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Amalia K. Amaki

sculptor, ceramicist, and educator, was one of America's most prolific and respected three‐dimensional artists in the mid‐twentieth century. Born in Washington, North Carolina, to Elizabeth Davis and Thomas Miggett, he lived primarily with his father until the fall of 1926 when he relocated to Harlem and began living with his mother and her husband, George Artis. In New York he assumed the surname of his stepfather. He attended Haaren High School and went on to study sculpture and pottery at the Augusta Savage Studio of Arts and Crafts in the early 1930s, joining the ranks of Jacob Armstead Lawrence, Gwendolyn Knight, Romare Bearden, Norman Lewis, and other notable artists whose initial studies included instruction under Savage. Artis was also a contemporary of his fellow sculptors Selma Hortense Burke and Richmond Barthé the latter the most exhibited and honored three dimensional artist associated with ...

Article

Norma Rodney Harrack

one of the eminent figures of twentieth-century pottery, is widely recognized as the father of modern pottery in Jamaica.

Historically, the Taino, Jamaica’s earliest inhabitants, settled on the island about 600 bce and used clay to make everyday household utensils. The influx of imports and arriving European artisans and enslaved Africans in the seventeenth and eighteenth centuries into the island proved fertile for the development of a local pottery industry. African slaves brought their ceramic traditions, and today, the influence of their pottery-making styles still persists across the island. The coexistence of different pottery traditions gave rise to a Jamaican syncretic pottery, and Cecil Baugh would later play a crucial pioneering role in creating an identity for Jamaican potters.

Born on 22 November 1908 in Bangor Ridge Portland Jamaica to farmers Isaac and Emma Baugh Cecil was the youngest of four children He attended elementary school in Bangor Ridge ...

Article

Cynthia Hawkins

ceramist, sculptor, filmmaker, and cofounder (with her husband, James Hatch) of the Hatch‐Billops Collection, an archive of African American cultural history, was born in Los Angeles, California, to Lucius Billops, a cook and merchant seaman, and Alma Gilmore, a dressmaker, maid, and aircraft assembly worker. Billops graduated from Catholic Girls High School in 1952, and in 1954 she began her studies at the University of Southern California. She majored in occupational therapy, which included drawing, sculpture, and ceramics. She transferred to Los Angeles State College in 1956 after she became pregnant, and then she changed her major to special education. Billops worked during the day as a bank bookkeeper and maintained a full academic workload in the evening. At the end of 1956 her daughter, Christa, was born, and Billops put her up for adoption. This was an experience she would explore in her 1992 ...

Article

Kathleen Sheldon

Mozambican ceramicist and sculptor, was born in rural Cabo Delgado possibly in the 1930s, although her identity documents carry the 1945 birth date. She learned how to make pottery as a child, as pottery and working with clay were crafts that were usually done by women, though they primarily made pots for cooking and storage rather than artistic images. She married and had three children with her first husband. After her husband left her, she joined the liberation struggle, working to end Portuguese colonial rule over Mozambique. There she met her second husband, with whom she had five more children. As a FRELIMO (Frente de Libertação de Moçambique, Front for the Liberation of Mozambique) member she carried weapons and ammunition for the militants. Six of her children died during the war, leaving only the youngest, and her husband left her at independence in 1975 Soon after those events ...