1-2 of 2 results  for:

  • Performing Arts x
  • 1861–1865: The Civil War x
Clear all

Article

Thomas F. DeFrantz

Afro‐Caribbean dancer and choreographer, was born Percival Sebastian Borde in Port of Spain, Trinidad, the son of George Paul Borde, a veterinarian, and Augustine Francis Lambie. Borde grew up in Trinidad, where he finished secondary schooling at Queens Royal College and took an appointment with the Trinidad Railway Company. Around 1942 he began formal research on Afro‐Caribbean dance and performed with the Little Carib Dance Theatre. In 1949 he married Joyce Guppy, with whom he had one child. The year of their divorce is unknown.

Borde took easily to dancing and the study of dance as a function of Caribbean culture. In the early 1950s he acted as director of the Little Carib Theatre in Trinidad. In 1953 he met the noted American anthropologist and dancer Pearl Primus who was conducting field research in Caribbean folklore Primus convinced Borde to immigrate to the United States as ...

Article

Debbie Clare Olson

filmmaker, producer, director, playwright, writer, and cultural critic, was born in Newark, New Jersey, but spent most of his childhood in North Carolina. Little is known about his family. After high school, Moss moved to Baltimore and attended Morgan State College, where he earned a bachelor's degree in 1929. He also attended Columbia University in New York City, where he formed a troupe of black actors called “Toward a Black Theater.” The troupe toured around New York City and performed at various black colleges.

Moss was active in the theater and radio and acted in his first film, The Phantom of Kenwood, in 1933. The film was directed by Oscar Micheaux, one of the more prolific early black filmmakers. Between 1932 and 1933 Moss wrote three dramas—“Careless Love,” “Folks from Dixie,” and “Noah”—for a radio series called The Negro Hour ...