artist, was born in Colquitt County, Georgia, son of John Henry Adams, a former slave and preacher in the Methodist Church, and Mittie Rouse. Many questions surround Adams's early life. While he reported in an Atlanta Constitution article (23 June 1902) that he came from a humble background, his father served parishes throughout Georgia. According to the History of the American Negro and His Institutions (1917), Adams Sr. was a man of accomplishment, leading black Georgians in a colony in Liberia for two years and receiving two honorary doctorates, from Bethany College and Morris Brown University. Educated in Atlanta schools, Adams claimed in the Atlanta Constitution article to have traveled to Philadelphia in the late 1890s to take art classes at the Drexel Institute of Art, Science, and Industry (later Drexel University). Drexel, established in 1891 opened its doors to a diverse student ...
Diane Mutti Burke
fugitive slave, was born near Richmond, Virginia, on a plantation owned by the Delaney family. Despite his memories of being well treated, his father, Aleck, was sold to pay his master's debts and taken south. Rev. Delaney justified Aleck's sale by claiming that the literate slave had shared ideas about freedom with other slaves in the neighborhood. When Rev. Delaney died in 1831, Alexander's mother, Chloe, was left to Mrs. Delaney, and eighteen-year-old Alexander was left to the master's son, Thomas. Chloe Alexander died six months after Thomas Delaney took her son with him to Missouri.
Delaney settled in western St Charles County Missouri where Alexander married a local slave woman named Louisa He later sold Alexander to Louisa s master Jim Hollman when he moved from the state and the couple spent the next twenty years living with their growing family on the Hollman farm Alexander was ...
London‐born poet, printer, visionary, and ‘prophet against empire’. Over the course of his lifetime Blake confronted the horrors of slavery through his literary and pictorial art. He was able both to counter pro‐slavery propaganda and to complicate typical abolitionist verse and sentiment with a profound and unique exploration of the effects of enslavement and the varied processes of empire.
Blake's poem ‘The Little Black Boy’ from Songs of Innocence (1789 examines the mind forg d manacles of racial constructions in the minds of individuals both in the poem itself in the form of the black child and his white counterpart and also in the minds of those involved in the political dispute over abolition Seeming to explain a desire for racial acceptance and spiritual purity through assimilation into white British society and seeming also to be endorsing conventional assumptions of white racial superiority the poem ...
Susan B. Iwanisziw
commercial painter, artist, and activist, was born in Philadelphia, Pennsylvania, the only known child of Jeremiah Bowser from Maryland and Rachel Bustill, daughter of the prosperous black abolitionist and educator Cyrus Bustill. The intermarriage among the region's free black Quaker families headed by Cyrus Bustill, Robert Douglass Sr., Jeremiah Bowser, and David Mapps created a dynamic force that benefited all African Americans and particularly spurred David s personal growth and accomplishments Jeremiah a member of the Benezet Philosophical Society served as a steward on the Liverpool lines and later it seems he was the proprietor of an oyster house near the intersection of 4th and Cherry Streets where David Bowser first hung up his sign as a commercial painter Later the Bowser family moved to the Northern Liberties section of Philadelphia into a house at 481 North 4th Street where Bowser remained for the ...
pioneer of abstract painting, was born Edward Clark in the Storyville section of New Orleans, Louisiana. Little is known about his family, but they moved north during the Depression, and he was raised in Chicago.
Following service in the U.S. Air Force, Clark attended the School of the Art Institute of Chicago under the G.I. Bill from 1947 to 1951. At the Art Institute, he met abstract painter Joan Mitchell, with whom he developed a lifelong friendship, and the impressionist painter Louis Ritman, who was an encouraging instructor. During this period, Clark's work was traditional and figurative. But Clark's frustration with the Institute's academic restraints, such as the directive to avoid oils during this period, led-him to create an experimental self-portrait that took two years to complete. The classic head-and-shoulders depiction was set against a Renaissance landscape consisting of subtle layers of stippled watercolors.
