Term used to describe art made by Americans of African descent. While the crafts of African Americans in the 18th and 19th centuries continued largely to reflect African artistic traditions (see Africa, §VIII), the earliest fine art made by professional African American artists was in an academic Western style (see fig.).
Regenia A. Perry, Camara Dia Holloway, Christina Knight, Dele Jegede, Bridget R. Cooks and Jenifer P. Borum
Amalia K. Amaki
sculptor, ceramicist, and educator, was one of America's most prolific and respected three‐dimensional artists in the mid‐twentieth century. Born in Washington, North Carolina, to Elizabeth Davis and Thomas Miggett, he lived primarily with his father until the fall of 1926 when he relocated to Harlem and began living with his mother and her husband, George Artis. In New York he assumed the surname of his stepfather. He attended Haaren High School and went on to study sculpture and pottery at the Augusta Savage Studio of Arts and Crafts in the early 1930s, joining the ranks of Jacob Armstead Lawrence, Gwendolyn Knight, Romare Bearden, Norman Lewis, and other notable artists whose initial studies included instruction under Savage. Artis was also a contemporary of his fellow sculptors Selma Hortense Burke and Richmond Barthé the latter the most exhibited and honored three dimensional artist associated with ...
ceramist, sculptor, filmmaker, and cofounder (with her husband, James Hatch) of the Hatch‐Billops Collection, an archive of African American cultural history, was born in Los Angeles, California, to Lucius Billops, a cook and merchant seaman, and Alma Gilmore, a dressmaker, maid, and aircraft assembly worker. Billops graduated from Catholic Girls High School in 1952, and in 1954 she began her studies at the University of Southern California. She majored in occupational therapy, which included drawing, sculpture, and ceramics. She transferred to Los Angeles State College in 1956 after she became pregnant, and then she changed her major to special education. Billops worked during the day as a bank bookkeeper and maintained a full academic workload in the evening. At the end of 1956 her daughter, Christa, was born, and Billops put her up for adoption. This was an experience she would explore in her 1992 ...
A. M. Weaver
painter and mixed-media artist, was born in Philadelphia, Pennsylvania, to James and Janey Bullock, of whom little else is known. She was the youngest of three children. An inquisitive child who was always making things, Bullock's creativity blossomed under the watchful eye of her mother and, later, her stepmother. When Bullock was twelve years old, her mother died, marking the beginning of a spiritual quest that eventually led her to becoming an artist.
Bullock's formal art education began in 1958 at the Samuel Fleisher Art Memorial, a Philadelphia institution that provided free instruction to adults and children. The 109-year-old school had a reputation for fostering the growth and development of artists, and Bullock stayed there for a year. Later she attended the Hussian School of Art in Philadelphia, from 1965 to 1966 Bullock arrived there at a time when the school still followed the traditional academic approach to ...
sculptor, art educator, and mentor, was born in Mooreseville, North Carolina, one of eight children of Mary L. Elizabeth Jackson Cofield Burke a homemaker and a teacher and Neal Burke a Methodist minister Burke s artistic experiences began in childhood when she played in the pliable soil around her North Carolina home I shaped my destiny early with the clay of North Carolina rivers I loved to make the whitewash for my mother and was excited at the imprints of the clay and the malleability of the material Krantz and Koslow She was further inspired by the art objects that her father and uncles brought back with them from their travels in Africa the Caribbean and Europe As a chef aboard ships her father had the chance to both preach and explore in other countries bringing back artwork Her uncles were missionaries who traveled extensively returning with mementos that ...
Candace L. LeClaire
artist, was born to Mattie Bell, an unmarried, teenage sharecropper in Emelle, Alabama. Dial was the second of Bell's twelve children and was named simply “Buck” at birth. He did not have a formal surname and grew up uncertain of the identity of his biological father. Mattie Bell married a man named Dan Pratt shortly after the birth of her third son, and the couple went on to have nine more children. His mother's new and growing family proved to be a difficult adjustment for Buck, and he was sent to live with his great-grandmother, Had Dial, on the nearby farm of Bell's older cousin, Buddy Jake Dial. The Dials, who were of African and Native American descent, raised and cared for Thornton; they put him to work on the farm, and gave him the last name of Dial.
Dial s artistic sensibilities in part developed ...
crystal am nelson
folk artist, was born Samuel Doyle on St. Helena Island, the Gullah Islands, South Carolina, one of nine children of Thomas Sr. and Sue Ladsen Doyle farmers on the Wallace plantation of mostly freed slaves Doyle attended the Penn School which was one of the country s first vocational and agricultural schools created by the Freedmen s Associations of Philadelphia to educate freed slaves on St Helena s Island He studied literature and carpentry through the ninth grade but was recognized for his drawing skills A teacher encouraged him to travel to New York where he could better nurture his talent with the growing opportunities available to African American artists however owing to financial constraints Doyle chose to remain on the island He dropped out of the Penn School following the ninth grade and found a job as a store clerk He later took on work as a ...
