in 1891 opened its doors to a diverse student ...
Joseph S. Mella
painter, graphic artist, printmaker, and publisher, was born in Detroit, Michigan, the son of Ned Adams, an electrician and occasional sign painter, and Laura. Adams first explored art making by mimicking his father, who, according to Adams, enjoyed drawing. After the divorce of his parents around 1944, Adams lived with his aunt and uncle, Claudia and Caleb Spivey. Although he sought to attend a program for gifted children at the Detroit Institute of Arts, his uncle vehemently prohibited it, preferring that Adams spend his free time working jobs such as delivering newspapers. Adams attended Northwestern High School in Detroit while continuing to live with the Spiveys until age fifteen, when he moved to his father's home.
After graduating from high school in 1951 Adams moved to Romeo Michigan a then rural town forty one miles north of Detroit There Adams worked at ...
Alston was born in Charlotte, North Carolina. As a teenager, he served as the art editor for his high school's annual magazine. Alston earned both his undergraduate and M.A. degrees from Columbia University in New York City. He gained popular recognition for his cover illustrations for the periodicals The New Yorker and Collier's. In the 1930s Alston taught at the Harlem Art Workshop, where he was a proponent of muralism as a black art form, and from 1935 to 1936 Alston directed the Harlem Hospital murals for the Federal Arts Project. In 1950 he became the first African American teacher at the Art Students League in New York. His best-known works are the paintings Family and Walking, which are noted for their figurative content, sculptural form, and brilliant color, and which portray the experiences of African American families in the 1950s and 1960s.
Mary Anne Boelcskevy
artist and teacher, was born in Charlotte, North Carolina, the youngest of five children of the prominent Episcopalian minister Primus Priss Alston and his second wife, Anna (Miller) Alston. Nicknamed “Spinky” by his father, Charles showed his artistic bent as a child by sculpting animals out of the red clay around his home. His father died suddenly when Charles was just three. In 1913 his mother married a former classmate, Harry Pierce Bearden (uncle of Romare Bearden), and the family moved to New York City. Charles's stepfather worked at the Bretton Hotel as the supervisor of elevator operators and newsstand personnel, and over the years the family lived in comfortable brownstones in better neighborhoods.
Alston attended DeWitt Clinton High School, where he was art editor of the student newspaper the Magpie during the week and he studied at the National Academy of Art on Saturdays He turned ...
artist, art historian, curator, critic, and educator, was born Lynda Faye Peek in Atlanta, Georgia. Amaki, who legally changed her name in 1978, is the fourth of six surviving daughters of Mary Lee Hill, a homemaker, gardener, and quilter, and Norman Vance Peek, a landscape designer and gardener during the summer, and a cake and candy caterer during the winter. Early in her life and throughout her artistic career Amaki was influenced by her parents' penchant for recycling materials into creative forms.
Amaki's parents supported and encouraged her early artistic pursuits. Her mother enthusiastically showed Amaki's drawings to family friends and members of the community. Aware of Amaki's interest, the Reverend William Holmes Borders, a friend of the family and pastor of the Wheat Street Baptist Church where the Peek family worshipped, introduced ten-year-old Amaki to Hale Aspacio Woodruff a ...
Leora Maltz Leca
painter and printmaker, was born in Atlanta, Georgia, to a family with a long line of educated and powerful women. Her grandmother, Emma, was a college-educated university professor in the 1890s, and her mother, India, was a similarly educated partner in the family drugstore with her father, Miles. Her paternal lineage included a grandfather who was the first black pharmacist in the state of Georgia. The family's social circle included such figures as Booker T. Washington and Zora Neale Hurston. Along with her older brother, Larry, Amos attended schools in Atlanta's then-segregated public school system—first E. R. Carter Elementary and then Booker T. Washington High School.
Amos remembered wishing to be an artist from an early age and eventually she enrolled in Ohio s Antioch College with a firm interest in the visual arts She earned a BA from Antioch in Fine Arts as well as an etching ...
Amalia K. Amaki
graphic artist, painter, printmaker, and political activist, was born in Chicago in 1931. An only child, he attended Chicago public schools, moving briefly to Washington, D.C., to study at Howard University with Alain Leroy Locke, Sterling Allen Brown, and James Amos Porter. After one year he then enrolled at Alabama State College (later Alabama State University) to study under the sculptor, painter, and printmaker Hayward Louis Oubre, and he received a bachelor of arts degree. Bailey continued study at the University of Southern California (USC) as a student of Charles White and the Hungarian-born Francis de Erdely. He earned the bachelor of fine arts degree in 1958 and the master of fine arts degree in 1960. At USC he worked as a graduate assistant for two years, introducing the students Mel Edwards and Calvin Burnett to the work ...
