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Esther Aillón Soria

for the rights of Afro-Bolivians, and cofounder and director of Fundación AFROBO for Afro-Bolivian children. She belongs to the generation of young Afro-Bolivians born in one of the three main Bolivian cities (La Paz, Cochabamba, Santa Cruz) who affirmed their identity by turning their gaze toward the rural communities of one or both of their parents. Through this lens of introspection and cultural struggle, Angola Campos sought to educate children regarding their rights and to strengthen the Afro-Bolivian community.

Her father, Germán Angola Maconde (1959– ), was of African descent, born in the Coscoma community of Coripata, North Yungas. He migrated to the city of La Paz in 1998 and worked as a businessman importing auto parts. Her mother, Mercedes Campos Gorriti (1955– ), was of Aymara origins, born in La Paz, an educator dedicated to recovering and practicing Aymara traditional wisdom. Carmen’s siblings were Pedro (d. 2004 ...

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Susan B. Iwanisziw

commercial painter, artist, and activist, was born in Philadelphia, Pennsylvania, the only known child of Jeremiah Bowser from Maryland and Rachel Bustill, daughter of the prosperous black abolitionist and educator Cyrus Bustill. The intermarriage among the region's free black Quaker families headed by Cyrus Bustill, Robert Douglass Sr., Jeremiah Bowser, and David Mapps created a dynamic force that benefited all African Americans and particularly spurred David s personal growth and accomplishments Jeremiah a member of the Benezet Philosophical Society served as a steward on the Liverpool lines and later it seems he was the proprietor of an oyster house near the intersection of 4th and Cherry Streets where David Bowser first hung up his sign as a commercial painter Later the Bowser family moved to the Northern Liberties section of Philadelphia into a house at 481 North 4th Street where Bowser remained for the ...

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Kimberly Curtis

visual artist, educator, and activist, was born in Lynn, Massachusetts, the second of the seven children of Dana C. Chandler Sr., a longshoreman, and Ruth Chandler. At age five Dana Chandler Jr. and his family moved to Roxbury, Massachusetts, a predominantly African American community. Chandler's parents, who had not attended school beyond the ninth and eleventh grades, raised their children to recognize the importance of completing high school and earning a college degree. Chandler grew up in a poor, working-class family and attended Boston's public schools throughout childhood and adolescence. He received primary and elementary education at the Asa Gray and Sherwin schools. After a six-month hospital stay to treat rheumatic fever, he transferred from Boston Latin School to J.P. Timility Junior High School. At Boston Technical High School his art teachers Ralph Rosenthal and Gunnar Munnick inspired him to become an artist. In 1959 Chandler graduated ...

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African American sculptor. Her long career anticipated and included the period of the Harlem Renaissance of the 1920s and early 1930s (see African American art §I 2.). Born Meta Vaux Warrick, she studied at the Pennsylvania Museum and School for Industrial Art, Philadelphia, from 1893 to 1899. This was followed by a period in Paris (1899–1902) at the Ecole des Beaux-Arts, and the Académie Colarossi, during which time one of her figures caught the eye of Auguste Rodin. She exhibited regularly at the Pennsylvania Academy of Fine Arts. Her early work, with themes of death and sorrow, was characterized by a powerful expressionism. At the Tercentennial Exposition (1907) she was awarded a gold medal for the Jamestown Tableau, a 15-piece sculpture that recorded the settlement of the black community of Jamestown in 1607. In 1909 she married Solomon Carter Fuller and ...

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Lisa Clayton Robinson

“Art must be the quintessence of meaning. Creative art means you create for yourself. Inspirations can come from most anything. Tell the world how you feel … take the chance … try, try!” This statement by Meta Vaux Warrick Fuller reflects the spirit of a woman who created bold, dramatic work that took new chances in African American art. Fuller was born in Philadelphia in 1877, the daughter of two successful entrepreneurs—her father owned a catering business and a barber shop, and her mother was a hairdresser—and grew up in a privileged home, receiving lessons in art, music, dance, and horseback riding. When one of her high school projects at the J. Liberty Tadd Industrial Art School was selected to be part of Tadd's exhibit at the 1893 World's Columbian Exposition in Chicago, her public career as an artist began.

