Egyptian composer, musician, and film star, was born in the early 1900s, either in Cairo or in the village of Abu Kibir, Sharqiya Province. There is confusion regarding both the date and the place of his birth. Two official identification cards in his possession listed his birth in 1910 but in the two different locations named above. ʿAbd al-Wahhab’s contemporaries have suggested that he was born sometime between 1896 and 1907 their suggestions are supported by reported incidents of his early musical life and encounters with important historical figures of the 1910s His early years were spent in the Bab al Shaʿrani quarter of Cairo where his father Muhammad Abu ʿIsa ʿAbd al Wahhab was shaykh religious scholar and caretaker of the neighborhood mosque ʿAbd al Wahhab was one of five children born to his father and Fatima Higazi his mother Early on ʿAbd al Wahhab was enrolled by ...
Anne Elise Thomas
was born to Marguerite Raymonne Ferdinand and Philéas Gustave Louis Achille on 31 August 1909 in Fort-de-France, Martinique, then a French colony. His father was the first man of color who passed “agrégation” (the highest teaching diploma in France) in the English language in 1905. Achille’s family history can be traced back to slaves who were freed in 1794. He spent his childhood and teenage years in Martinique, in an upper-middle-class family.
In 1926 he began studying English at Louis-le-Grand High School and at the Sorbonne in Paris, where Georges Pompidou and Léopold Sedar Senghor were among his peers. In the 1930s he contributed to La Revue du Monde Noir The Review of the Black World issued in Paris by his cousins Paulette and Jane Nardal This publication addressed cultural links between colored writers poets and thinkers through the world because at that time no specific review ...
Born Julian Edwin Adderley in Tampa, Florida, Adderley earned the nickname “Cannonball,” a corruption of “cannibal,” for his huge appetite. Adderley was introduced to music by his father, a cornetist, and was performing in bands by the time he was fourteen. He played in local bands as well as in the United States Army (he enlisted in 1950) and taught music before moving to New York to join his brother Nat in 1955. He immediately found success on the New York Jazz scene, joining the bands of bassist Oscar Pettiford.
The recordings Adderley made with Davis, which included John Coltrane on tenor saxophone, Paul Chambers on bass, and Wynton Kelly on piano, are some of the most celebrated of the 1950s. In 1959 Adderley and his brother Nat formed their own quintet and built on the influence of Davis and saxophonist Charlie Parker During ...
Adderley, Cannonball (15 September 1928–08 August 1975), jazz saxophonist, was born Julian Edwin Adderley in Tampa, Florida, the son of Julian Carlyle Adderley, a high school guidance counselor and jazz cornet player, and Jessie Johnson, an elementary school teacher. The family moved to Tallahassee, where Adderley attended Florida Agricultural and Mechanical College High School from 1941 until 1944. He earned his bachelor’s degree from Florida A & M in 1948, having studied reed and brass instruments with band director Leander Kirksey and forming, with Kirksey, a school jazz ensemble. He then worked as band director at Dillard High School in Fort Lauderdale, Florida, and jobbed with his own jazz group.
Adderley served in the army from 1950 until 1953 leading the 36th Army Dance Band to which his younger brother cornetist Nathaniel Nat Adderley was also assigned While stationed in Washington D C in 1952 Adderley continued ...
jazz saxophonist, was born Julian Edwin Adderley in Tampa, Florida, the son of Julian Carlyle Adderley, a high school guidance counselor and jazz cornet player, and Jessie Johnson, an elementary school teacher. The family moved to Tallahassee, Florida, where Adderley attended Florida Agricultural and Mechanical College High School from 1941 until 1944. He earned his bachelor's degree from Florida A&M in 1948, having studied reed and brass instruments with the band director Leander Kirksey and forming, with Kirksey, a school jazz ensemble. Adderley then worked as band director at Dillard High School in Fort Lauderdale, Florida, and jobbed with his own jazz group.
Adderley served in the army from 1950 until 1953, leading the Thirty-sixth Army Dance Band, to which his younger brother, the cornetist Nathaniel “Nat” Adderley, was also assigned. While stationed in Washington, D.C., in 1952 Adderley continued to play ...
James Clyde Sellman
was born in Tunapuna, Trinidad and Tobago, to Malcolm and Elitha Addison. Her father was an electrician, and her mother was a schoolteacher and housewife. She later recalled that “my father used to play the guitar, and my brothers were also involved in music, so music was always around me” (Blood, 2013). Her first stage appearance came in 1959 or 1960. Her brother Winston was performing at a community show in Tunapuna and called her out of the audience. She later appeared on television and on Radio Trinidad’s Sunday Serenade. While still a teenager, she made her first recording—a single for Arawak Records, featuring Paul McCartney’s “My Love” backed by her own song, “Tricked and Trapped,” on the B-side.
Her first full-length album, Born to Shine (1976 was released on the Trinidadian label KH Records It featured American style gospel inflected soul music and ...
