Moroccan singer, composer, and musician, was born Ahmed Chahboun in Casablanca in 1918 to a modest father from Agadir in the Souss region of Morocco. El Bidaoui grew up in an old medina neighborhood well known for its many stores that sold and rented musical instruments. At an early age, he developed a taste for classical Arabic music and traditional religious songs (such as “Nashid” and “Madih”). According to his son, musical instruments were so expensive that his family had to rent him one. He debuted at a very young age with the first Moroccan “Takht,” a traditional Arab musical ensemble he set up with Moroccan Jewish musicians. The first songs he composed in the 1940s drew the attention of King Mohammed V who, in 1946 asked him to set up a Moroccan music orchestra This he did along with Abbas Al Khiyati Al Ghali Al Khiyati and ...
Azeddine Chergui and Hassan Bourara
Violinist and composer, celebrated and admired as a remarkable musician in Cornish society after his humble beginnings as a slave. Emidy, was born in Guinea, West Africa, sold into slavery in 1787 by Portuguese traders, and then taken to Brazil. He came to Lisbon with his new owner, who recognized his interest in music and provided him with a violin and a tutor. He progressed musically, and by 1795 was a second violinist in the orchestra of the Opera House in Lisbon.
However, in 1795, when Sir Edward Pellow brought his ship the Indefatigable into the river Tagus in Lisbon for repairs, he and other officers attended the Lisbon opera. After seeing Emidy perform in the orchestra, they kidnapped him, forcing him to come aboard their ship as their fiddler to perform dances (which he loathed) to entertain the sailors and raise their morale as they sailed.
David E. Spies
composer and musician, was born Herbert Horatio Nichols in New York City, the son of Joel Nichols, a building supervisor, and Ida (maiden name unknown). His parents, originally from Trinidad and St. Kitts, had moved to New York in 1910. Nichols first lived at Sixty-first Street and Eleventh Avenue, in the area known at the time as San Juan Hill. The family moved to Harlem when Nichols was seven. When he was not practicing or winning at chess, checkers, or marbles, the young Nichols spent much time in the public library. From age seven to age fourteen he took lessons in classical piano and general music instruction with Charles L. Beck. An intelligent and motivated youngster, Nichols attended DeWitt Clinton High School and began study at City College of New York at age fifteen.
While still in high school Nichols who was introduced to jazz piano ...
Assumed name of Joseph de Bologne (or Boulogne) (c.1740–1799), international composer and violinist and one of the best fencers in Europe. He was born in Guadeloupe as Joseph, the son of George de Bologne, a wealthy plantation owner. His mother, Nanon, was an African slave. He and his mother were taken to France in 1753. He received a gentleman's education at the fencing school La Boëssière's Royal Academy of Arms. Its focus was on academic study, music, dance, and languages. His fame at fencing was such that he was called le Chevalier de Saint‐Georges.
François‐Joseph Gossec (1734–1829) invited him to be leader of the Concerts des Amateurs orchestra in 1769, and later, its musical director. Between 1772 and 1777 he composed premiered and published violin concertos some of the earliest string quartets in France violin sonatas and symphonies concertantes ...
musician and composer, was born in New Orleans, Louisiana, the son of Anne Emerine Beluche Snaër and François Snaër. His family immigrated to New Orleans from St. Domingue via Cuba before 1818 and was of mixed African, French, and German ancestry. His mother was purportedly the daughter of the Caribbean pirate René Beluche, and his father was a wealthy grocer and church organist. The young Snaër played more than a dozen musical instruments, including violin, cello, piano, and organ. He was also a prolific composer. Little is known about Snaër's life before the Civil War other than his first song, “Sous sa fenêtre,” was written sometime around 1851 when he was eighteen As a member of the free black population in New Orleans before the Civil War many of whom spoke French identified with French culture and had a certain amount of wealth Snaër s ...