ceramist, sculptor, filmmaker, and cofounder (with her husband, James Hatch) of the Hatch‐Billops Collection, an archive of African American cultural history, was born in Los Angeles, California, to Lucius Billops, a cook and merchant seaman, and Alma Gilmore, a dressmaker, maid, and aircraft assembly worker. Billops graduated from Catholic Girls High School in 1952, and in 1954 she began her studies at the University of Southern California. She majored in occupational therapy, which included drawing, sculpture, and ceramics. She transferred to Los Angeles State College in 1956 after she became pregnant, and then she changed her major to special education. Billops worked during the day as a bank bookkeeper and maintained a full academic workload in the evening. At the end of 1956 her daughter, Christa, was born, and Billops put her up for adoption. This was an experience she would explore in her 1992 ...
Caryn E. Neumann
a still photographer and documentary filmmaker, was born in Houston, Texas, the second child and only daughter of the schoolteacher Mollie Carroll Parrott and the dentist Frederick Douglas Parrott Sr. At least one grandparent had been born a slave. Both parents were the first in their respective families to obtain advanced college degrees, but racism kept the family poor. The Parrotts lived in the Third Ward, one of Houston's African American neighborhoods, and Blue attended a segregated grade school. As she wrote in her memoir, The Dawn at My Back, the challenges of growing up poor and black in a racist, classist society put a shadow over her life.
Blue did not intend to pursue a career in the visual arts. She enrolled as an English literature student, specializing in the sixteenth- and seventeenth-century English Renaissance period, at Boston University in 1960 with the goal of becoming ...
Born in Brooklyn, New York, St. Clair Bourne is the son of St. Clair Bourne Sr., who was an editor of the Amsterdam News and a reporter for the People's Voice in the 1930s. Although the younger Bourne began his education at Georgetown University in 1961, he was expelled for student activism. In 1967 he received a B.A. degree from Syracuse University after working with the Peace Corps. He began a degree in filmmaking at Columbia University in 1968, but was again asked to leave because of his political activities.
From 1968 until 1970 Bourne was a producer, writer, and director for the public-television series Black Journal. He established his own company, Chamba Productions, and produced African American documentary films such as Something to Build On (1971) and Let the Church Say Amen! (1973). In 1974 he received the Bronze ...
was born 7 January 1953 in Guayaguayare, Trinidad and Tobago. Information on her parents is unavailable. She attended Naparima Girls’ High School in San Fernando, graduating in 1970. The same year, she immigrated to Canada for further schooling, graduating from the University of Toronto with a B.A. in 1975, and from the Ontario Institute for Studies in Education with an M.A. in 1976. She lives in Toronto and, since 2004, has been a research professor in the Department of English and Theatre Studies, University of Guelph. Brand is the author of ten books of poetry; four novels; a collection of short stories; four substantial works of nonfiction, including the resonant and influential meditation on being in diaspora, A Map to the Door of No Return: Notes to Belonging (2001 other uncollected essays and four documentary films She has won many awards for her work ...
Angolan anthropologist, writer, and filmmaker, was born in Santarém, Portugal, on 22 April 1941. His family immigrated to Angola in 1953, to the city of Moçamedes, where he spent part of his adolescence. He then returned to Portugal, where in 1960 he finished a course in agronomy. During these Portuguese years, he kept himself at a distance from the group of young nationalist students from the colonies, who tended to congregate around the Casa dos Estudantes do Império in Lisbon, to discuss and denounce the iniquity of the Portuguese colonial system.
Carvalho returned to Angola in 1960. He was living in the province of Uìge when, in 1961, the anticolonial activity of the Movimento Popular para la Libertação de Angola (MPLA) began, which would lead to Angola eventually achieving independence in 1975 In those years Ruy Duarte de Carvalho worked as a coffee grower and ...
