gunsmith and engraver, was born in Raleigh, North Carolina, the eldest son of Allen Jones, a slave and a blacksmith, and Temperance Jones, a slave. He was one of eight children, a daughter and seven sons, born into a long line of slavery. His paternal grandfather, Charles Jones, was born in Africa around 1770 and brought to America to be sold into slavery some years later. Although born a slave, Gunsmith Jones was freed in 1829 when his father purchased liberty for his entire family Allen Jones was a skilled blacksmith who labored intensely for himself and his family while simultaneously performing his slave duties to earn the vast sum of money necessary to buy his family s freedom After saving the extraordinary amount of $2 000 he was cheated out of the money by his master and left with nothing With admirable determination he ...
Verity J. Harding
Makeba G. Dixon-Hill
painter and poet, was an enslaved servant for the Reverend John Moorhead, a Presbyterian minister, and his wife, Sarah Moorhead, in Boston, Massachusetts. Limited information is available about Scipio Moorhead's place of birth or parents, but historically a large majority of the slaves in Massachusetts came from the West Indies or the Western coast of Africa.
As slavery in the United States became inextricably linked to the nation s economy society government and identity race assumed a larger role in becoming a determining factor regarding occupational opportunities In terms of the fine arts race determined who could be trained There were few schools in the seventeenth and eighteenth centuries where blacks could receive specialized training or venues that would exhibit their work The alternatives for many artists were at the hands of fellow slaves freed blacks working as artisans or through their owners families who provided knowledge ...
Despite Scipio Moorhead's position as a slave in the home of John Moorhead, a Presbyterian minister in Boston, he managed to develop his artistic talent. Sarah Moorhead, a painter who was the wife of the minister, probably provided some instruction.
The painting of African-American poet Phillis Wheatley that inspired the engraved frontispiece of her book of poetry is attributed to Moorhead. The volume, Poems on Various Subjects, Religious and Moral, was published in London in 1773 and created public debate concerning the intellectual abilities of those of African descent.
Unfortunately no signed works by Moorhead are known to exist. It is believed that it is Moorhead whom Wheatley immortalized with her 1773 poem, To S. M., A Young African Painter, on Seeing His Work. The poem is thought to be inspired by Scipio Moorhead and describes two paintings presumably by Moorhead, Aurora and Damon and Pythia ...