In 1894 Fuller received a three year scholarship ...

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Sylvia Arnstein

one of America’s first studio sculptors of African American ancestry who was an integral part of the artistic and social ferment that subsequently blossomed into the Harlem Renaissance. Described by her peers as “elegantly Victorian” and “deeply spiritual,” Meta Warrick Fuller was, according to W. E. B. Du Bois, “one of those persons of ability and genius whom accidents of education and opportunity had raised on a tidal wave of chance.”

Meta Vaux Warrick was born in Philadelphia to William H. Warrick Jr., a master barber, and Emma (Jones) Warrick a wigmaker and hairdresser Both owned and managed their own businesses in Philadelphia and Atlantic City New Jersey where the family spent its summers Emma Warrick s father operated a catering business and like his daughter served a largely white clientele A great grandmother brought to the American colonies as a slave was purported to be an ...

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Lisa E. Rivo

sculptor, was born Meta Vaux Warrick in Philadelphia, Pennsylvania, the daughter of William H. Warrick and Emma Jones. Meta's great grandmother, according to family lore, was an Ethiopian princess brought to the American colonies as a slave. Emma owned and operated several hairdressing parlors that catered to a white clientele. William owned a chain of barbershops and dabbled in real estate. Meta was ten years younger than her two siblings, William and Blanche. Through lessons and field trips to museums and concerts, the Warricks introduced their children to art and encouraged their creative endeavors. Meta, who played the guitar, took dancing lessons, and sang in the church choir, exhibited an early talent for drawing.

After graduation from public high school in 1894, Warrick won a three-year scholarship to the Pennsylvania Museum and School for Industrial Arts (now the Philadelphia College of Art). In 1897 her ...

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Amy Helene Kirschke

sculptor. Born into a middle-class family in Philadelphia, Meta Vaux Warrick received a strong liberal arts education that included private lessons in dance, music, art, and horseback riding. She was recognized early as an artist when one of her sculptures was accepted for exhibition at the World's Columbian Exposition in Chicago in 1893. Warrick received formal art training at the Pennsylvania Museum and School of Industrial Art (now the University of the Arts), from which she graduated with a diploma and teaching certificate in 1898.

Like many other artists of the era she left for Paris as soon as possible after her graduation to continue her training and to work in a more open and racially free environment While in Paris she studied at the Académie Colarossi to refine her sculpture techniques and at the École des Beaux Arts to improve her drawing Even in Paris with ...

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David C. Driskell

Edwin A. Harelston was born in Charleston, South Carolina. His father was a seaman, Captain Edwin Guillard Harleston, who became one of Charleston's leading undertakers and died at age seventy-six on April 21, 1931, shortly before his son's death. Edwin Agustus's early education did not prepare him for the career of an artist, even though he expressed interest in art at an early age. Instead he earned a B.A. degree in 1904 from Atlanta University in Georgia where he excelled in several sports From Atlanta he went with the blessings of his family to Harvard University in Massachusetts hoping to become a physician The urge to gain creative expression in the visual arts outweighed his interest in medicine however and he spent seven years studying at the Boston Museum School of Fine Arts During his stay in Boston he pursued with distinction the study of anatomy ...

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Mary Anne Boelcskevy

painter and civil rights activist, was born in Charleston, South Carolina. “Teddy,” as he was called, was one of six children of Edwin Gailliard Harleston and Louise Moultre. Harleston's father, born in 1852, was one of eight children of the white plantation owner William Harleston and his slave Kate. Edwin Gailliard Harleston had worked as a rice planter but returned to Charleston and his family's Laurel Street home in search of a better living for his-wife and children. There he ran a produce-transporting business for a few years and then brought his nickname “Captain” along when he left boating in 1896 to set up the Harleston Brothers Funeral Home with his brother Robert Harleston a former tailor The segregated funeral business meant they would have no competition from whites Most of Captain s sons were uninterested in joining the business after their uncle Robert left however ...