Donna L. Halper
was born in Memphis, Tennessee, the oldest of two daughters of Samuel Crossley, a postal worker, and Mattie (Robinson), a teacher. Her parents met at Southern University in Baton Rouge, and she was raised in a home where education was a priority. She attended all-black schools until high school, when she became one of nineteen black students who integrated Memphis’s Central High School in 1966. It was a difficult experience, but one that helped her to become more confident and taught her to stand up for herself. In high school, history was her favorite subject, but her textbooks made no mention of the accomplishments of people of color. She began to research black history and wrote reports about what she learned. She also became interested in journalism, writing a theater and entertainment column for her school newspaper.
Crossley wanted to go to school somewhere outside of the South and ...
Amber B. Gemmeke
, Senegalese filmmaker and ethnologist, was born on 22 November 1943 in Fad’jal, Senegal, a small Serer village about sixty-two miles (hundred kilometers) south of Dakar, in the Sine-Saloum region. Safi Faye is the second of her mother’s seven children. Her father was a polygamous businessman and village chief, and Faye had thirteen half-brothers and half-sisters as well. Safi Faye attended primary school in Dakar and obtained her teacher’s certificate at the Normal School of Rufisque through a state contract in 1962. She worked as a schoolteacher in Dakar from 1963 until 1969. In 1966 she met Jean Rouch, the French ethnographic filmmaker and a father of cinema verité, at the World Black and African Festival of Arts and Cultures (FESTAC), in Dakar. Subsequently, she had a role in Rouch’s 1968 film Petit à petit: lettres persanes Little by Little Persian Letters Although Safi Faye ...
Safi Faye is not only one of the few independent African women film directors, but also one of the few who make ethnographic films, which document cultures. Born near Dakar, Senegal, the daughter of a village chief and businessman of Serer origin, Faye moved to Dakar at the age of nineteen to become a teacher. There she became interested in the uses of film in education and ethnology, the study of ethnic groups and their cultures. Upon meeting French filmmaker and ethnologist Jean Rouche, Faye embarked on a film career.
Faye acted in Rouche’s Petit à petit ou les lettres persanes (1968). She learned about Rouche’s style of cinéma-vérité, characterized by an unobtrusive camera and spontaneous nonprofessional acting, which influenced her own film work. With Rouche’s encouragement she moved to Paris in 1972 enrolling in the École Pratique des Hautes Études to study ethnology and in the ...
Sarah B. Buchanan
, Togolese filmmaker and international legal adviser for the United Nations Educational, Scientific, and Cultural Organization, was born Ayele Folly-Reimann on 31 March 1954 in Lomé, Togo, to Amah Folly (a producer at the French world-music recording company OCORA and then at Radio France International) and Juliette Reimann. She has one sister. Folly studied law in Paris at the Université de Paris II–Panthéon-Assas. She began her career as an international legal adviser for UNESCO in 1981.
In the early 1990s Folly began making films In spired by Sarah Maldoror a French Guadeloupean filmmaker and Safi Faye a Senegalese filmmaker and ethnologist whom she has called des militantes dont le travail cinématographique est inspirant car il interroge l essence des problématiques des Africaines militants whose cinematographic work is inspiring because it interrogates the heart of the problems confronting African women Folly turned to film because she considers it similar to ...
Born in Havana to a Cuban father and a North American mother, Sergio Giral has lived in Cuba and the United States. After finishing high school in Cuba, Giral spent two years studying painting at the Art Students' League in New York. Following the Cuban Revolution in 1959, he returned to live in Havana. There Giral began engineering studies but soon joined the Instituto Cubano de Arte e Industria Cinematográficas (Cuban Institute for the Arts and Film Industry) or ICAIC in 1961. Like film director Sara Gómez, Giral belongs to the second generation of ICAIC filmmakers, who worked under the tutelage of Tomás Gutiérrez Alea, the best-known Cuban director.
