writer and educator, was born in Petersburg, Virginia, to parents about whom little is known but who were only briefly married before Harold's father took his young son to New York City during the black migration to the North. The elder Cruse found work as a custodian with the Long Island Railroad; however, he soon realized the he could not care for a small child alone and placed Harold with a foster family in Queens. During the Harlem Renaissance of the 1920s his foster mother, Aunt Henrietta, instilled a love for the black theater in the young Harold, frequently taking him to performances. With the coming of the Depression the family lost their home and was forced to move into an apartment in Harlem, where Cruse became more deeply immersed in black culture. There he would witness performances by Duke Ellington, Cab Calloway, Bill Robinson, and Florence ...
Sholomo B. Levy
Debbie Clare Olson
filmmaker, producer, director, playwright, writer, and cultural critic, was born in Newark, New Jersey, but spent most of his childhood in North Carolina. Little is known about his family. After high school, Moss moved to Baltimore and attended Morgan State College, where he earned a bachelor's degree in 1929. He also attended Columbia University in New York City, where he formed a troupe of black actors called “Toward a Black Theater.” The troupe toured around New York City and performed at various black colleges.
Moss was active in the theater and radio and acted in his first film, The Phantom of Kenwood, in 1933. The film was directed by Oscar Micheaux, one of the more prolific early black filmmakers. Between 1932 and 1933 Moss wrote three dramas—“Careless Love,” “Folks from Dixie,” and “Noah”—for a radio series called The Negro Hour ...
Steven J. Niven
writer and critic, was born in Nokomis, Alabama, the son of Sudie Graham, a Tuskegee Institute student, and John Young, a businessman. Soon after his birth Mattie Murray, a housewife, and her husband, Hugh, a laborer and timber worker, adopted him. Murray, who later enjoyed a close relationship with Graham and Young, joked of his adoption by less-wealthy parents, “It's just like the prince left among the paupers” (Gates, 30). He learned about the folkways of segregation in Magazine Point, a community on the outskirts of Mobile, Alabama, where his family had moved during World War I. “We didn't dislike white people,” he recalled. “We saw too many bony-butt poor white crackers. We were going to feel inferior to them?” (Maguire, 139). Murray's rejection of any notion of black inferiority was further strengthened by exposure to Mobile's baseball legend Satchel Paige and ...