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Pamela Lee Gray

musician, activist, author, painter, and sculptor, was born Richard Pierce Havens in Brooklyn, New York, the oldest of nine children. He grew up in the Bedford-Stuyvesant neighborhood. His father, Richard Havens, worked as a metal plater and dreamed of becoming a professional pianist, eventually learning to play a number of instruments. Richie's mother Mildred a bookbinder and casual singer at home encouraged her young son when he started singing background vocals at the age of twelve for local groups All kinds of music were played in the Havens home Richie s grandmother listened to Yiddish gospel and big band music his mother enjoyed country music and his father loved jazz He joined the doo wop singing group the Five Chances at age fifteen and performed the next year with the Brooklyn McCrea Gospel Singers a group that sang hymns for neighborhood churches Havens ...

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Lawana Holland-Moore

artist, was born in Los Angeles, California, the younger of two daughters of Lovie Honeywood; information about her father is unavailable. Her regular visits to relatives in rural Progress, Mississippi, and Louisiana would provide a foundation for her artwork, as would the teachers and her close-knit family who encouraged her artistic talent. Her sense of identity was honed in her youth as her family experienced prejudice upon their move into a mixed Los Angeles neighborhood. In the 1960s, she became active in civil rights protest demonstrations and rallies.

Originally aspiring to become a history teacher, Honeywood was a history major at Spelman College before switching to art. Her years at Spelman were influential to her development as a painter. Spelman's all-female atmosphere was nurturing and had a long-standing reputation for producing African American scholars and artists. While there she networked with artist-professors such as Kofi Bailey and Samella ...

Article

Gregory Eiselein

In his third-person autobiography, From the Virginia Plantation to the National Capitol (1894), John Mercer Langston recounts his career as one of the most influential African American leaders of the nineteenth century. Born in Virginia and educated at Oberlin, Langston became in 1854 the first African American admitted to the Ohio bar and in 1855 the first elected to public office in the United States (town clerk of Brownhelm, Ohio). Throughout the 1850s he worked within antislavery and civil rights movements, advocating a nationalist, pro-emigration position before becoming a Republican party activist. Heading recruitment of African American soldiers in the West during the Civil War, he rose to national prominence after the war as the president of the National Equal Rights League (a forerunner of the NAACP), an educational inspector for the Freedmen's Bureau, and a Republican party organizer. In 1868 he accepted a professorship at Howard ...

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Aimee Lee Cheek and William Cheek

John Mercer Langston was born free in Louisa County, Virginia, the son of Ralph Quarles, a wealthy white slaveholding planter, and Lucy Jane Langston, a part–Native American, part-black slave emancipated by Quarles in 1806. After the deaths of both of their parents in 1834, Langston and his two brothers, well provided for by Quarles's will but unprotected by Virginia law, moved to Ohio. There Langston lived on a farm near Chillicothe with a cultured white southern family who had been friends of his father and who treated him as a son. He was in effect orphaned again in 1839, however, when a court hearing, concluding that his guardian's impending move to Missouri (a slave state) would imperil the boy's freedom and inheritance, forced him to leave the family. Subsequently, he boarded in four different homes, white and black, in Chillicothe and Cincinnati worked ...

Article

Aimee Lee Cheek and William Cheek

political leader and intellectual, was born free in Louisa County, Virginia, the son of Ralph Quarles, a wealthy white slaveholding planter, and Lucy Jane Langston, a part-Native American, part-black slave emancipated by Quarles in 1806. After the deaths of both of their parents in 1834, Langston and his two brothers, well provided for by Quarles's will but unprotected by Virginia law, moved to Ohio. There Langston lived on a farm near Chillicothe with a cultured white southern family who had been friends of his father and who treated him as a son. He was in effect orphaned again in 1839 when a court hearing concluding that his guardian s impending move to slave state Missouri would imperil the boy s freedom and inheritance forced him to leave the family Subsequently he boarded in four different homes white and black in Chillicothe and Cincinnati worked ...

