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Kyra E. Hicks

quilt historian and researcher, was born in Cincinnati to Walter Ray Sr., a dining car steward for the Southern Railway Company, and Marie Jones, a seamstress and homemaker. After age six, following her mother's death, Benberry and her older brother, Walter Jr., lived in Saint Louis with their maternal grandmother, Letha Jennings.

After earning a BA in 1945 from Stowe Teachers College (later Harris-Stowe State University) in Saint Louis, she married George L. Benberry in 1951. The couple had one son, George Jr., born in 1953. Benberry spent about forty years as a teacher, reading specialist, and librarian for the Saint Louis public school system. She went on to get a certificate of Library Science, also from Stowe, in 1967, and a masters of Education in 1973 from the University of Missouri, Saint Louis.

Benberry s interest in quilting began during a trip ...

Article

Kathleen Thompson

Quilts and the act of quilt making have played important roles in the history of African America. Rife with symbolism, quilts represent comfort, resistance, self-expression, poverty, and a dozen other aspects of the lives of black Americans. Most quilters are not known outside their own circle of friends and family, but there is one woman who stood out. Her quilts, startling in their quality and originality, and having caught the world’s attention, were displayed in the Smithsonian Institution and the Museum of Fine Arts in Boston, where the name of their creator, Harriet Powers, is preserved.

Powers was born a slave in Georgia. Her maiden name is unknown, as are the circumstances of her birth and childhood. She was married to Armstead Powers and had three children, two of whom were born in slavery; the third was born in 1866 just after the end of the Civil War ...