jazz guitarist, was born in Somerville, Massachusetts, near Boston, the son of an apartment superintendent. His parents' names are unknown. The family was musical and closely in touch with the world of entertainment: “Fats Waller used to come by the house all the time,” Ashby told the writer James Haskins Ashby taught himself to play guitar At age fifteen he joined a band that played sophisticated arrangements for college dances and deeply embarrassed by his inability to read music he began to learn chordal notation He performed at a nightclub at Revere Beach while attending Roxbury Memorial High School Ashby s abilities as a classical guitarist won him a scholarship at an open audition for the New England Conservatory of Music in Boston but the school had no guitar teacher and thus the award went to the runner up So that s the extent of my conservatory background ...
Bill McCulloch and Barry Lee Pearson
blues artist, was born Nehemiah James in Yazoo County, outside Bentonia, Mississippi, the son of Eddie James and Phyllis Jones. His father, reputed to be a musician and a bootlegger, moved north to Sidon, near Greenwood, to evade the law, leaving Skip with his mother on the Woodbine plantation, where she worked as a cook. After an attempt to reunite the family in Sidon failed, Skip and his mother returned to Bentonia, where he attended St. Paul School and Yazoo High School. At the age of eight or nine, inspired by local musicians—particularly the guitarist Henry Stuckey—Skip persuaded his mother to buy him a guitar. At the age of twelve he took one piano lesson from a cousin. Unable to pay for more lessons, he continued learning on an organ owned by an aunt.
After dropping out of high school at about age fifteen James went to ...
banjo, guitar, and saxophone player, was born in Baltimore, Maryland. His parents' names are unknown and his exact birth date varies depending on the source. In 1915 he began his career in his hometown playing a New Orleans–derived jazz with Eubie Blake and later with the pianist Gertie Wells, to whom he was married for several years during the early 1920s. By 1921 he had moved to nearby Washington, D.C., where he jobbed with Louis Thomas and Claude Hopkins and his own eight-piece group, which played alternately with Duke Ellington's trio. Snowden also appears to have played banjo with Ellington's group earlier, from 1919 to 1920, but this is not reported conclusively. Snowden's Washington band included Sonny Greer on drums, Arthur Whetsol on trumpet, and Otto Hardwick on sax. The three would later be long-term members of the Ellington orchestra.
Bolstered by the ...
Rainer E. Lotz
musician (mandolin, banjo, guitar), music teacher, composer, and bandleader was born in Vermont, Illinois. His father, an “elocutionist,” recognized his son's musical abilities and encouraged him to commence his musical studies at the age of seven, besides attending school. Seth Weeks started with the violin, but soon abandoned that instrument in favor of the guitar, and eventually the mandolin. After playing and practicing for some fifteen years, he conducted a Mandolin and Guitar Orchestra in Tacoma, Washington and became a music teacher with pupils in Chicago, Boston, San Francisco, and Salt Lake City. From the 1890s most of his compositions were published by Shaeffer and Lyon & Healey (Chicago), a typical example being the “Grand Concert Polka” for Mandolin, Guitar/Piano (Shaeffer, 1900). Besides teaching he made concert tours throughout the United States and Canada.
He was in Boston on the Keith circuit in 1900 when ...