In 1952 Clark ...
When William Davidson, a respected English cabinetmaker, found himself unemployed and poor as a result of the mechanization of the Industrial Revolution, he turned to a radical solution—the murder of English officials—to protest the social and economic injustices of early nineteenth-century Great Britain.
At his trial on charges of high treason against Great Britain, William Davidson professed that although he was a stranger to England in many ways, he could still claim the rights of an Englishman, “from having been in the country in my infancy.” The recognized son of the white attorney general of Jamaica and a black Jamaican woman, Davidson was brought to England for an education as a young boy. He remained there and became a cabinetmaker, until industrialization forced him into work at a poorhouse mill; at times he turned to crime in order to feed his wife and children.
Resenting this situation Davidson sought ...
Freed Black slave from British Guiana (now Guyana) who taught the evolutionist Charles Darwin taxidermy. Edmonstone was taken to Glasgow by his slave owner, Charles Edmonstone, probably in 1817. He was taught taxidermy by the explorer, naturalist, and conservationist Charles Waterton, who had travelled extensively in South and North America. Edmonstone moved to Edinburgh in 1823, where he still resided in 1833. He was hired by Darwin, author of The Origin of Species (1859), to teach him taxidermy while Darwin was studying medicine at Edinburgh University. From 1824 to 1825 Edmonstone lived at 37 Lothian Street in close proximity to the university and to Darwin s residence Darwin was an outspoken critic of slavery and had long conversations with Edmonstone about the latter s experiences as a slave and his life in British Guiana These conversations probably helped to shape Darwin s ...
, a survivor of the slave trade, was born somewhere in Africa around 1710. Practically no sources exist on the first six decades of his life. Fortune only emerged in a legal document prepared by his former master Ichabod Richardson in Woburn, Massachusetts, on 30 December 1763. Massachusetts then was a British colony in North America. Richardson declared he “agreed to and with my Negroe man, Amos, that at the end of four years next insuing this date the said Amos shall be Discharged, Freed, and Set at Liberty from my service power & Command for ever.” However, Richardson never signed this statement. When he died in 1768 he made no reference in his will to Fortune s freedom Fortune had worked as a tanner with Richardson and probably used his own skills to make enough money to pay off Richardson s heirs At roughly sixty years of ...
Amos Fortune was born in Africa; at fifteen he was captured and taken into slavery. Eventually sold to Ichabod Richardson of Woburn, Massachusetts, Fortune learned the tanning trade from his master. After working for him for forty years, Fortune was able to purchase his own freedom at the age of sixty. He went into business for himself, paid his church and town taxes in Woburn, and at the age of sixty-eight purchased Lydia Somerset, a slave, and married her. Somerset soon died and Fortune bought and married Violate Baldwin and moved to Jaffrey, New Hampshire with her and her daughter, Celyndia, whom he adopted.
Fortune became a successful tanner, bought land, and built a house. He aided local blacks by training apprentice tanners and by taking the indigent into his home. On January 28, 1796 Fortune participated in a meeting of local citizens who voted to establish ...
Jeffry D. Schantz
Fortune, Amos (1710?–17 November 1801), tanner and bookbinder, was born in Africa and brought to the colonies as a slave while very young. Nothing is known of Fortune’s parentage, birth, or early years. It is estimated that he arrived in America around 1725, but little is known of his life in the colonies prior to the mid-1700s. Ichabod Richardson of Woburn, Massachusetts, purchased Fortune around 1740, kept him as a slave apprentice, and taught him the art of tanning. In December 1763 Richardson drafted a “freedom paper” granting Fortune’s freedom but died without signing it. Fortune remained a slave of the Richardson family until 1770, when a valid article of manumission signed by Ichabod’s sister-in-law, Hannah, secured his freedom.
Remaining in Woburn for several years Fortune purchased a small homestead from Isaac Johnson in 1774 and continued to run the Richardson s tannery During his Woburn years ...