Giral's films include a slave trilogy—El otro Francisco (The Other Francisco, 1974), El rancheador (The Slave Hunter; 1976), and Maluala (1979)—and a film on contemporary Cuban issues, Techo de vidrio ...
The son of farmers, Med Hondo was raised in the Atar region of Mauritania on the edge of the Sahara. At 18 he left home to attend cooking school in Morocco, after which he went to work as a chef in France. It was in France that he became interested in the performing arts.
Hondo began his artistic career by acting for French theater companies. Frustrated by the roles they offered him, he soon formed a theater ensemble with the aim of producing plays that expressed feelings common among Africans in Europe: exile and estrangement. To earn extra income, he also took parts in movies and television. Through this work he became fascinated with film and taught himself to use a movie camera. In early 1969 Hondo directed his first short film. By the end of the year he completed his first full-length feature, Soleil O It ...
Mauritanian filmmaker and actor active in France, was born on 4 May 1936 in Atar, Mauritania. His family belonged to the prominent northern clerical family of the Barikallah. Hondo’s paternal grandfather was a Muslim scholar and poet. One of his grandmothers originally came from Mali, and his father was originally from the Western Sahara, a Spanish colony until 1975 when it came under Moroccan control.
After attending primary and secondary schools, including some time at a culinary program at the International Hotel School in the Moroccan capital of Rabat, Hondo moved in 1959 to Marseilles France where he worked as a dockworker Hondo read voraciously and drew inspiration from writers such as Frantz Fanon Cheikh Anta Diop Aimé Césaire and Kateb Yacine Hondo later noted how frustrated he was by the invisibility of people of color in French popular culture and film On movie screens or in theaters our ...
film directors, producers and writers. Fraternal twins, Albert and Allen Hughes were born in Detroit Michigan to an African American father and an Armenian mother Aida who was born in Iran Albert is older than Albert by nine minutes Their parents divorced when they were two years old and at age nine the Hughes Brothers moved with their mother to Pomona California an hour from Hollywood where they first became interested in filmmaking Their mother ran her own business a vocational center and let her sons use the family s video camera to make films in part to let them pursue their passion and in part to keep them away from gangs and drugs While media outlets and the brothers own public relation representatives would later emphasize the pair s rough urban childhood experiences the two in fact were never in gangs and had stable childhoods complete ...
Mark D. Cunningham
filmmakers and film producers, were born in Detroit, Michigan, the twin sons of an African American father and a white Armenian mother, Aida Hughes. Though information about their father is limited, the Hughes Brothers, as they are most well known commercially, have suggested in interviews that he was or tried to be a pimp. Their parents divorced when the brothers were two years old. In 1981 Aida moved her young sons to Pomona, California, a suburb near Hollywood. With little more than a fast food restaurant worker's income, Aida supported her family while simultaneously putting herself through college. She eventually established her own business to rehabilitate injured workers and satisfied her activist spirit by becoming president of the Pomona chapter of the National Organization for Women.
To keep her boys out of trouble Aida lent her company s video camera to her sons to occupy their time creating ...
Lisa K. Thompson
writer, educator, professional speaker. Marilyn Willingham was born in Toledo, Ohio, but moved to Kosciusko, Mississippi, in 1955 with Jimmie Kern, a housepainter, and Manella Kern, a schoolteacher, who adopted her six years later. The couple had raised ten children of their own (their youngest child was a junior in high school) when they began caring for Marilyn. A very ambitious and high achieving student at Tipton Street High School, Kern hosted a radio program and served as editor-in-chief of the school newspaper, The Tipton Gazette. In 1971, Kern and a white student delivered valedictory addresses, after her senior class was forced by a Supreme Court order to integrate the city's white school.
Kern enrolled at Jackson State University (JSU) in August 1971 after receiving a four year scholarship Her mother feared for her daughter s safety after the Mississippi State Guard ...
