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Article

Kate Tuttle

The son of an Ethiopian father and a mother of French and African descent, Peter Abrahams was considered “Coloured” in the South African racial classification scheme. He grew up outside Johannesburg and began working at the age of nine, never having attended school. He later enrolled, however, after he was inspired by hearing Othello read to him by a coworker. As a teenager Abrahams discovered works by African American writers such as W. E. B. Du Bois, Countee Cullen, Langston Hughes, Claude McKay, and Jean Toomer in the library at the Bantu Men's Social Centre.

Abrahams began publishing his own poems in local newspapers while studying at a teachers’ training college. While enrolled at St. Peter's Secondary School—a fertile political environment—Abrahams became a member of the Communist Party of South Africa (later renamed the South African Communist Party After his failed attempt to start a school for poor African ...

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The existence of HIV was first identified among populations throughout Latin America and the Caribbean, as it was in North America and sub-Saharan Africa, in the early 1980s. HIV is a particularly virulent and incurable infection that is transmitted through the exchange of bodily fluids (such as blood or semen) and attacks the immune system, leaving the infected person susceptible to opportunistic infections and certain cancers, often resulting in acquired immunodeficiency syndrome (AIDS) and death. Recent trends in Latin America and the Caribbean show a disproportionate number of new cases of HIV infection emerging among the poor and working classes and among populations of African descent.

After a few cases of the disease were diagnosed among Haitian immigrants in the United States, considerable attention was focused on the AIDS epidemic in Haiti This focus led to the misconception among many U S scientists and in the media that Haitian ...

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Aaron Myers

During the 1960s and 1970s, influenced by the Civil Rights and Black Power movements in the United States and nationalist movements in Africa, Afro-Brazilians experienced a surge in black pride. This heightened black consciousness was also prompted by denouncements of racism and praises to “Mother Africa” heard in Jamaican Reggae, increasingly popular in Brazil during the 1970s. As a result, black Brazilians, especially those in cities such as Rio de Janeiro, São Paulo, and Salvador, reaffirmed their connection with Africa and became more vocal about problems facing their community, particularly racial discrimination. This process was accelerated by the abertura (opening)—the gradual return to democratic rule that began in 1979 and loosened restrictions on free speech. In Salvador, this newfound black pride reinvigorated the old and waning afoxés and gave birth to a new type of black Carnival organization, the bloco Afro.

Afoxés emerged in the late ...

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Richard Newman

George Alexander McGuire (1866–1934) was an Antiguan ordained in the Episcopal Church in the United States who responded enthusiastically to the Black Nationalism of Marcus Garvey. McGuire envisioned an autonomous black church in the Episcopal tradition as a dimension of the Garvey Movement, much as the Anglican Church served as an international aspect of the British Empire. In 1921 he founded the African Orthodox Church (AOC) in New York. It attracted primarily West Indians sympathetic to Anglicanism, but also some Episcopalians and Roman Catholics who saw little future for blacks in American churches.

Garvey himself never joined the AOC, and in fact warned against both religious divisiveness and competing loyalties to his Universal Negro Improvement Association McGuire vigorously promoted a racially identified faith creating nationalist liturgies and calling for the image of a black Christ Unable to secure consecration to the bishopric from recognized authorities ...

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George Reid Andrews

Afro-Latin Americans helped forge a history of nation- and state-building, democratization, and social and political reform that transformed the life of the region. As we look ahead, what new challenges are likely to confront Afro-Latin Americans?

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Gonzalo Aguirre Beltrán was born and received his primary and secondary schooling in Veracruz, where there was a strong African influence, before studying medicine in Mexico City. In the 1920s and 1930s intellectuals such as José Vasconcelos undertook pioneering studies of Indians in Mexico, whose culture and history had largely been viewed with disdain until then. The studies resurrected a degree of interest in and dignity for Indian heritage. Although Vasconcelos argued that much of indigenous culture should be subsumed in a larger Mexican culture, Aguirre Beltrán believed that indigenous cultures were worthy of study for their own sake. After graduating from the University of Mexico with a medical degree, Aguirre Beltrán returned to Veracruz, where he held a post in public health that further sparked his interest in Indian ethnicity and history. In 1940 he published two studies on the ethnohistory of colonial and precolonial Indians in ...

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Miguel Algarín was born in Santurce, Puerto Rico. His family emigrated from Puerto Rico to the Lower East Side of Manhattan, New York, when he was nine years old. The Lower East Side's Latin urban landscape served as the foundation for his literary career. Algarín obtained his B.A. in romance languages from the University of Wisconsin in 1963 and his M.A. in English literature from Pennsylvania State University in 1965. He completed his doctoral studies in comparative literature at Rutgers University. He served as an instructor at Brooklyn College and New York University before becoming an assistant professor and chair of the Puerto Rican Studies department at Rutgers University. He is currently a professor emeritus at Rutgers.