Scott A. Miltenberger
Little is definitively known of Amos Fortune, who lived in Massachusetts and New Hampshire in the eighteenth and early nineteenth centuries. Purportedly an African prince sold into slavery at a young age, Amos spent fifteen years as a slave of the Boston bookbinder Deacon Fortune. In the course of his servitude, Amos learned to read and write and converted to Christianity.
In 1738Ichabod Richardson, a tanner living in Woburn, Massachusetts, apparently purchased Amos and began to train him in his profession. In his will, Richardson granted Amos his freedom in 1768, but two years passed before Richardson's heirs lived up to the promise, in fact requiring Amos to purchase his freedom. In 1778 he purchased the freedom of another slave, Lydia Somerset, and married her; within a few months, however, she died. A year later Fortune purchased and married another woman, Violate Baldwin in ...
Donovan S. Weight
entrepreneur, pioneer, and town founder, was born near the Pacolet River in Union County, South Carolina, the son of an enslaved woman named Juda. His paternity is a bit murky, but most evidence points to his owner George McWhorter. Little information exists about the West African–born Juda other than that she had been a slave to the McWhorters since 1775. Oral family tradition holds that although George McWhorter sent Juda to the woods with orders to kill the baby at birth, Juda protected Frank, preserved him, and brought him home alive the next morning. The boy who would become Free Frank spent his-formative years learning how to farm in the backwoods country of South Carolina. At eighteen Frank moved with his owner to a temporary homestead in-Lincoln County, Kentucky. In 1798 George McWhorter bought some farmland in newly formed Pulaski County Kentucky In ...
The most prolific painter and engraver of Blacks in 18th‐century British art. They figure in each of his major satirical series, from A Harlot's Progress of 1732 to the Election pictures of the 1750s. They are depicted as prostitutes, lovers, fairground entertainers, strolling actresses, household pets, thieves, and servants, the variety of their occupations suggesting the ubiquity of the black presence in 18th‐century Britain.
The black figure is a detail pregnant with meaning in Hogarth's work, an intricate part of its elaborate narrative structure. Blacks are used to expose the sexual, cultural, and economic corruption of upper‐class life. In pictures like The Four Stages of Cruelty (1750–1 the brutishness of English society is gauged by references to the savage practices of Africans and American Indians Hogarth consciously employs myths about Blacks relating to their sexuality paganism and simian ancestry so as to comment on the morality of the ...
Beverley Rowe Lindburg
Civil War soldier, cabinetmaker, and fifty-two-year employee of the Rock Island (Illinois) Arsenal, was born free but was kidnapped by slave traders at around the age of five along with his mother, father, brother, and a sister (all of whose names are unknown) from their home near Muscatine, Iowa. He was first sold as house slave to a man named Pickett from Alabama, and later to an Arkansas planter whose last name he took for a surname; he was generally known as “Milt.” Reports of his age vary greatly: census, military, and burial records indicate he was born between 1821 and 1845.
Howard and another house slave were married in a formal ceremony at the Pickett Plantation a privilege that was customarily afforded only to house servants Several children were born to the couple but all family ties were severed when Howard was sold to the Arkansas ...
Juanita Patience Moss
abolitionist, Union soldier, barber, politician, and journalist, was born to free parents near Alexandria, Virginia. His mother was Patsy Johnson, but his father's name is unknown. At twelve, Johnson left Virginia and ventured to Philadelphia, Pennsylvania, to learn the apothecary business, but instead he decided to be a hairdresser. He moved to Albany, New York, in 1851 and became interested in the abolitionist movement. After returning to Philadelphia in 1855 he joined the Banneker Literary Society to write and speak against slavery. Later, in 1859, he was caught helping fugitive slaves escape via the Underground Railroad, and he was forced to flee the city to avoid imprisonment.
Johnson was a Freesoiler in his younger days, having trained with the old antislavery party that included such notables as Frederick Douglass, Bishop Logan, and Octavius Catto For many years a staunch Republican ...
