Egyptian composer, musician, and film star, was born in the early 1900s, either in Cairo or in the village of Abu Kibir, Sharqiya Province. There is confusion regarding both the date and the place of his birth. Two official identification cards in his possession listed his birth in 1910 but in the two different locations named above. ʿAbd al-Wahhab’s contemporaries have suggested that he was born sometime between 1896 and 1907 their suggestions are supported by reported incidents of his early musical life and encounters with important historical figures of the 1910s His early years were spent in the Bab al Shaʿrani quarter of Cairo where his father Muhammad Abu ʿIsa ʿAbd al Wahhab was shaykh religious scholar and caretaker of the neighborhood mosque ʿAbd al Wahhab was one of five children born to his father and Fatima Higazi his mother Early on ʿAbd al Wahhab was enrolled by ...
Anne Elise Thomas
Eritrean Tigrinya singer and performer, songwriter, instrument player, and music composer, was born in the city of Asmara. During the Eritrean war of liberation (1961–1991), Abraham Afewerki and his family, like hundreds of thousands of other Eritreans, sought refuge in Sudan.
Abraham Afewerki became attracted by music and musical instruments at an early age. As a young child, he started playing famfam harmonica and singing at school events As a young boy with great artistic potential he joined the Qeyyahti Embaba Red Flowers of the Eritrean People s Liberation Front EPLF at the age of twelve The Red Flowers was a cultural troupe composed of young artists who performed cultural and revolutionary music and theater within Eritrea in areas controlled by the EPLF and Sudan A branch of the troupe of which Abraham Afewerki was a member was active in Khartoum By writing and composing his own ...
Susan Leigh Foster
Senegalese dancer and choreographer was born in Benin the daughter of a Senegalese colonial civil servant and the granddaughter of a Yoruba priestess When she was ten years old her family moved to Dakar Senegal From an early age Acogny showed exceptional talent for and love of dancing After pursuing a degree in physical education she went to France in the early 1960s where she studied ballet and modern dance Upon returning to Senegal she began teaching dance classes in the courtyard of her home and in the lycée where she was hired to be in charge of physical education In these classes she began to develop a codification of what she calls African dance Establishing an inventory of positions and steps as well as a spatial stability to each position s appearance she developed a dance technique based on an aesthetic of groundedness a sense of dynamism moving up ...
Nigerian pioneer of juju and world music star, was born Sunday Adeniyi Adé in the southwestern Nigerian city of Ondo on 22 September 1946. His father was a Methodist pastor and the organist for his church, while his mother engaged in various trading enterprises. Through his maternal grandfather, who lived in the town of Akoure, near Ondo, Ade was of royal lineage. By the time he reached his adolescent years, Adé had moved with his family to the town of Oshobo. Although he completed primary school, Adé ended up dropping out of secondary school before completing his studies. His lack of financial resources cut short his formal education. He already had developed eclectic tastes in music through his childhood and adolescent experiences. Traditional Yoruba music featuring drums fascinated the young boy, as did the occasional use of drums at church. Adé remembered in a 2005 interview that when ...
Sunday Anthony Ishola Adeniyi Adegeye, known internationally to African music fans as King Sunny Ade, was raised in a home where Christian and Yoruba religious and cultural perspectives were thoroughly intermingled. Ade's father was a church organist. Ade attended missionary schools, then dropped out of college in the 1960s to pursue a career as a drummer in Juju bands. Juju, a form of Nigerian pop music first developed by Yoruba musicians in the 1920s, was just beginning to gain an international audience. Ade's chief musical inspiration was I. K. Dairo, though Ade's later song lyrics drew more inspiration from his Christian education.
The early 1970s marked the birth of Ade s reputation as an African superstar with an international audience Ade deviated from the Dairo legacy through a series of innovations He expanded the juju band lineup from a single electric guitarist to as many as six played with at ...
Ethan R. Sanders
intellectual, pan-African thinker, educator, and Christian preacher, was born in Anomabo, Gold Coast (now Ghana) on 18 October 1875. His father was Kodwo Kwegyir (1816–1896) of the Fante people who was the Omankyiame or hereditary spokesman for the paramount chief of Anomabo, and his mother was Abna Andua, scion of a chiefly family. At the age of eight, Aggrey left his home to attend the Methodist school in Cape Coast. In 1890 he started teaching in a rural village school and the following year returned to Cape Coast to become an assistant teacher at the Wesleyan Centenary Memorial School where he soon advanced to a senior position At this early stage in his life Aggrey became interested in Christian ministry He began preaching at sixteen and later assisted in the translation of a Fante language New Testament During this time Aggrey also became involved with the ...
Baqi<ayn>e Bedawi Muhammad
pioneer Sudanese woman singer and activist during the struggle for Sudanese independence and the first woman to perform on the radio in Sudan. Born in 1905 in Kassala City in the eastern region of Sudan, Ahmad was the eldest among her seven siblings, including three brothers and four sisters. Among them was a sister Jidawiyya who played a crucial role with Ahmad in their journey as female musicians. Ahmad’s family was originally from Nigeria and migrated to Sudan in the late nineteenth century as pilgrims on their way to the holy places in Saudi Arabia. Her father, Musa Ahmad Yahiyya, was from the Fulani-Sokoto ethnic group, while her mother, Hujra, was from Hausa. Ahmad’s nickname is Aisha al-Falatiyyia, a reference to her father’s ethnic group, the Fulani, or Fallata, as they are known in Sudan.