While Algarín is a popular educator he is best known as one of the most active authors in the Puerto Rican poetic movement that flourished in New York City in the ...

Article

Jorge Amado, who wrote more than thirty novels during his career, played a significant role in representing African culture in Brazilian literature. Among his subjects are the blacks of Salvador, in Amado's home state of Bahia, and the African religious rituals that sustain them. Although Amado's approach to Afro-Brazilian traditions is sympathetic and exceptionally detailed, his Bahian novels have met with much controversy. A younger generation of Brazilian and non-Brazilian critics have accused Amado of creating overly exotic portraits of black culture and creating simplistic, class-bound character types.

Amado the son of a plantation owner in Bahia attended a Jesuit college at age 12 However after just one year he rebelled against the strict lifestyle at the school and left to live with his grandfather During the 1930s Amado joined the Brazilian Communist Party and his writings from this period reflect his ideological commitment to communism These works such ...

Article

John Burdick

The worship of Anastacia began in Brazil in the early 1970s The devotion to her centers upon a striking portrait of a young black woman with piercing blue eyes wearing a face iron an iron face mask that slaves were made to wear as a form of punishment Legend has it that Anastacia was tortured with the face iron when she refused to submit to the lust of her master Legend also has it that before she died she forgave her master and cured his child of a fatal disease Although the Catholic Church denounces the devotion to her as superstition at best and heresy at worst millions of Brazilians of all colors are deeply devoted to this woman whom they regard as possessing in death unparalleled supernatural powers Many of her devotees carry a small medallion of her image around their neck others keep a card with her ...

Article

Gregory Freeland

Jean-Bertrand Aristide turned from his original goal of becoming a priest to serve as a reform-minded leader of the Caribbean nation of Haiti. Driven from the Haitian presidency by a military coup in 1991, Aristide returned to power in 1994 to finish his term, then took office for a second time in 2001.

Aristide was born in Port-Salut, Haiti. Soon after he was born his father died, and with his mother and sister he moved to Port-au-Prince At the age of five he became a student in a Roman Catholic school run by the order of the Salesian Brothers He learned to speak French which Haitian authorities of the time preferred to the native language known as Haitian Creole He also learned Latin Greek English Spanish and Italian When Aristide was fourteen years old he began preparation for the priesthood at the Notre Dame seminary ...

Article

Born in the Las Villas province of Cuba, Alfredo “Chocolate” Armenteros became a master of the island's distinctive, horn-led musical musical styles. As a horn-player, composer, and arranger, he contributed to the development of modern Afro-Latin popular music.

Armenteros is a virtuoso player of the trumpet and the flügelhorn. He is also the last surviving master of Cuban septeto music, which is performed by a small ensemble featuring a trumpet backed by stringed instruments and percussion. He has played in many Latin American musical genres, including Afro-Latin Jazz big bands, small-group Cuban Descargas (jam sessions), and Salsa Music. On the 1979 album Knockdown Calypsoes. Armenteros convincingly re-created the sound of the Calypso bands of Trinidad in the 1930s and 1940s. Armenteros's trumpet-playing is instantly recognizable. Rather than seeking harmonic complexity or intricate rapid-fire melodies, typical of jazz trumpet playing since the Bebop era he projects a ...

Article

Marcelino Arozarena is considered one of the founders of poesía negra, or black poetry, in the Caribbean. Born in Havana, Cuba, he published his first poems in the 1920s in the Havana literary journal La Palabra, directed by Communist leader Juan Marinello. Arozarena's famous poem, “Caridá,” asks why Caridad, a mulatto woman (of both African and European descent), has not shown up at a dance. The poet draws on the techniques of negrista or “blackist” poets, such as mimicking musical rhythms, using jitanjáfora (words whose sounds echo their meanings), and folkloric images of Afro-Cuban music and dance.

Arozarena was part of the first wave of negrista poets, which also included his fellow Cubans Ramón Güirao, Alejo Carpentier, and Regino Pedroso; Puerto Rican poet Palés Matos; and Mexican poet José Zacarías Tallet Together with these authors Arozarena helped spark a literary movement ...

Article

Francisco Ortega

Jorge Artel, whose real name was Agapito de Arcos, was born in Colombia, in the colonial city of Cartagena de Indias, once the major entryway for slaves into the Spanish colonies in South America. He grew up surrounded by the drumbeats of the cumbia music, slavery's violent legacies, and the history of resistance embodied in the many maroon communities that dotted the city's borders. In his poetry he evokes those images, especially, as Lawrence Prescott has noted, using the symbol of the drum as the unifying thread essential to the black experience in the Americas. Like other black poets in Spanish America, such as the Afro-Peruvian Nicomedes Santa Cruz (1925–1992) and the Cuban Nicolás Guillén (1902–1989 Artel does not single out race alone as the defining element that has shaped his life and his aesthetic vision For him as for the others class ...

