Egyptian composer, musician, and film star, was born in the early 1900s, either in Cairo or in the village of Abu Kibir, Sharqiya Province. There is confusion regarding both the date and the place of his birth. Two official identification cards in his possession listed his birth in 1910 but in the two different locations named above. ʿAbd al-Wahhab’s contemporaries have suggested that he was born sometime between 1896 and 1907 their suggestions are supported by reported incidents of his early musical life and encounters with important historical figures of the 1910s His early years were spent in the Bab al Shaʿrani quarter of Cairo where his father Muhammad Abu ʿIsa ʿAbd al Wahhab was shaykh religious scholar and caretaker of the neighborhood mosque ʿAbd al Wahhab was one of five children born to his father and Fatima Higazi his mother Early on ʿAbd al Wahhab was enrolled by ...
Anne Elise Thomas
Eritrean Tigrinya singer and performer, songwriter, instrument player, and music composer, was born in the city of Asmara. During the Eritrean war of liberation (1961–1991), Abraham Afewerki and his family, like hundreds of thousands of other Eritreans, sought refuge in Sudan.
Abraham Afewerki became attracted by music and musical instruments at an early age. As a young child, he started playing famfam harmonica and singing at school events As a young boy with great artistic potential he joined the Qeyyahti Embaba Red Flowers of the Eritrean People s Liberation Front EPLF at the age of twelve The Red Flowers was a cultural troupe composed of young artists who performed cultural and revolutionary music and theater within Eritrea in areas controlled by the EPLF and Sudan A branch of the troupe of which Abraham Afewerki was a member was active in Khartoum By writing and composing his own ...
Mark Clague and John H. Zimmerman
flutist, composer, bandmaster, music educator, journalist, and hotelier, was born in Charlotte Amalie, St. Thomas, Danish West Indies (later U.S. Virgin Islands) and is remembered as the U.S. Navy's first African American bandmaster. Adams was the son of Jacob Henry Adams, a carpenter, and Petrina Evangeline Dinzey, a tailor; both his parents were members of the black artisan class centered around St. Thomas's port. This culture celebrated music and literature and instilled the young Adams with values of hard work and self-education. Although professional musicians were unknown in the Virgin Islands in his youth, Adams dreamt of a musical career inspired by his deeply held belief that music was not just entertainment, but vital to community health.
Adams attended elementary school and apprenticed as a carpenter and then a shoemaker choosing his trade based on the musical abilities of his master ...
was born in the multiracial District Six neighborhood of Cape Town, South Africa on 21 April 1929. His birth name was James Christian Apolis Adams. Arnie Adams, his father, was a barber, and moved the family to the Salt River section of Cape Town when Adams was a young boy, and he was raised there rather than in District Six. He lost two brothers to illnesses while he was quite young. Adams first became involved in music thanks to his father, who belonged to a dance band. By 1929 Adams had learned to play the banjo and had joined his father’s group.
During his early adolescence, Adams had joined the popular musician Leslie Stiger’s Senators of Swing. Stigers owned a second-hand store just across the road from Adams’ father’s barber shop. Around 1947 Adams met the saxophonist Tim Hawker who introduced Adams to the alto saxophone At a ...
Nigerian pioneer of juju and world music star, was born Sunday Adeniyi Adé in the southwestern Nigerian city of Ondo on 22 September 1946. His father was a Methodist pastor and the organist for his church, while his mother engaged in various trading enterprises. Through his maternal grandfather, who lived in the town of Akoure, near Ondo, Ade was of royal lineage. By the time he reached his adolescent years, Adé had moved with his family to the town of Oshobo. Although he completed primary school, Adé ended up dropping out of secondary school before completing his studies. His lack of financial resources cut short his formal education. He already had developed eclectic tastes in music through his childhood and adolescent experiences. Traditional Yoruba music featuring drums fascinated the young boy, as did the occasional use of drums at church. Adé remembered in a 2005 interview that when ...
