artist and educator, was born Betye Irene Brown in Pasadena, California, to Beatrice (maiden name unknown), a seamstress who enjoyed quilting, and Jefferson Brown, a salesman who liked to sketch and write. Jefferson Brown died from kidney problems when Saar was six years old, and Betye and her brother and sister lived with her mother's great-aunt and great-uncle until her mother remarried a man named Emmett six years later. After the second marriage, Beatrice had two more children, a boy and a girl. Saar spent summers with her grandmother in Watts, where she saw Simon Rodia'sWatts Towers, a vernacular example of assemblage consisting of eight tall conical spirals. Built from steel rods, covered in concrete, and encrusted with found objects like bottle caps, glass, broken tiles, and shells, the Watts Towers seemed like “fairy-tale castles” (Isenberg, State of the Arts 23 to Saar and ...
Lisa D. Freiman
artist. Born Betye Irene Brown in Los Angeles, California, Betye Saar is a renowned assemblage artist and the mother of three daughters—Lezley, Alison, and Tracye Saar—two of whom, Lezley and Alison, are also well-known artists.
Betye Saar earned a bachelor of arts degree from the University of California at Los Angeles (UCLA) in 1949. She did graduate work at California State University at Long Beach from 1958 to 1962. Later in 1962 she returned to Los Angeles to attend the University of Southern California to specialize in printmaking; she also continued her studies at California State University at Northridge that year. In 1970 she entered the Pasadena School of Fine Arts to study film.
While residing in Pasadena during the 1950s Betye Brown took a turn from her professional life as a social worker and became active in her early artistic career as ...
Betye Saar’s multidimensional work destroys the distinctions between the traditional art forms of painting, sculpture, and printmaking. She has participated in group and solo exhibitions throughout the country, and her work is in major collections in museums across the United States.
Betye Saar was born in Los Angeles. As a child she often visited her relatives in nearby Watts, where she actually observed the construction of Watts Towers (1921-1954) by the self-taught artist Simon Rodia. Saar credits the memory of the construction of the towering spirals (from bottle caps, glass, tiles, cement, and steel) with her lifelong interest in putting together or assembling creative works using different art techniques, and from castoff, found materials. Saar graduated with a degree in design from the University of California, Los Angeles, in 1949 and pursued graduate work at California State University Long Beach in art education and printmaking ...
Born Betye Brown in Los Angeles, California, Betye Saar (pronounced Say-er) is the daughter of Jefferson and Beatrice Brown. She married artist Richard Saar shortly after earning a B.A. degree in design from the University of California at Los Angeles (UCLA) in 1949. Saar pursued graduate studies at California State University at Long Beach, the University of Southern California, and California State University at Northridge. She has taught at UCLA and at the Parsons-Otis Institute.
Although Saar began as a printmaker and graphic designer, she later made a transition to three-dimensional work. The work that marked this turning point was Black Girl's Window (1969 in which Saar placed a print of an African American girl into a segmented window frame with existing objects She gradually replaced prints in her assemblages with existing objects She has increased the scale of her work to include room sized ...