Betty Kaplan Gubert
Edward Mitchell Bannister was the first of two sons born to Edward and Hannah Alexander Bannister. His father was from Barbados; his mother, who was probably of Scottish descent, was a native of St. Andrews, New Brunswick, and fostered her older son's love of drawing. His father died when Bannister was six; his mother died in 1844. The two boys were sent to live with a wealthy white lawyer, Harris Hatch, and his family. They worked on the Hatches' farm but had access to the Hatches' library, which was filled with books and with paintings that Bannister copied incessantly.
Following the path of many young men who lived in coastal communities, Bannister went to sea, working on fishing boats and schooners. He settled in Boston in 1848 laboring at menial jobs before he learned the skilled trades of barbering and women s hair styling He ...
Pamela M. Fletcher
painter, was born in St. Andrews, New Brunswick, Canada, the son of Hannah Alexander, a native of New Brunswick, and Edward Bannister, from Barbados. While his birth date has generally been given as 1828, recent research has suggested that he was born several years earlier. After the death of his father in 1832, Edward was raised by his mother, whom he later credited with encouraging his artistic aspirations: “The love of art in some form came to me from my mother. … She it was who encouraged and fostered my childhood propensities for drawing and coloring” (Holland, Edward Mitchell Bannister, 17). His mother died in 1844 and Edward and his younger brother William were sent to work for a wealthy local family where he was exposed to classical literature music and painting Edward s interest in art continued and an early biography of the ...
Hasaan A. Kirkland
football player and painter, was born Ernest Eugene Barnes Jr. in Durham, North Carolina, the son of Ernest Barnes Sr., a tobacco worker, and Fannie Mae Geer, who worked for a local legal official. On occasion Barnes talked with Mr. Fuller, his mother's employer, and from him learned about culture, art, and classical music.
Before the landmark Supreme Court case Brown v. Board of Education in 1954 it was uncommon for African Americans in North Carolina to have access to museums or other sources of information about ancient or world cultures Segregation and racial inequalities in schools and other public institutions deprived most back children of avenues for artistic pursuits Despite such constraints Barnes s mother exposed her son to as much culture and art as she could he studied dance and horn and percussion instruments as well as the visual arts By the time ...
Born to a Haitian father and a first-generation Puerto Rican-American mother, Jean-Michel Basquiat grew up in Brooklyn, New York. As a child he created drawings inspired by Comic Books and television cartoons. His mother, who often took him to local museums, nurtured his early interest in art.
In May 1968 Basquiat was hit by a car. He suffered a broken arm and his spleen had to be removed. While he was hospitalized, his mother gave him a copy of Gray's Anatomy, a book that inspired many of his later works as well as the name of the Gray, the noise band he co-founded in 1979. After his parents separated in 1968, Basquiat and his two sisters lived with their father. At the age of seventeen, Basquiat dropped out of high school and lived, by choice, in the streets and with various friends.
Basquiat s career as an ...
N. Elizabeth Schlatter
painter, was born in Brooklyn, New York, the son of Gerard Basquiat, an accountant originally from Haiti, and Matilde Andradas, of Puerto Rican descent. A precocious draftsman from childhood, Basquiat received little formal artistic training. The last school he attended was the experimental City-as-School program in Manhattan, where he befriended his fellow artist Al Diaz.
Before quitting school altogether in 1978, Basquiat created SAMO (meaning “same old shit”), which was variously a pseudo-religion, a fictional logo, a nom de plume, and a persona. Basquiat and Diaz spray-painted original aphorisms with a copyright symbol next to the word SAMO on walls and in alleys in lower Manhattan. Their mock epigrams and mottoes included “SAMO as an end to mindwash religion, nowhere politics, and bogus philosophy,” “SAMO saves idiots,” and “plush safe he think, SAMO.” Whereas other graffiti artists such as Fab 5 Freddy, Futura 2000 and ...
Amy Helene Kirschke
painter. Basquiat was born to a Puerto Rican mother, Matilde Basquiat, and a Haitian father, Gérard Jean-Baptiste Basquiat, who was a former Haitian minister of the interior. Basquiat's mother encouraged his interest in all forms of the visual arts. He attended a Catholic high school but dropped out a year before his graduation and moved from Brooklyn to Manhattan. There he lived with various friends and supported himself by selling small, postcard-size art and T-shirts.
When Basquiat was only seventeen he started partnering with his friend Al Diaz in lower Manhattan to graffiti dilapidated buildings and subway trains with images and poems, signing the artwork “SAMO,” which represented “same ole shit.” The graffiti often included cryptic sayings, such as “plush safe he think; SAMO,” “SAMO is an escape clause,” and “SAMO does not cause cancer in laboratory animals.” Within a year this graffiti garnered considerable interest. The Village ...
Romare Bearden was inspired by the work of early-twentieth- century European artists, such as Pablo Picasso, Henri Matisse, and Joan Miró, who championed a collage aesthetic. These artists painted or pasted onto the artwork's surface elements from various sources, creating images with stylistic and spatial distortions. The Civil Rights Movement also inspired Bearden, and he assembled a group of African American artists in the early 1960s to create artwork in celebration of the movement. When they rejected his suggestion that collage be the official medium of the group, Bearden began to create collages on his own.