Sunday Anthony Ishola Adeniyi Adegeye, known internationally to African music fans as King Sunny Ade, was raised in a home where Christian and Yoruba religious and cultural perspectives were thoroughly intermingled. Ade's father was a church organist. Ade attended missionary schools, then dropped out of college in the 1960s to pursue a career as a drummer in Juju bands. Juju, a form of Nigerian pop music first developed by Yoruba musicians in the 1920s, was just beginning to gain an international audience. Ade's chief musical inspiration was I. K. Dairo, though Ade's later song lyrics drew more inspiration from his Christian education.
The early 1970s marked the birth of Ade s reputation as an African superstar with an international audience Ade deviated from the Dairo legacy through a series of innovations He expanded the juju band lineup from a single electric guitarist to as many as six played with at ...
Ethan R. Sanders
intellectual, pan-African thinker, educator, and Christian preacher, was born in Anomabo, Gold Coast (now Ghana) on 18 October 1875. His father was Kodwo Kwegyir (1816–1896) of the Fante people who was the Omankyiame or hereditary spokesman for the paramount chief of Anomabo, and his mother was Abna Andua, scion of a chiefly family. At the age of eight, Aggrey left his home to attend the Methodist school in Cape Coast. In 1890 he started teaching in a rural village school and the following year returned to Cape Coast to become an assistant teacher at the Wesleyan Centenary Memorial School where he soon advanced to a senior position At this early stage in his life Aggrey became interested in Christian ministry He began preaching at sixteen and later assisted in the translation of a Fante language New Testament During this time Aggrey also became involved with the ...
Africaneducationist, variously called the Father of African education, the Booker T. Washington of Africa, and, in the title of Edwin W. Smith's1929 biography, Aggrey of Africa. Born in Anomabo in the Gold Coast, the son of the chief linguist in the court of King Amona V, Aggrey was an able pupil and in 1898 travelled to America, where he joined Livingstone College in North Carolina. In 1903 he was ordained an elder of the African Methodist Episcopalian Zionist Church.
A compulsive learner, aside from his Master's degree (awarded in 1912), Aggrey also gained through correspondence courses a doctorate of Divinity from Hood Theological College and a doctorate of Osteopathy from the International College of Osteopathy, Illinois, before going to Columbia to undertake a Ph.D.
In 1920 the Phelps Stokes Fund sent Aggrey to Africa the only black member of the Commission to investigate the ...
Nigeriancomposer, organist, and ethnomusicologist born in Uyo, Akwa Ibom state, Nigeria, in 1932. In his early education at King's College, Lagos, and as a chorister at Christchurch Cathedral, in that city, he was exposed to European classical music, Mendelssohn being his favourite composer. His musical outlook was eclectic, and he was involved in dance bands such as the Chocolate Dandies and the Akpabot Players (his own band), formed in 1949, as well as being organist at St Saviour's Anglican Church in Lagos.
Akpabot studied the trumpet and organ in London at the Royal College of Music in 1954, with teachers such as John Addison, Osborn Pisgow, and Herbert Howells. Study at the University of Chicago yielded a Master's degree in Musicology, and he also received a Ph.D. from Michigan State University. He was a broadcaster for the Nigerian Broadcasting Corporation (1959 ...
Mousstapha Alassane, one of Niger's first filmmakers, excels in animation, a genre of film typically ignored in Africa. His work aims to preserve and revalue his African cultural heritage and to provide biting social commentary on Niger's postcolonial bourgeoisie.
Alassane was born in N’Jougou, Benin. He moved with his family to Niger in 1953. While in primary school, he began to develop the film style he would later polish as an adult. Alassane entertained his relatives and friends with shadow shows and makeshift cartoons drawn on translucent wrappings and shown through a projector he built. Throughout his teenage years, he refined his animation technique and at the age of twenty, he produced two short animated films—Le Piroguier (The Canoe-Paddler) and La Pileuse de mil Woman Pounding Millet While working at the Institut Fondamental d Afrique Noire Alassane had the opportunity to show these films to French ...
