visual artist and educator, was born Melvin Eugene Edwards Jr., in Houston, Texas, the eldest of four children of Thelmarie Felton Edwards and Melvin Eugene Edwards Sr. His father was a brilliant and gifted man who worked as a waiter, laborer in the oil industry, photographer, and a professional scout for the Boy Scouts of America. His mother, a seamstress, from whom Edwards learned to sew, was also athletically and artistically talented. His grandmother was a quilter, whose patternmaking and use of color influenced Edwards. Woodcarving was passed down on his father's side, and one of his maternal ancestors was a blacksmith brought to America from West Africa. Both his father and George Gilbert, a family friend that Edwards considered an uncle, were interested in art and they nurtured Edwards. His father built his first easel. Edwards Sr. also passed on a love of music especially ...
Monifa Love Asante
Janet Yagoda Shagam
painter, printmaker, and educator, was born Reginald Adolphus Gammon Jr. in Philadelphia, Pennsylvania, the son of Reginald Gammon Sr. and Martha Brown, Jamaican émigrés. An academic-track student, Gammon graduated from Benjamin Franklin High School in 1941. The caption under his yearbook portrait states that he is “one of the best artists.”
In 1941 Gammon received a scholarship to the Philadelphia Museum School of Industrial Arts (later the Philadelphia Museum College of Art). During the summer of 1942, he worked at the Philadelphia Naval Shipyard refurbishing battleships for the war effort. He lost his scholarship when his job caused him to miss the September registration date, and for the next eighteen months, he worked at the shipyards during the day and went to art school at night. With the arrival of his draft notice, Gammon joined the navy and served from 1944 to 1946 ...
Angela R. Sidman
painter, dancer, playwright, and set designer, was born in White City, Kentucky, to parents whose names and occupations are unknown. John Robinson, a coal miner uncle with an interest in drawing and painting, encouraged young Sebree's artistic talents. “Robinson tutored Charles in drawing by having him sketch pictures with a stick in the soil and taught him how to make little figures of men out of mud and twigs” (Marshall, 3). In 1924, when Sebree was ten years old, he and his mother joined the flood of African Americans moving north in the Great Migration. They settled in Chicago, where the preadolescent Sebree soon launched himself into the city's thriving cultural scene.
An elementary school teacher jumpstarted Sebree s career when she showed his artwork to members of the University of Chicago s Renaissance Society The group was impressed enough with the fourteen year ...