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Thomas Adams Upchurch

Born in Virginia to a wealthy white planter and a slave mother, John Mercer Langston was one of the most influential African Americans of the nineteenth century. Widely regarded by contemporaries and historians alike as second in importance only to Frederick Douglass, Langston actually superseded the venerable Douglass in certain ways. Although Douglass enjoyed more widespread renown, Langston held more government positions and had a more varied career. The two men first met in 1848 and maintained a friendship for many years thereafter. They disagreed on some important racial issues, however, which sometimes led to hard feelings and, near the end of their lives, an intense rivalry that most observers would say made them bitter enemies.

Langston was about ten years younger than Douglass and while they were both mulattoes born to slave mothers their upbringings could hardly have been more different Whereas Douglass endured the most abhorrent circumstances ...

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C. M. Winston

artist, curator, art historian, filmmaker, writer, and activist, was born in Philadelphia, Pennsylvania, the only child of Howard Pindell and Mildred, both educators. By the age of eight Pindell already aspired to be an artist, and she attended Saturday drawing classes at the Fleischer Art Memorial.

Pindell graduated cum laude with a BFA from Boston University and earned an MFA from Yale University's School of Art and Architecture in 1967. She moved to New York City in 1967 after graduating from Yale and she worked primarily as a painter of nonobjective and figurative works during the early years of her career That year she landed a job at the Museum of Modern Art MoMA as an exhibition assistant in the department of national and international circulating exhibitions At MoMA she rose through the ranks from curatorial assistant to associate curator in ...

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African American painter and sculptor. Born in Harlem, Jones studied art at the City College of New York beginning in 1950. By 1955 she had completed her degree in Fine Arts and Education, and had two daughters, Michele Faith Wallace and Barbara Faith Wallace. From 1955 to1973 Ringgold taught in the New York City public schools. She spent many summers in Provincetown, MA, painting landscapes. In 1959 she completed a Masters degree in fine arts at City College of New York. Two years later Ringgold made her first trip to Europe, where she visited museums in Paris, Florence, and Rome. In 1962 she married Burdette Ringgold and began using his name professionally. Her first political paintings, including The American People series (1963–7), were inspired by the writings of James Baldwin and Amiri Baraka (then Leroi Jones) and included the powerful imagery of The Flag Is Bleeding ...

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Lisa E. Rivo

artist and writer, was born Faith Willie Jones at Harlem Hospital in New York City, the youngest of three children of Willi(e) Edell (Posey) and Andrew Louis Jones Sr., a truck driver for the city sanitation department. The Joneses separated in the early 1930s and divorced in 1942, by which time Willi Jones had begun work as a seamstress in the garment district. By the 1950s, using the name Madame Willi Posey, she had established a small dressmaking and design business in Harlem. Faith, who suffered from severe asthma and missed kindergarten and much of first grade because of her illness, enjoyed an especially close relationship with her mother, who organized creative projects to occupy her curious daughter. After graduating from Morris High School (she spent the first three years at George Washington High School) in 1948 Faith Jones began studying art at the City ...

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Painter and sculptor Faith Ringgold has spent her artistic career breaking boundaries and opening opportunities for African American creativity, especially that of women. Born in New York City and raised in Harlem, Ringgold earned a bachelor's degree in art and education in 1955 and a master's of fine arts degree in 1959 from The City College of New York. Dissatisfied with the traditional art training she received in New York and later in Europe, Ringgold studied African art, reading the work of Black Arts Movement authors and participating in the Civil Rights Movement. Paintings from this period—including The Flag Is Bleeding (1967), US Postage Stamp Commemorating the Advent of Black Power (1967) and Die (1967)—blend the geometric shapes and flat perspective of African-inspired artistic traditions with powerful political and social protest.

Ringgold has been an outspoken critic of racial and gender prejudice ...