J. Deborah Johnson Sterrett
painter and sculptor, was born on a small farm just outside Kansas City, Kansas, the second of five children of Ed Dwight Sr., a professional baseball player with the Negro League's Kansas City Monarchs, and Georgia Baker, a devout Catholic, who took on the primary care of the children. The family moved into Kansas City when Dwight was ten years old and his mother opened a restaurant. The children worked alongside her. Dwight was a precocious child who displayed his artistic talent from age two, drawing cartoon characters and painting throughout his childhood. He began making signs for his mother's restaurant. When he was fourteen years old, he opened his first lucrative business, a sign shop that served retail establishments and area churches.
Dwight attended Catholic schools and graduated from Bishop Ward High School in 1951, and he joined the air force in 1953. In 1955 ...
sculptor, was born in Davidson County, Tennessee, the eldest of Orange and Jane Brown Edmondson's five children. His parents were freed slaves working as field laborers. Edmondson worked for a living from an early age: he recounted boyhood memories of laboring in the corn fields of the former Compton plantation. As he got older, urban railways and housing encroached on this rural landscape three miles from Nashville, signaling economic changes and prompting many black families to resettle in the city. Edmondson's family joined this migration in 1890, a year after his father died.
His first Nashville job was for a sewer works. Later he worked for the railroads, until a leg injury in 1907 led Edmondson to take less strenuous janitorial work at the all-white Woman's Hospital. He worked in various jobs there until the hospital ceased operations. It was 1931 and Edmondson was in his mid ...
Monifa Love Asante
visual artist and educator, was born Melvin Eugene Edwards Jr., in Houston, Texas, the eldest of four children of Thelmarie Felton Edwards and Melvin Eugene Edwards Sr. His father was a brilliant and gifted man who worked as a waiter, laborer in the oil industry, photographer, and a professional scout for the Boy Scouts of America. His mother, a seamstress, from whom Edwards learned to sew, was also athletically and artistically talented. His grandmother was a quilter, whose patternmaking and use of color influenced Edwards. Woodcarving was passed down on his father's side, and one of his maternal ancestors was a blacksmith brought to America from West Africa. Both his father and George Gilbert, a family friend that Edwards considered an uncle, were interested in art and they nurtured Edwards. His father built his first easel. Edwards Sr. also passed on a love of music especially ...
Lisa E. Rivo
sculptor, was born Meta Vaux Warrick in Philadelphia, Pennsylvania, the daughter of William H. Warrick and Emma Jones. Meta's great grandmother, according to family lore, was an Ethiopian princess brought to the American colonies as a slave. Emma owned and operated several hairdressing parlors that catered to a white clientele. William owned a chain of barbershops and dabbled in real estate. Meta was ten years younger than her two siblings, William and Blanche. Through lessons and field trips to museums and concerts, the Warricks introduced their children to art and encouraged their creative endeavors. Meta, who played the guitar, took dancing lessons, and sang in the church choir, exhibited an early talent for drawing.
After graduation from public high school in 1894, Warrick won a three-year scholarship to the Pennsylvania Museum and School for Industrial Arts (now the Philadelphia College of Art). In 1897 her ...
visionary and folk artist, was born in Elloree, South Carolina, to an itinerant minister father, also named James, who abandoned the family when Hampton was young, and a mother whose name is unknown. Indeed, as is the case with many visionary or outsider artists, little is known about Hampton himself. He left the rural South around 1931 to join his older brother, Lee, in Washington, D.C., where fully half of the newly arrived black residents also came from South Carolina. Hampton worked as a short-order cook until he was drafted into the army in 1943 as a noncombatant. He served in with the 385th Aviation Squadron in Texas, Hawaii, and in Saipan and Guam, and upon his discharge in 1945 he returned to Washington. In 1946 he found employment with the General Services Administration as a night janitor He lived in the Shaw neighborhood named after a ...
Renée R. Hanson
sculptor, illustrator, ceramicist, and entrepreneur, was born in Lexington, Kentucky, the first of three children born to the Reverend Hathaway and Mrs. Hathaway. Hathaway's mother died when he was only two years old, and his father and grandmother raised him and his two sisters, Fannie and Eva.
A trip with his father to a local museum inspired Hathaway to become an artist. Walking through the museum's galleries, which were filled with busts of famous white American heroes, Isaac noticed the absence of-many African Americans, such as Frederick Douglass. He asked his father why they were absent, and the elder Hathaway simply stated that there were no trained African American sculptors to sculpt prominent African American people. The young Hathaway determined to change this by becoming a trained artist.
Hathaway began his career as an artist at Chandler College in Lexington and continued it ...