Verity J. Harding
gunsmith and engraver, was born in Raleigh, North Carolina, the eldest son of Allen Jones, a slave and a blacksmith, and Temperance Jones, a slave. He was one of eight children, a daughter and seven sons, born into a long line of slavery. His paternal grandfather, Charles Jones, was born in Africa around 1770 and brought to America to be sold into slavery some years later. Although born a slave, Gunsmith Jones was freed in 1829 when his father purchased liberty for his entire family Allen Jones was a skilled blacksmith who labored intensely for himself and his family while simultaneously performing his slave duties to earn the vast sum of money necessary to buy his family s freedom After saving the extraordinary amount of $2 000 he was cheated out of the money by his master and left with nothing With admirable determination he ...
John S. Lupold
bridge designer and builder, was born near Cheraw, South Carolina, the son of Edmund and Susan King, slaves of African, European, and American Indian ancestry. King, his mother, his sister Clarissa (Murray), and his brother Washington were purchased circa 1830 by John Godwin and his wife, Ann Wright Godwin. According to some accounts, King may have been related to Ann's family, the Wrights of Marlboro County, South Carolina. King was already a master carpenter by the time Godwin purchased him, and Godwin expanded King's skills by teaching him how to build bridges. King was literate, although he never attended Oberlin College, as was incorrectly told in family myth.
The Godwins and their slaves moved west in 1832 when Godwin won a contract from Columbus Georgia to construct a four hundred foot wooden bridge across the Chattahoochee River They settled in Girard now Phenix City at the ...
Makeba G. Dixon-Hill
painter and poet, was an enslaved servant for the Reverend John Moorhead, a Presbyterian minister, and his wife, Sarah Moorhead, in Boston, Massachusetts. Limited information is available about Scipio Moorhead's place of birth or parents, but historically a large majority of the slaves in Massachusetts came from the West Indies or the Western coast of Africa.
As slavery in the United States became inextricably linked to the nation s economy society government and identity race assumed a larger role in becoming a determining factor regarding occupational opportunities In terms of the fine arts race determined who could be trained There were few schools in the seventeenth and eighteenth centuries where blacks could receive specialized training or venues that would exhibit their work The alternatives for many artists were at the hands of fellow slaves freed blacks working as artisans or through their owners families who provided knowledge ...
Despite Scipio Moorhead's position as a slave in the home of John Moorhead, a Presbyterian minister in Boston, he managed to develop his artistic talent. Sarah Moorhead, a painter who was the wife of the minister, probably provided some instruction.
The painting of African-American poet Phillis Wheatley that inspired the engraved frontispiece of her book of poetry is attributed to Moorhead. The volume, Poems on Various Subjects, Religious and Moral, was published in London in 1773 and created public debate concerning the intellectual abilities of those of African descent.
Unfortunately no signed works by Moorhead are known to exist. It is believed that it is Moorhead whom Wheatley immortalized with her 1773 poem, To S. M., A Young African Painter, on Seeing His Work. The poem is thought to be inspired by Scipio Moorhead and describes two paintings presumably by Moorhead, Aurora and Damon and Pythia ...
Carole Watterson Troxler
slave, entrepreneur, civic leader, and murder victim, probably was born in Alamance County, North Carolina. His mother gave her name as Jemima Phillips; she may have been a member of a free African American family named Phillips who lived in Caswell County, North Carolina, in the early nineteenth century. His father is unknown. Some of Outlaw's contemporaries thought he was the son of Chesley Farrar Faucett, a merchant with agricultural and tanning operations in northern Alamance County who served in the state legislature from 1844 to 1847 and from 1864 to 1865.
The judge and writer Albion Tourgée knew both Outlaw and Faucett and characterized them fictionally in Bricks without Straw (1880 Tourgée depicted Faucett sympathetically as an aged justice of the peace known for kindness as a slaveholder quiet wartime Unionism and cooperation with the Union League during Reconstruction Outlaw ...