The documented history indicates that Sudan served as a crossroads to the holy places in ...
Mousstapha Alassane, one of Niger's first filmmakers, excels in animation, a genre of film typically ignored in Africa. His work aims to preserve and revalue his African cultural heritage and to provide biting social commentary on Niger's postcolonial bourgeoisie.
Alassane was born in N’Jougou, Benin. He moved with his family to Niger in 1953. While in primary school, he began to develop the film style he would later polish as an adult. Alassane entertained his relatives and friends with shadow shows and makeshift cartoons drawn on translucent wrappings and shown through a projector he built. Throughout his teenage years, he refined his animation technique and at the age of twenty, he produced two short animated films—Le Piroguier (The Canoe-Paddler) and La Pileuse de mil Woman Pounding Millet While working at the Institut Fondamental d Afrique Noire Alassane had the opportunity to show these films to French ...
Nigerois filmmaker, was born in Ndougou (Niger). A mechanic by trade, he revealed himself to be an inventive young man at an early age. When no film theater existed in his village, indeed at a time when most of his fellow villagers had never seen a film, Alassane drew characters on cardboard, cut them out, and offered his fellow villagers their first cinematic experience by animating a rudimentary set of puppets.
In 1960 Alassane met Jean René Debrix and with his support obtained employment at the Institut d Afrique Noire Ifan in Niamey Later on two major figures exerted profound influence on the art and filmmaking career of Moustapha Alassane Jean Rouch a French engineer turned Africanist and advocate of direct anthropology and Norman McLaren a Scottish Canadian who made his first film at age twenty and later became the animation guru at the studios of National Film Board ...
Eritrean comedian, theater artist, musician, and sports teacher, was born on 1 February 1925 during the Italian colonial period in Eritrea in Abba Shawl, the poor segregated Eritrean quarters of the capital Asmara. His father was Kahsay Woldegebr, and his mother, Ghebriela Fitwi.
At the age of ten he attended an Orthodox Church school and then received four years of Italian schooling, the maximum period of formal education for Eritreans under Italian rule. Thereafter Alemayo worked as a messenger for an Italian lawyer and, at the age of seventeen, found employment as a stagehand in Cinema Asmara, then Teatro Asmara, an imposing Italian theater and center for Italian social and cultural life. Here Alemayo was exposed to European variety shows, operas, and cinema that fascinated him greatly, particularly the genre of comedy, such as the works of Charlie Chaplin and the Neapolitan comedian Totò.
Italian colonization was characterized by strict ...
J. Ayo Langley
In his lifetime (1866–1945), Duse Mohamed Ali, actor, historian of Egypt, newspaper editor, Pan-Africanist, Pan-Islamist, and promoter of African American and African trade and investment, was known to African American leaders such as Booker T. Washington, the principal of Tuskegee Institute, and Washington’s successor, R. R. Moton. He was also known to Arthur W. Schomberg, Dr. Carter G. Woodson, the founding father of African American history, and W. T. Ferris, author of The African Abroad (1913). He was known to African nationalist leaders, public intellectuals, merchants, and lawyers, particularly to West Africans. His book In the Land of the Pharaohs (1911) and monthly journal The African Times and Orient Review, “a monthly journal devoted to the interests of the colored races of the world,” played an important role in increasing his public outside Britain.
According to his autobiography serialized ...
Algerian writer and singer who brought Kabyle folk music of the rural Berber community to international audiences and one of the earliest modern Algerian female novelists, was born Marie-Louise Amrouche in Tunisia to a family of Roman Catholic converts who had fled Algeria to escape persecution. Her mother, Fadhma Amrouche, also a writer and musician, was an early influence. Amrouche adopted the nom de plume Marguerite Taos to underscore the influence of her mother; Marguerite was her mother’s Christian name, which the latter was not allowed to use by the Catholic Church, ostensibly because she had not been baptized properly.
Despite her exile, the family returned to Algeria on prolonged visits, from which Amrouche and her brother Jean Amrouche, a poet, got acquainted with the oral literature of their native Kabyle Berber people. Amrouche obtained her brevet supérieur in Tunis in 1934 and went to France the following year ...
Terza Silva Lima-Neves
singer and musician, was born Mayra Andrade on 13 February 1985 in Cuba. Her mother, Dina Curado, was Cuban, and her father, Carlos Andrade, was an official for the African Party for the Independence of Guinea-Bissau and Cape Verde (PAIGC), under the leadership of revolutionary leader Amilcar Cabral. Cape Verde, a small island nation with a population of five hundred thousand on the coast of Senegal, West Africa, gained its independence from Portugal in 5 July 1975. It is one of several former Portuguese colonies in Africa. The others include Guinea-Bissau, Mozambique, Angola, and São Tomé and Princípe.