Monifa Love Asante
sculptor and printmaker, was born in Chicago, Illinois, to Victoria Inez, a librarian and beauty shop owner and Cleo Howard Hunt, a barber. Hunt's father was born in rural Georgia, his mother in Tennessee. His parents were part of the Great Migration, the early twentieth century exodus of over one million African Americans out of the violent and limiting South to locations where greater economic opportunity and social equality were more likely. His parents met in Chicago, where their families had relocated, and married in 1934. The family lived mostly on the south side of Chicago. Between the ages of nine and eleven, Hunt and the family lived in the small town of Galesburg, Illinois. Hunt's mother sang both professionally and in church. Her idol was Marian Anderson and she named Hunt s younger sister after the noted gospel singer She encouraged her son s ...
Michelle K. Massie
teacher and legislator, was born Kirkland Leroy Irvis in Saugerties, New York, the older of Francis H. and Harriet Ten Broeck Cantine Irvis's two children. Francis was self-employed, and Harriet was a homemaker. Shortly after his birth, the family moved to Albany, New York. While Irvis's father instilled in his children the value of education, his mother taught them the importance of art and human emotion. Her lessons would inspire Irvis to become a renowned wood sculptor and published poet. He graduated from Albany High School with honors in 1934 and went on to attend New York State College for Teachers (later SUNY), where he graduated summa cum laude in 1938 with an AB in History.
The harsh realities of racism that his parents tried to shield from him as a child would meet him head on as an adult Denied teaching positions upon graduation Irvis went back to ...
artist, was born in Boston, Massachusetts, the son of Anderson Johnson and Lizzie Jackson. When Johnson was ten years old, his father died of an unknown cause. Because his mother suffered from tuberculosis, the children were sent to relatives. Johnson lived with his maternal uncle, Sherman William Jackson, and his wife, the sculptor May Howard Jackson, for several years in Washington, D.C. Then he and his siblings stayed briefly with their maternal grandparents in Alexandria, Virginia. When their mother died in 1902 the girls went to a Catholic school in Pennsylvania and the boys went to a Sisters of Charity orphanage in Worcester Massachusetts Johnson attended public school and worked in the Sisters of Charity Hospital He began painting as an adolescent while recovering from a long illness After Johnson studied singing briefly at a music school in Boston he lived with relatives in Chicago ...
American sculptor. Born to an African American father and a Native American mother, she was the first black American sculptor to achieve national prominence. During her early childhood she travelled with her family in the Chippewa tribe, by whom she was known as Wildfire. At 12 she attended school at Albany, NY (1857–9), then a liberal arts course at Oberlin College, OH (1860–63). Lewis then went to Boston (1863) to study with Edward Brackett (1818–1908) and Anne Whitney. Her medallion of the abolitionist John Browne and a bust of the Civil War hero Col. Robert Shaw were exhibited at the Soldiers’ Relief Fair (1864), Boston; the latter sold over 100 plaster copies, enabling Lewis to travel to Rome (1865). There she was introduced to the White Marmorean Flock, a group of women sculptors, including Harriet Hosmer and ...
Edmonia Lewis often drew upon her dual ancestry for inspiration. Her best-known work, Forever Free (1867, Howard University Gallery of Art, Washington, D.C.), was inspired by the Emancipation Proclamation and the Thirteenth Amendment, the document issued by President Abraham Lincoln in 1863 calling for the freeing of slaves in the United States. Created in marble, Forever Free depicts a man and a woman who have learned of their freedom. In an expression of gratitude, the woman kneels with her hands clasped; the man rests his foot on the ball that held them in bondage, raising his arm to display the broken shackle and chain on his wrist.
Little is known about Lewis's early life. Sources give differing birth dates (1843, 1844, and 1845 and birthplaces Ohio New York and New Jersey Her father was an African American and her mother was a member ...
Lynda Roscoe Hartigan
Edmonia Lewis was the first major sculptress of African American and Native American heritage. Her early biographical circumstances are sketchily known at best. Although Lewis claimed 1854 as her birth date, it is more likely that she was born in 1843 or 1845. Various sources, including the artist herself, claimed Greenhigh, Ohio, and Greenbush, New York, as well as the vicinity of Albany, New York, as her birthplace, but none can be verified.
Lewis s father employed as a gentleman s servant was African American her mother was a Chippewa Indian who may have been born near Albany It was she who presumably named her daughter Wildfire Lewis appears to have spent little if any time with her father and instead lived with her mother s tribe Orphaned before she was five Lewis remained with the Chippewa until she was about twelve years old As Wildfire she learned to ...
visual artist and educator, was born in Los Angeles, California, the son of Alyce and Edward Love, about whom little is known. After attending Manual Arts High School, Love, a baseball standout, was slated to be recruited by the San Francisco Giants. The U.S. Air Force proved more attractive to Love than baseball. While serving a five-year stint in the military that ultimately took him to Japan, Love became deeply influenced by Japanese culture. He also developed an affinity for the music of Charlie Parker and Miles Davis and the discourse of the Black Arts Movement, as well as a fascination with architectural design.
After an honorable discharge, Love earned a BFA in Sculpture in 1966 and an MFA in Design in 1967 from California State University Los Angeles A postgraduate fellowship to study humanities and fine arts at Uppsala University in Sweden soon followed While there ...