Nigerian pioneer of juju and world music star, was born Sunday Adeniyi Adé in the southwestern Nigerian city of Ondo on 22 September 1946. His father was a Methodist pastor and the organist for his church, while his mother engaged in various trading enterprises. Through his maternal grandfather, who lived in the town of Akoure, near Ondo, Ade was of royal lineage. By the time he reached his adolescent years, Adé had moved with his family to the town of Oshobo. Although he completed primary school, Adé ended up dropping out of secondary school before completing his studies. His lack of financial resources cut short his formal education. He already had developed eclectic tastes in music through his childhood and adolescent experiences. Traditional Yoruba music featuring drums fascinated the young boy, as did the occasional use of drums at church. Adé remembered in a 2005 interview that when ...
Sunday Anthony Ishola Adeniyi Adegeye, known internationally to African music fans as King Sunny Ade, was raised in a home where Christian and Yoruba religious and cultural perspectives were thoroughly intermingled. Ade's father was a church organist. Ade attended missionary schools, then dropped out of college in the 1960s to pursue a career as a drummer in Juju bands. Juju, a form of Nigerian pop music first developed by Yoruba musicians in the 1920s, was just beginning to gain an international audience. Ade's chief musical inspiration was I. K. Dairo, though Ade's later song lyrics drew more inspiration from his Christian education.
The early 1970s marked the birth of Ade s reputation as an African superstar with an international audience Ade deviated from the Dairo legacy through a series of innovations He expanded the juju band lineup from a single electric guitarist to as many as six played with at ...
Baqi<ayn>e Bedawi Muhammad
pioneer Sudanese woman singer and activist during the struggle for Sudanese independence and the first woman to perform on the radio in Sudan. Born in 1905 in Kassala City in the eastern region of Sudan, Ahmad was the eldest among her seven siblings, including three brothers and four sisters. Among them was a sister Jidawiyya who played a crucial role with Ahmad in their journey as female musicians. Ahmad’s family was originally from Nigeria and migrated to Sudan in the late nineteenth century as pilgrims on their way to the holy places in Saudi Arabia. Her father, Musa Ahmad Yahiyya, was from the Fulani-Sokoto ethnic group, while her mother, Hujra, was from Hausa. Ahmad’s nickname is Aisha al-Falatiyyia, a reference to her father’s ethnic group, the Fulani, or Fallata, as they are known in Sudan.
The documented history indicates that Sudan served as a crossroads to the holy places in ...
was born Oliver Anthony Stephens on 22 April 1927 in Santiago, Cuba, to a Jamaican father and a Cuban mother. One of six brothers, he spent his early childhood in Cuba, speaking Spanish; over the years, he learned Italian and French as well, and his multilingual singing abilities would contribute to his international marketability as a pop singer. His father moved the family back to Kingston, Jamaica, in 1938, where Stephens absorbed many different styles of music over the radio and in the streets—American rhythm and blues heard over New Orleans radio stations broadcast across the Caribbean, the hits of jazz crooners from the United States and Britain, and mento, the local guitar and horn version of calypso in Jamaica. In 1942, at age 15, he sang in a major local talent show Vere John’s Opportunity Hour, winning and collecting 2 pounds; he entered Opportunity Hour ...
was born on 18 June 1937 in Ponce, Puerto Rico, and raised in the neighborhood of Bélgica, the hotbed of the southern tradition of traditional Puerto Rican bomba, la bomba sureña. The life of “Doña Isa” connected the few thriving family-based bomba communities of the 1940s–1960s to the municipal bombazos of the 2000s. As a girl she used to accompany her mother, Teresa Dávila, and father, Domingo Albizu, to the regional bomba competitions between the communities of Felix Alduén in Mayaguez and William Archevald in Ponce, from the early 1940s to the early 1970s (Lasalle, 2014). These friendly rivalries had an enormous ripple effect on the development of bomba outside the San Juan metro area in the latter half of the twentieth century and the beginning of the twenty-first.
While Afro Puerto Rican bomba music and dance has suffered marginalization since its inception in early colonial times ...
Composer, contralto, successful vocal coach, accompanist, and teacher. She was the youngest daughter of the famous African‐American actor Ira Aldridge, and born in Upper Norwood, London. Early on she was educated at a convent school in Belgium. At the age of 17 she was awarded a scholarship to study singing at the Royal College of Music. Her teachers included Jenny Lind and George Henschel for singing, along with Frederick Bridge and Frances Edward Gladstone for harmony and counterpoint.
Aldridge's career was successful and varied, as a contralto until an attack of laryngitis damaged her voice, an accompanist, vocal coach, and later a composer. She accompanied her brother Ira Frederick Aldridge on musical tours until his death in 1886. She also accompanied her sister Luranah in concerts at many well‐known London venues at the turn of the 20th century.
Aldridge also played a seminal ...
soul and rhythm and blues singer and songwriter, was born Arthur Alexander Jr. in Florence, Alabama, to Arthur Alexander, a laborer and musician, and Fannie Scott Spencer. He was exposed to music at an early age by his mother and older sister, who sang in church, and by his father, who played weekend gigs as a bottleneck blues guitarist. After high school Alexander was working as a bellhop at the Sheffield Hotel when he met Tom Stafford, a white R&B enthusiast who introduced him to what would become the nucleus of the Muscle Shoals–area studio scene: Dan Penn, Rick Hall, Spooner Oldham, and Billy Sherrill. The men, all then working for Rick Hall's Fame Music Stafford, found Alexander's songwriting abilities every bit as intriguing as his singing, and soon made sure that Alexander became part of Fame's writing operation. In 1958Alexander and Henry Lee Bennett coauthored ...
