quilt maker, was born a slave, probably in Georgia. Her maiden name is unknown, as are the names and occupations of her parents. As is often the case with little-known historical figures, most of the details of Powers's life have been gleaned from tax and census records. Before the Civil War, Harriet married Armstead Powers, a farmer who lived in Clarke County, Georgia. The date of their marriage is unknown, but it appears that two of the couple's children were born into slavery (Amanda in 1856 and Leon Joe in 1860) and several more were born after Emancipation (including Alonzo in 1865, Nancy in 1866, Lizzie in 1868, and Marshall in 1872). The Powerses, neither of whom could read nor write, found moderate success as farmers, and the 1870 census lists Armstead as a farmhand and Harriet as keeping house Sometime in ...
Lisa E. Rivo
Quilts and the act of quilt making have played important roles in the history of African America. Rife with symbolism, quilts represent comfort, resistance, self-expression, poverty, and a dozen other aspects of the lives of black Americans. Most quilters are not known outside their own circle of friends and family, but there is one woman who stood out. Her quilts, startling in their quality and originality, and having caught the world’s attention, were displayed in the Smithsonian Institution and the Museum of Fine Arts in Boston, where the name of their creator, Harriet Powers, is preserved.
Powers was born a slave in Georgia. Her maiden name is unknown, as are the circumstances of her birth and childhood. She was married to Armstead Powers and had three children, two of whom were born in slavery; the third was born in 1866 just after the end of the Civil War ...