Term used to describe art made by Americans of African descent. While the crafts of African Americans in the 18th and 19th centuries continued largely to reflect African artistic traditions (see Africa, §VIII), the earliest fine art made by professional African American artists was in an academic Western style (see fig.).
Regenia A. Perry, Camara Dia Holloway, Christina Knight, Dele Jegede, Bridget R. Cooks and Jenifer P. Borum
Anthony Aiello and William Pencak
The history of early African American painting is scattered and incomplete. In fact, evidence of the existence of black painters before the late nineteenth century comes not from paintings still in existence but from newspaper advertisements selling their services. The economic and social difficulties for free black fine artists and painters were severe, and the opportunities for slaves to engage in such pursuits were virtually nonexistent. Additionally, as with early American art in general, African American art consisted, for the most part, of folk art produced by anonymous people for practical use. Very little work dating to before the nineteenth century survives.
The earliest known African American artifact is a drum that was found in 1645 in colonial Virginia Resembling a West African chief s drum its decorative wood carving shows the high regard in which African and African American society held skilled carvers The earliest African American sculpture ...
Dewey Franklin Mosby
painter and draughtsman, was born in Pittsburgh, Pennsylvania, the son of Benjamin Tucker Tanner, a bishop of the African Methodist Episcopal Church and editor of the Christian Recorder, and Sarah Miller. Tanner's parents were strong civil rights advocates; his middle name, Ossawa, was a tribute to the abolitionist John Brown of Osawatomie.
The Tanner family moved in 1868 to Philadelphia, where Henry saw an artist at work in Fairmont Park and “decided on the spot” to become one. His mother encouraged this ambition although his father apprenticed him in the flour business after he graduated valedictorian of the Roberts Vaux Consolidated School for Colored Students in 1877. The latter work proved too strenuous for Tanner, and he became ill. After a convalescence in the Adirondacks, near John Brown's farm, in 1879 he entered the Pennsylvania Academy of Fine Arts and studied under Thomas Eakins ...
Thomas R. Wolejko
slave, sharecropper, and artist, was born in Benton, Alabama, on the plantation of George Hartwell Traylor, from whom Bill acquired his surname. His parents' names and occupations are not known, but they were likely slaves on the Traylor plantation. Although Traylor recalled 1854 as his date of birth (he could not read or write), the 1900 U.S. Census for Lowndes County recorded his actual birth date as two years later.
After the Civil War, nine-year-old Bill continued to live and work on the Traylor plantation, eventually becoming a sharecropper. George Hartwell Traylor died in 1881, leaving the plantation to his son, Marion. On 13 August 1891 Bill married a woman named Lorisa (some sources refer to her as Laura). At the time of the 1900 U.S. Census, Traylor had fathered nine children: Pauline (1884), George (1885), Sallie (1887 ...