Angolan photographer, documentarist, and filmmaker, was born on 30 July 1976 in Benguela, Angola. When he was eight years old, his family moved to Portugal. Although Liberdade stayed in Portugal, he often visited Angola for professional reasons. He graduated with a degree in cultural marketing from the Universidade Lusófona of Lisbon, and also attended some courses for a master’s degree in African studies in the Instituto Superior de Ciências do Trabalho e da Empresa (ISCTE) in Lisbon. Liberdade attended a course of cine-video in the Instituto Superior de Artes Design, Marketing e Publicidade (IADE) of the Portuguese capital. At the age of twenty, he produced his first documentary, O Rap è Uma Arma 1996 which follows rappers living in the suburbs of Lisbon These suburban spaces usually known for their violence are presented in Liberdade s film as places of extreme cultural vitality He won the prize for best ...
Ina J. Fandrich
documentary filmmaker, was born in Philadelphia, Pennsylvania, the youngest of three sons of the engineer and contractor Frederick McDonald Massiah, a native of Barbados, and Edith Lamarre-Massiah from Haiti, who taught French at North Carolina Central College and the Baldwin School in Bryn Mawr, Pennsylvania. Massiah grew up in North Philadelphia near Temple University. He attended Friends Select School, an independent Quaker institution in Philadelphia, from kindergarten through grade 12, and received an undergraduate degree from Cornell University in 1977.
At Cornell, Massiah studied physics and astronomy, but also became interested in media arts. While residing at the University's Risley College for the Creative and Performing Arts, Massiah made the experimental film Exercise: Swim, Pebble, Martyr, Remember (1975 During this time he also started to work at WNET the public television station in New York City He later pursued a graduate degree in Documentary Filmmaking ...
Debbie Clare Olson
filmmaker, producer, director, playwright, writer, and cultural critic, was born in Newark, New Jersey, but spent most of his childhood in North Carolina. Little is known about his family. After high school, Moss moved to Baltimore and attended Morgan State College, where he earned a bachelor's degree in 1929. He also attended Columbia University in New York City, where he formed a troupe of black actors called “Toward a Black Theater.” The troupe toured around New York City and performed at various black colleges.
Moss was active in the theater and radio and acted in his first film, The Phantom of Kenwood, in 1933. The film was directed by Oscar Micheaux, one of the more prolific early black filmmakers. Between 1932 and 1933 Moss wrote three dramas—“Careless Love,” “Folks from Dixie,” and “Noah”—for a radio series called The Negro Hour ...
C. M. Winston
artist, curator, art historian, filmmaker, writer, and activist, was born in Philadelphia, Pennsylvania, the only child of Howard Pindell and Mildred, both educators. By the age of eight Pindell already aspired to be an artist, and she attended Saturday drawing classes at the Fleischer Art Memorial.
Pindell graduated cum laude with a BFA from Boston University and earned an MFA from Yale University's School of Art and Architecture in 1967. She moved to New York City in 1967 after graduating from Yale and she worked primarily as a painter of nonobjective and figurative works during the early years of her career That year she landed a job at the Museum of Modern Art MoMA as an exhibition assistant in the department of national and international circulating exhibitions At MoMA she rose through the ranks from curatorial assistant to associate curator in ...
journalist, news anchor, writer, documentary producer, and activist, was born in New York City to Christopher Poussaint, a printer, and Bobbie Vance Poussaint, a social worker who would eventually become New York City's human resources administration commissioner. Poussaint was born into a nurturing family in East Harlem, surrounded by her aunts and uncles. One of them, Alvin Poussaint, later became a well-known psychiatrist, writer, and civil rights activist.
Initially Poussaint attended a neighborhood Catholic school in Harlem, but in 1953 she, her parents, and her younger brother moved to Queens, New York. Three years later her parents divorced. In Queens, she attended public schools. She had a deep curiosity about the varied cultures of the world and a passion for literature, writing, and African dance—she performed briefly with a professional company. In-1962 Poussaint graduated as salutatorian of her class at ...