Immediately after her birth in Cuba Mayra s parents traveled back to Cape Verde Mayra s parents separated while she was very young Mayra performed songs by famed Brazilian artist Caetano Veloso during family gatherings Veloso would later become her artistic inspiration She spent part of her childhood in the ...
Fela Anikulapo Kuti was a pioneer of the musical genre of Afrobeat and a choreographer of spectacular and irreverent acts of political protest. Growing up in the context of late colonial and postcolonial Nigeria, he saw a world in which many African people struggled to get by, while imperial nations, foreign corporations, and postcolonial political regimes grew wealthier and more powerful at their expense. In the politically and economically turbulent context of postcolonial urban Africa, Fela advocated the idea of African authenticity as a guiding principle of creative expression and political activism.
Fela was born in 1938 in Abeokuta, Nigeria, as Fela Ransome Kuti. His father was a minister, and his mother was a prominent feminist and anticolonial activist. In 1958, Fela’s parents sent him to London for medical training, but he instead registered at the Trinity School of Music. In 1961 he started his first jazz band ...
Julia A. Clancy-Smith
Tunisian musician, was born in Carthage, a suburb of Tunis, in 1962. North African women have long, rich traditions of vocal and instrumental music. At weddings and other joyous occasions, including religious festivals, female musicians sing, perform, and dance. In addition, the celebrated Tunisian singer and actress Habiba Messika (1893?–1930) composed songs during the period 1920–1930 that are still performed today. One of the most popular singers and composers in contemporary North Africa and Europe is another Tunisian woman, Amina Annabi, whose music—and life—fuses traditional Arab, Middle Eastern, and West African musical genres with Western music, particularly blues, jazz, reggae, rap, and rock and roll. Annabi’s is a complicated story, however, since it is not merely the tale of a talented musician making it in the world music movement from the 1980s on Her life is intertwined with the postcolonial reality of millions of North Africans who reside ...
Maxwell Akansina Aziabah
Ghanaian filmmaker, writer, producer, and director, was born in Agona Swedru in the Central Region of Ghana. His father, J. R. Ansah, was a professional photographer, a painter, dramatist, and musician, and his mother was a trader. Kwaw Ansah, after his Anglican elementary education in Agona Swedru, moved to Accra, where he completed his ordinary-level certificate examinations. While studying for his ordinary-level certificate, he worked as a fashion designer for the United Africa Company. He later entered London Polytechnic (now the University of Westminster) in 1963 to study theater design. Having decided to pursue a career in film production, he then enrolled in the American Academy of Dramatic Arts in New York and graduated two years later, in 1965 with a diploma in dramatic arts That same year he was admitted to the American Musical and Dramatic Academy It was while there that he understudied film production in R ...
R. Conrad Barrett
Numidian author and orator was born a citizen of Rome in c 125 CE in the town of Madauros in the province of Africa an area that had become Roman territory in 146 BCE His home town was 140 miles 225 kilo meters southwest of ancient Carthage the site of the modern city of Tunis Perhaps as a child Apuleius learned first the native Berber dialect certainly he heard Greek in his home and outside it as well as the language of all government Latin This language became Apuleius s major one he had it seems a solid but not equal facility in Greek After schooling in Carthage the major city of the province Apuleius traveled to Athens Greece for further study where he studied rhetoric and philosophy to learn more especially about the thought of Plato He then went to Rome for more education in rhetoric all of it ...
Famous as the author of The Metamorphoses, the first work of Latin literature to have survived unscathed, Lucius Apuleius was born in a well-to-do family around 125
Cynthia Tse Kimberlin
Ethiopian ethnomusicologist, composer, scholar, and teacher, was born in Addis Ababa. His paternal grandfather was Liqe Mekuwas Adinew Goshu, a renowned hero of the Battle of Adwa and a close confidant of Empress Taitu. His great grandfather, Dejazmach Goshu, served as a mentor and teacher to Emperor Tewodros. The most creative and artistic individual in his family was his mother, Fantaye Nekere, who composed verse and poetry. She taught Ashenafi about Ethiopian artistic forms, which he later drew upon for his work.
Ashenafi first showed an interest in music while attending Haile Selassie I Elementary School. After attending the Harar Teachers’ Training School, he taught music at Haile Sellassie I University and the Addis Ababa YMCA before obtaining his BA in Music (1962 from the University of Rochester s Eastman School of Music in the United States He returned to Addis Ababa to serve as the first official ...
leading male vocalist of his generation in Egypt, composer and box- office sensation with a career spanning five decades, was born in Suwayda, a village in the Druze stronghold of Southern Syria. He was the eldest child of Fahd al-Atrash, an Ottoman official related to the leading Druze princely clan and Alia al-Mundhir, a Druze from Beirut. At the end of World War I, Fahd al-Atrash was posted in the Turkish district of Demirci. Fearing arrest, he fled with his family to Beirut; on the sea passage from Izmir, Alia gave birth to a daughter, Amal, whose fame as the musical artist Asmahan would equal, if not surpass, her older brother’s.
In 1923 against her husband s will Alia took her children to Damascus and then to Cairo She fled the violence that had followed the bombardment of the Druze stronghold in response to an attack on French forces ...