Eddie S. Meadows
Allen, Henry “Red” (07 January 1908–17 April 1967), trumpeter, was born Henry James Allen, Jr., in Algiers, Louisiana, the son of Henry James Allen, Sr., a trumpeter and leader of a brass band, and Juretta (maiden name unknown). Allen received instruction from his father and his two uncles, who were also trumpeters. Rehearsals were held at home, giving Allen the opportunity to hear New Orleans greats like Louis Armstrong, Buddy Bolden, Oscar Celestin, Bunk Johnson, King Oliver, Sam Morgan and Kid Rena Though surrounded by trumpet players Allen played the violin and the alto horn before he settled on trumpet Soon after his tenth birthday he felt secure enough on the trumpet to become a member of his father s brass band Allen learned improvising by playing along with recordings He varied the speed to change the key thereby developing a ...
SaFiya D. Hoskins
blues musician, was born Luther Allison in Widener, Arkansas, the fourteenth of fifteen children born to his parents (names unknown), who were cotton farmers. He grew up with an interest in music; playing the organ in church, singing gospel, and listening to the Grand Ole Opry from Nashville, Tennessee, over the radio. Allison was exposed early to blues; from the music his father played on the family radio to hearing blues musicians like B.B. King, broadcast from Memphis on WDIA.
By the age of ten, Allison had begun to show interest in the guitar. In 1951 at the age of twelve he moved with his family in search of better opportunities to the Westside of Chicago After high school Allison studied the craft of shoemaking Meanwhile several of his siblings were members of a gospel group and one of his older brothers Ollie had become a popular guitarist ...
was born on 22 April 1910 in the city of Fort-de-France in the French Overseas Department of Martinique. Born into an upper-middle-class, bourgeois mulatto family, Alpha’s childhood was one of considerable socioeconomic privilege and ease. The names and occupations of Jenny Alpha’s parents are not listed in any written sources. During her youth, she knew the writer and founder of the Negritude movement, Aimé Césaire, who attended school with her brothers in Fort-de-France. Her father, who was known for his passion for the stage, introduced his daughter to the theater arts at a young age.
In 1929 at the age of 19 Alpha moved to Paris to study history and geography at the Sorbonne with the ultimate goal of becoming a teacher She soon left her studies however to pursue a career as an actress in classical theater But her skin color in addition to the political tensions between ...
jazz tenor saxophonist, was born Eugene Ammons in Chicago, Illinois, the son of Albert Ammons, a boogie-woogie pianist; his mother's name is unknown. Like several other prominent jazzmen, Gene studied music at Du Sable High School under Captain Walter Dyett. Initially he idolized Lester Young's improvising and even imitated Young's manner of playing with head and horn at a grotesquely tilted angle. During his third year in high school Gene began playing locally with the trumpeter King Kolax's band. At the semester's end he embarked on a cross-country tour with Kolax that included performances at the Savoy Ballroom in New York.
In 1944 the singer Billy Eckstine formed a big band that included the tenor saxophonist Charlie Rouse and the alto saxophonist Charlie Parker. According to the group's pianist, John Malachi Rouse was so smitten by Parker s playing that he was unable to concentrate ...
Algerian writer and singer who brought Kabyle folk music of the rural Berber community to international audiences and one of the earliest modern Algerian female novelists, was born Marie-Louise Amrouche in Tunisia to a family of Roman Catholic converts who had fled Algeria to escape persecution. Her mother, Fadhma Amrouche, also a writer and musician, was an early influence. Amrouche adopted the nom de plume Marguerite Taos to underscore the influence of her mother; Marguerite was her mother’s Christian name, which the latter was not allowed to use by the Catholic Church, ostensibly because she had not been baptized properly.
Despite her exile, the family returned to Algeria on prolonged visits, from which Amrouche and her brother Jean Amrouche, a poet, got acquainted with the oral literature of their native Kabyle Berber people. Amrouche obtained her brevet supérieur in Tunis in 1934 and went to France the following year ...
jazz trumpeter, was born William Alonzo Anderson Jr. in Greenville, South Carolina. Nothing is known of his parents, who died when he was four. Anderson grew up in Jenkins' Orphanage in Charleston, where as a boy he received the nickname “Cat” after scratching and tearing in a fight with a bully. He played in the orphanage's renowned bands, beginning on trombone and playing other brass and percussion instruments before taking up trumpet. From 1929 onward he participated in orphanage band tours, and in Florida in 1933 he formed the cooperative Carolina Cotton Pickers with fellow orphanage musicians. Returning to Charleston in 1934, they continued playing as the Carolina Cotton Pickers and then resumed touring.
Independent of the orphanage, Anderson held his first lasting affiliation with the Sunset Royals (c. 1936–1942). From 1942 to 1944 he worked in the big bands of Lucky Millinder; the trumpeter Erskine ...