Article

Born in Saint Andrew, Jamaica, Maurice Ashley immigrated with his family to Brooklyn, New York, at the age of twelve. When he was fourteen years old, he fell in love with the game of chess after a classmate soundly defeated him. Intent on avenging the loss, Ashley read a book about the first great chess player in the United States, the nineteenth-century Louisianan Paul Morphy. Until then Ashley was only casually interested in the game, but he soon became drawn to its complexity and dazzling plays.

Ashley s ascent to the upper echelon of chess was long and gradual His start at age fourteen was relatively late by chess standards Some children begin playing as young as four years old and some of the best players earn the title of international grandmaster by age fourteen Although he failed to make the first team on his chess club at ...

Article

See also Contemporary Afro-Brazilian Music.

Article

Liliana Obregón

Albuino Azaredo was elected governor of Brazil's state of Espírito Santo (1991–1995). An Afro-Brazilian engineer and successful businessman, Albuino, along with Alceu Collares of the state of Rio Grande do Sul, became one of the first black governors to be elected in Brazil.

Azeredo ran for governor of Espírito Santo as a member of the Democratic Labor Party (PDT). Election patterns have not indicated that voters in Brazil vote along racial lines, but the PDT has an active and militant tradition of speaking about racial issues as part of its political platform. In 1982, for example, its electoral campaign emphasized its commitment to the black population. In addition, influential black leaders have been prominent members of the PDT, including famous black activist Abdias do Nasciamento.

Espírito Santo's Afro-Brazilian population makes up around half of the state's voters. Azeredo did not base his 1991 campaign ...

Article

Roanne Edwards

As a performer, composer, and scholar of ethnic music, Susana Baca has become a leading expert on Afro-Peruvian musical traditions. Since the 1960s she has explored the distinctive rhythms, tempos, and instruments of the small but influential Afro-Peruvian community that has lived in relative isolation for nearly 500 years along the Pacific Ocean coast of Peru. Her research led to the path-breaking 1995 album The Soul of Black Peru, which presented Afro-Peruvian music to an international audience for the first time.

Baca leads a generation of musicians who interpret the Afro-Peruvian traditions first explored in the 1950s by the renowned ethnomusicologist Nicomedes Santa Cruz. Her performances use Afro-Peruvian rhythms that date back to the seventeenth century, as well as native instruments such as the Andean panpipes and the cajon a wooden box which when rhythmically struck with the hand produces a variety of unusual timbres Baca ...

Article

Joaquín Balaguer was born in Villa Bisono in the Dominican Republic, on the Caribbean island of Hispaniola. After studying law in the capital city of Santo Domingo, he earned a doctorate at the University of Paris. In 1930 he became involved in a conspiracy that resulted in Rafael Leónidas Trujillo seizing the presidency. During Trujillo's long and dictatorial regime, Balaguer served in various ambassadorial posts abroad and also served as the Dominican Republic's minister of education and vice president. After Trujillo's oppressive rule officially ended, the country was led by a series of puppet leaders, with Trujillo pulling their strings. Balaguer began his presidency in 1960 as one such puppet. Trujillo, however, was assassinated in 1961. Balaguer remained president but faced massive popular protests for a return to democratic rule. In 1962 a general strike forced Balaguer from power He spent the next three years ...

Article

Balé Folclórico da Bahia was founded by Walson Botelho and Ninho Reis in 1987 in the city of Salvador, in the northern state of Bahia. Material for the dance compositions draws from the cultural fabric of the state, which was first colonized in 1530 by the Portuguese. In the sixteenth and seventeenth centuries, enslaved Africans were brought over to the colony to work on sugar plantations. The distinct socio-historical events that coalesced in this region are represented in the population, over 60 percent of which can claim African, indigenous, and Portuguese ancestry. This mixture is not restricted to biology but includes cultural traits, evident in the Brazilian religion Candomblé, which consists of Roman Catholicism brought by the Europeans, traditional beliefs of the indigenous peoples, and elements from the Yoruba of southern Nigeria.

Combining these elements the troupe creates and interprets Yoruba based rites of the Candomblé religion ...

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Miguel Barnet is the author of Biografía de un cimarrón (Autobiography of a Runaway Slave, 1966), which recounts Esteban Motejo's life as a runaway slave in Cuba and as a soldier in the Spanish-American War (1895–1898). Other works by Barnet include Canción de Raquel Rachel ...