Bearden became famous for his collages of the 1960s. In the works from this period, Bearden combined acrylic and/or oil paints with sources drawn from magazines, newspapers, and photographs to construct images of African American people and their surroundings.
Childhood memories of Pittsburgh, Pennsylvania Charlotte North Carolina where he was ...
Eleanor F. Wedge
artist, was born Romare Howard Bearden in Charlotte, North Carolina, the son of R. Howard Bearden, a grocer, and Bessye Johnson. When Bearden was about four years old, the family moved to New York, settling in Harlem, where he went to public school and his parents developed a wide network of acquaintances among the Harlem jazz musicians and intellectuals of the day. His father later became an inspector for the New York Board of Health; his mother, a civic leader. Bearden finished high school in Pittsburgh, however, having lived there for a time with his grandmother. In 1932, after two years at Boston University, he transferred to New York University, where he created illustrations for the undergraduate humor magazine and earned a BS degree in Education in 1935. For the next two years he contributed political cartoons to the Baltimore Afro-American Unable to find ...
Amy Helene Kirschke
painter, printmaker, and collage artist. Romare Howard Bearden was born in Charlotte, North Carolina, on 12 September 1911, to Richard Howard and Bessye Bearden. Although he only spent two years in North Carolina, his grandparents conveyed a sense of history and connection to the South, a connection that was reflected in his work throughout his career. Most of his childhood and adult life were spent in New York. He moved to New York in 1914, and then to Harlem in 1920. His mother, Bessye, was elected to the New York City school board in 1922 education was of paramount importance in his family Bearden had an expansive diverse career and is considered one of the finest American artists of the twentieth century He had an interest in political social and cultural issues including the visual arts music and literature He was particularly ...
Paul Von Blum
artist and businesswoman, was born in Cleveland, Ohio, to George A. Beasley and Annette P. Beasley, both of whom worked at a local country club. Like many artists, she revealed considerable talent in childhood, excelling in school art classes and enjoying parental support for her creativity. She graduated from John Adams High School in Cleveland in 1961, and began her formal training at Ohio University, where she earned a BFA in Visual Arts in 1965. After graduation, she started teaching art at Cleveland's Glenville High School; she held this position from 1965 to 1969. During that time, she had a brief marriage in 1968 to Louis Evans, about whom little is known. They divorced in 1969.
In 1969 she moved to Los Angeles After a year as a layout artist for Sage Publications a leading publisher of social science books and journals ...
writer and artist, was born in Giddings, Texas, the daughter of Joshua Robin Bennett and Mayme F. Abernathy, teachers on an Indian reservation. In 1906 the family moved to Washington, D.C., where Gwendolyn's father studied law and her mother worked as a manicurist and hairdresser. When her parents divorced, her mother won custody, but her father kidnapped the seven-year-old Gwendolyn. The two, with Gwendolyn's stepmother, lived in hiding in various towns along the East Coast and in Pennsylvania before finally settling in New York.
At Brooklyn's Girls' High (1918–1921) Bennett participated in the drama and literary societies—the first African American to do so—and won first place in an art contest. She attended fine arts classes at Columbia University (1921) and the Pratt Institute, from which she graduated in 1924 While she was still an undergraduate her poems Nocturne and Heritage were published in ...
Sandra Y. Govan
Although she never collected her published poetry into a volume nor produced a collection of short stories, Gwendolyn Bennett was recognized as a versatile artist and significant figure in the Harlem Renaissance.
Torn between her ambition to work as a graphic artist and her desire to become a proficient writer using the medium of either poetry or prose, Bennett maintained the profile of an arts activist in New York City's African American arts community for over twenty years. However, the five-year period spanning 1923 to 1928 proved to be the most productive for her as a creative writer. It was within this brief span that James Weldon Johnson recognized Bennett as a lyric poet of some power.
Born in Giddings, Texas, Bennett led a nomadic childhood before her father, Joshua Robbin Bennett finally settled his family into comfortable surroundings in Brooklyn New York Bennett completed her secondary education at ...
Maud C. Mundava
poet, artist, illustrator, teacher, and journalist. (Some of her works appear under Gwendolyn Bennett Jackson and Gwendolyn Bennett Crosscup.) Bennett was the daughter of Joshua R. Bennett and Mayme F. Abernathy, teachers on a Nevada Native American reservation. She was born in Giddings, Texas, and later lived in Pennsylvania, Florida, and New York. When Bennett's parents divorced, she moved to New York with her stepmother and father. She was married to Alfred Jackson, a physician (1928) and then to Richard Crosscup, a teacher (1941). She had no children.
As an African American poet, artist, illustrator, teacher, and journalist, Bennett contributed significantly to the Harlem Renaissance (an African American artistic movement) and to U.S. history and culture. She attended fine arts classes at Columbia University (1921), at Pratt Institute (1924 and in France ...