Nigerois filmmaker, was born in Ndougou (Niger). A mechanic by trade, he revealed himself to be an inventive young man at an early age. When no film theater existed in his village, indeed at a time when most of his fellow villagers had never seen a film, Alassane drew characters on cardboard, cut them out, and offered his fellow villagers their first cinematic experience by animating a rudimentary set of puppets.
In 1960 Alassane met Jean René Debrix and with his support obtained employment at the Institut d Afrique Noire Ifan in Niamey Later on two major figures exerted profound influence on the art and filmmaking career of Moustapha Alassane Jean Rouch a French engineer turned Africanist and advocate of direct anthropology and Norman McLaren a Scottish Canadian who made his first film at age twenty and later became the animation guru at the studios of National Film Board ...
African‐Americantragedian and Shakespearean actor who emigrated to England and performed extensively in Europe. Aldridge was born to Daniel and Lurona Aldridge on 24 July 1807 in West Broadway, New York. There has been some confusion concerning his genealogy. One suggestion of his lineage was that he was a descendant of a princely line of the Fulah tribe in Senegal. This version is probably a romantic tale fabricated to accentuate an exoticism that would have boosted his dramatic persona. What is known, however, is that Daniel Aldridge was a straw‐vendor and a pastor, who might have been a slave. There are no records to verify that Daniel was indeed a slave, but the name Aldridge was most probably that of a slave master.
Although Daniel had intended his son to join the ministry the young Aldridge was already passionate about the theatre After his education at the African Free School ...
Eritrean comedian, theater artist, musician, and sports teacher, was born on 1 February 1925 during the Italian colonial period in Eritrea in Abba Shawl, the poor segregated Eritrean quarters of the capital Asmara. His father was Kahsay Woldegebr, and his mother, Ghebriela Fitwi.
At the age of ten he attended an Orthodox Church school and then received four years of Italian schooling, the maximum period of formal education for Eritreans under Italian rule. Thereafter Alemayo worked as a messenger for an Italian lawyer and, at the age of seventeen, found employment as a stagehand in Cinema Asmara, then Teatro Asmara, an imposing Italian theater and center for Italian social and cultural life. Here Alemayo was exposed to European variety shows, operas, and cinema that fascinated him greatly, particularly the genre of comedy, such as the works of Charlie Chaplin and the Neapolitan comedian Totò.
Italian colonization was characterized by strict ...
Africanjournalist and nationalist born in Egypt of Egyptian and Sudanese parentage. At the age of 9 or 10 Ali was sent to England to be educated. He never returned to Egypt and spent most of his time between 1883 and 1921 living in Britain. During this period, he was poverty‐stricken, attempting to earn a living through his pen and tour acting. Ali published Land of the Pharaohs in 1911, an anti‐imperialist book that became a significant contribution to the decolonization efforts in the United States and West Africa.
In 1912Ali and John Eldred Taylor, a journalist from Sierra Leone, inaugurated the African Times and Orient Review (1912–20), a magazine that sought to deal with anti‐colonial issues that not merely embraced Pan‐African matters, but incorporated Pan‐Oriental topics as well. The journal was inspired by the Universal Races Congress in London in 1911 which advocated ...
J. Ayo Langley
In his lifetime (1866–1945), Duse Mohamed Ali, actor, historian of Egypt, newspaper editor, Pan-Africanist, Pan-Islamist, and promoter of African American and African trade and investment, was known to African American leaders such as Booker T. Washington, the principal of Tuskegee Institute, and Washington’s successor, R. R. Moton. He was also known to Arthur W. Schomberg, Dr. Carter G. Woodson, the founding father of African American history, and W. T. Ferris, author of The African Abroad (1913). He was known to African nationalist leaders, public intellectuals, merchants, and lawyers, particularly to West Africans. His book In the Land of the Pharaohs (1911) and monthly journal The African Times and Orient Review, “a monthly journal devoted to the interests of the colored races of the world,” played an important role in increasing his public outside Britain.
