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Aida Ahmed Hussen

musician, author, and educator, was born Maud Cuney in Galveston, Texas, to Norris Wright Cuney, a prominent Republican politician and entrepreneur, and Adelina Dowdie Cuney, a public school teacher, soprano vocalist, and community activist. Both of Cuney's parents were born slaves of mixed racial parentage, and both gained freedom, education, social clout, and considerable financial advantage as the acknowledged offspring of their fathers. This, in addition to Norris Wright Cuney's political success with the Texas Republican Party, situated the Cuney family solidly among the Texan black elite. Cuney describes her early home life as one that was comfortable and markedly pleasant, and she praises both of her parents for instilling in her and in her younger brother, Lloyd Garrison Cuney, the values of education, racial pride, and social obligation.

Following her graduation from Central High School in 1890 Cuney moved to Boston Massachusetts where she enrolled ...

Article

Rayford W. Logan

Maude Cuney was born in Galveston, Texas, the daughter of Norris Wright and Adelina (Dowdy) Cuney. After graduation from the Central High School, Galveston, she received a musical education at the New England Conservatory of Music, Boston, Massachusetts. Later she studied under private instructors such as Emil Ludwig, a pupil of Russian pianist and composer Anton Grigoryevich Rubinstein, and Edwin Klare, a pupil of Hungarian pianist and composer Franz Liszt. She then served for a number of years as director of the Deaf, Dumb and Blind Institute of Texas and at Prairie State College in Prairie View, Texas. In 1906 she returned to Boston and married William P. Hare, who came from an old and well-known Boston family. She died there in 1936 and was buried in Galveston in the grave between her father and mother in Lake View Cemetery (Houston Informer ...

Article

Lynda Koolish

Maud Cuney-Hare is remembered for her literary accomplishments as a gifted playwright, biographer, and music columnist for the Crisis. Born in Galveston, Texas, on 16 February 1874, to teacher and soprano Adelina Dowdie and Norris Wright Cuney, an important Texas political figure who was the (defeated) Republican candidate for the 1875 Galveston mayoral race, Maud Cuney-Hare was educated in Texas and became musical director at the Deaf, Dumb and Blind Institute in Austin, Texas. She held other church and college teaching positions before returning to Boston and devoting her life to performance, scholarship, and literary pursuits. She championed the 24 May 1917 Cambridge, Massachusetts, restaging of Angelina Weld Grimké's Rachel (1916), which, according to critic Robert Fehrenbach was the first time a play written by an Afro American that dealt with the real problems facing American Blacks in contemporary white racist society was ...

Article

Felicia A. Chenier

black theater organizer, writer, director, folklorist, chorographer, and educator, was born in Houston, Texas, the only daughter of Gerthyl Rae and Harvey G. Dickerson, an army officer. As a military child Dickerson traveled extensively with her parents and brother, Harvey. After graduating high school in Syracuse, New York, Dickerson studied at Howard University in Washington, D.C. While there she studied theater and was mentored by noted educator and writer Owen Dodson, who was then the Drama Department chair. Noteworthy of her experiences at Howard is her discovery of writings by Zora Neale Hurston. After receiving a bachelor of fine arts (BFA) from Howard in 1966, Dickerson received a master of fine arts (MFA) from Adelphi University in Long Island, New York, in 1968 During the same year she returned to Howard as an assistant professor of drama and staged her directorial ...

Article

Nicola Cooney

Solano Trindade was born in 1908 in Recife, a town in northeastern Brazil, the son of a mulatto cobbler and a mestizo (of indigenous and European descent) woman. His interest in folklore and popular arts was instilled at an early age, as he would routinely accompany his father to local folk dances and read aloud to his illiterate mother.

After some advanced schooling, Trindade became a Presbyterian deacon and began to write poetry. His early works were mystical writings, and his black poetry would evolve soon thereafter. In 1936 Trindade published his first book, Poemas Negros, and founded the Frente Negra Pernambucana (Black Front of Pernambuco) and the Centro Cultural Afro-Brasileiro (Afro-Brazilian Cultural Center). These groups united a group of contemporary black writers with a view to collecting and disseminating the work of fellow Afro-Brazilian poets and painters. In 1959 Trindade founded the Teatro Popular Brasileiro Brazilian ...