According to his autobiography serialized ...
was born in the Lafiaji neighborhood in Lagos, Nigeria, on 20 July 1940 His father James Alabi Allen derived his surname from an ancestor who had been rescued from a slave ship and brought to Sierra Leone in the early nineteenth century James Alabi Allen worked as a mechanic and came from a fairly successful family He enjoyed playing guitar and mandolin and so his son Tony was exposed to indigenous Yoruba and Western music as a child While Allen s father did not belong to a church his mother Prudentia Anna Mettle was a devout Catholic She was of Ghanaian descent and Allen always thought of himself as both Ghanaian and Nigerian as a result Allen had five brothers and sisters and they all went on to have successful careers either in business or in the professions Tony Allen took a different path Uninterested in a formal education ...
Michael J. Bustamante
was born on 27 February 1927 in Havana into a working-class family with twelve children. After completing the eighth grade and working as a bricklayer, Almeida was introduced to political activity in 1952 upon meeting Fidel Castro while employed at the beach club for students of the University of Havana. A veteran of the failed 1953 assault on Santiago de Cuba’s Moncada Barracks, and prisoner of the Fulgencio Batista government until May 1955, Almeida returned to Cuba in late November 1956 from exile in Mexico, along with other insurgents of the 26th of July Movement, aboard the yacht Granma. Together with Fidel Castro and his brother, Raúl, as well as Ché Guevara and Camilo Cienfuegos, Almeida was among the few rebels who survived initial clashes with Batista’s forces and arrived at the Sierra Maestra in eastern Cuba. In early 1958 he was promoted to Comandante Commander the ...
fugitive slave and abolitionist, was originally named Jack Burton after his enslaver, a Missouri planter. His parents are unknown. Raised in his master's household, Anderson (the name he used in later life) eventually supervised other slaves and farmed his own small plot. In 1850 he married Maria Tomlin, a fellow slave from a nearby farm, and devoted himself to buying their freedom. In the meantime he had become accustomed to visiting Maria at her plantation and was growing impatient with the restrictions of slavery. His master tried to curb his wandering, but Anderson refused to submit to the lash. When this resulted in his sale to a planter on the far side of the Missouri River, Anderson resolved to run off.
On 3 September 1853 the third day of his escape he encountered a planter Seneca Digges and four of his slaves By Missouri law Digges had the ...
Leonard L. Brown
musician, composer, arranger, teacher, scholar, and humanitarian, was born Thomas Jefferson Anderson in Coatesville, Pennsylvania, the only son and eldest of three children born to Thomas Jefferson Anderson Sr., a college professor and school principal, and Anita Turpeau Anderson, a teacher. Anderson's early years were spent in Washington, D.C., and Cincinnati, Ohio. His mother was a pianist who accompanied singers in church. She was his first musical mentor, providing encouragement from a very early age through music lessons on violin and trumpet.
Anderson attended James Monroe Elementary School in Washington, D.C., where he conducted a rhythm band and impressed Esther Ballou a city supervisor of music who told his mother the musical world will hear from your son He later attended Benjamin Banneker Junior High in Washington D C It was during his time in Washington that he discovered the Howard Theatre and the big bands of ...
Fela Anikulapo Kuti was a pioneer of the musical genre of Afrobeat and a choreographer of spectacular and irreverent acts of political protest. Growing up in the context of late colonial and postcolonial Nigeria, he saw a world in which many African people struggled to get by, while imperial nations, foreign corporations, and postcolonial political regimes grew wealthier and more powerful at their expense. In the politically and economically turbulent context of postcolonial urban Africa, Fela advocated the idea of African authenticity as a guiding principle of creative expression and political activism.
Fela was born in 1938 in Abeokuta, Nigeria, as Fela Ransome Kuti. His father was a minister, and his mother was a prominent feminist and anticolonial activist. In 1958, Fela’s parents sent him to London for medical training, but he instead registered at the Trinity School of Music. In 1961 he started his first jazz band ...