Alston was born in Charlotte, North Carolina. As a teenager, he served as the art editor for his high school's annual magazine. Alston earned both his undergraduate and M.A. degrees from Columbia University in New York City. He gained popular recognition for his cover illustrations for the periodicals The New Yorker and Collier's. In the 1930s Alston taught at the Harlem Art Workshop, where he was a proponent of muralism as a black art form, and from 1935 to 1936 Alston directed the Harlem Hospital murals for the Federal Arts Project. In 1950 he became the first African American teacher at the Art Students League in New York. His best-known works are the paintings Family and Walking, which are noted for their figurative content, sculptural form, and brilliant color, and which portray the experiences of African American families in the 1950s and 1960s.
Mary Anne Boelcskevy
artist and teacher, was born in Charlotte, North Carolina, the youngest of five children of the prominent Episcopalian minister Primus Priss Alston and his second wife, Anna (Miller) Alston. Nicknamed “Spinky” by his father, Charles showed his artistic bent as a child by sculpting animals out of the red clay around his home. His father died suddenly when Charles was just three. In 1913 his mother married a former classmate, Harry Pierce Bearden (uncle of Romare Bearden), and the family moved to New York City. Charles's stepfather worked at the Bretton Hotel as the supervisor of elevator operators and newsstand personnel, and over the years the family lived in comfortable brownstones in better neighborhoods.
Alston attended DeWitt Clinton High School, where he was art editor of the student newspaper the Magpie during the week and he studied at the National Academy of Art on Saturdays He turned ...
artist, art historian, curator, critic, and educator, was born Lynda Faye Peek in Atlanta, Georgia. Amaki, who legally changed her name in 1978, is the fourth of six surviving daughters of Mary Lee Hill, a homemaker, gardener, and quilter, and Norman Vance Peek, a landscape designer and gardener during the summer, and a cake and candy caterer during the winter. Early in her life and throughout her artistic career Amaki was influenced by her parents' penchant for recycling materials into creative forms.
Amaki's parents supported and encouraged her early artistic pursuits. Her mother enthusiastically showed Amaki's drawings to family friends and members of the community. Aware of Amaki's interest, the Reverend William Holmes Borders, a friend of the family and pastor of the Wheat Street Baptist Church where the Peek family worshipped, introduced ten-year-old Amaki to Hale Aspacio Woodruff a ...
writer and artist, was born in Giddings, Texas, the daughter of Joshua Robin Bennett and Mayme F. Abernathy, teachers on an Indian reservation. In 1906 the family moved to Washington, D.C., where Gwendolyn's father studied law and her mother worked as a manicurist and hairdresser. When her parents divorced, her mother won custody, but her father kidnapped the seven-year-old Gwendolyn. The two, with Gwendolyn's stepmother, lived in hiding in various towns along the East Coast and in Pennsylvania before finally settling in New York.
At Brooklyn's Girls' High (1918–1921) Bennett participated in the drama and literary societies—the first African American to do so—and won first place in an art contest. She attended fine arts classes at Columbia University (1921) and the Pratt Institute, from which she graduated in 1924 While she was still an undergraduate her poems Nocturne and Heritage were published in ...
Sandra Y. Govan
Although she never collected her published poetry into a volume nor produced a collection of short stories, Gwendolyn Bennett was recognized as a versatile artist and significant figure in the Harlem Renaissance.
Torn between her ambition to work as a graphic artist and her desire to become a proficient writer using the medium of either poetry or prose, Bennett maintained the profile of an arts activist in New York City's African American arts community for over twenty years. However, the five-year period spanning 1923 to 1928 proved to be the most productive for her as a creative writer. It was within this brief span that James Weldon Johnson recognized Bennett as a lyric poet of some power.
Born in Giddings, Texas, Bennett led a nomadic childhood before her father, Joshua Robbin Bennett finally settled his family into comfortable surroundings in Brooklyn New York Bennett completed her secondary education at ...
architect and civic leader, was born in Indianapolis, Indiana, the son of the Reverend Cleo W. Blackburn, executive director of Flanner House, a social service center for Indianapolis's black community, president of Jarvis Christian College, and executive director and CEO of the Board of Fundamental Education (BFE), which received a national charter in 1954. Cleo Blackburn was born in Port Gibson, Mississippi, the son of a slave. At Butler University he–earned a degree in social work and was ordained a–minister of the Christian Church (Disciples of Christ). After earning a master's degree in Sociology at Fisk University in Nashville, Tennessee, Cleo Blackburn was director of research and records at Tuskegee Institute, Alabama. He returned to Indianapolis in 1936. In 2000 he was recognized posthumously as one of the fifty most influential people of the twentieth century in Indianapolis. Walter Blackburn's mother, Fannie Scott Blackburn a civic ...
Rebecca Martin Nagy
artist and educator, was born in Addis Ababa to an Ethiopian mother and an Armenian father who was a colonel in the Imperial Body Guard of Haile Selassie. Boghossian received early art training at Tafari Makonnen Secondary School and in private lessons with Stanislas Chojnacki, a historian of Ethiopian art and water-colorist, then librarian at the University College of Addis Ababa (later Haile Selassie I University and now Addis Ababa University), and with Jacques Godbout, a Canadian writer, filmmaker, and painter who taught French at the University College.
In 1955 Boghossian won second prize at an art exhibition held as part of Haile Selassie s Jubilee Anniversary Celebration and was awarded an imperial scholarship to study in London After attending classes at St Martin s School the Central School and the Slade School of Fine Art in London the young artist decided to transfer his studies to Paris where ...
Robert E. Fleming
Bontemps, Arna Wendell (13 October 1902–04 June 1973), writer, was born in Alexandria, Louisiana, the son of Paul Bismark Bontemps, a bricklayer, and Maria Carolina Pembroke, a schoolteacher. He was reared in Los Angeles, where his family moved when he was three. He graduated from Pacific Union College in Angwin, California, in 1923.
Bontemps then moved to New York’s Harlem, where the “Harlem Renaissance” had already attracted the attention of West Coast intellectuals. He found a teaching job at the Harlem Academy in 1924 and began to publish poetry. He won the Alexander Pushkin Prize of Opportunity, a journal published by the National Urban League, in 1926 and 1927 and the Crisis (official journal of the NAACP) Poetry Prize in 1926. His career soon intersected that of the poet Langston Hughes with whom he became a close friend and sometime collaborator In Harlem Bontemps also ...
portraitist and American scene painter, was born in Knoxville, Tennessee, the son of a Methodist minister, John Samuel Delaney, and his wife, the former Delia Johnson, who supplemented the family income as an itinerant domestic. Joseph was the ninth of ten children in a family that produced another visual artist of rare ability, his older brother, the noted abstractionist Beauford Delaney, who was three years Joseph's senior. The Delaneys’ early interest in art developed at least in part as a result of drawing on Sunday school cards during their father's regular church services. In an essay written for a catalog of his brother's works in 1978, Joseph Delaney wrote:
Those early years which Beauford and I enjoyed together I am sure shaped the direction of our lives as artists We were constantly doing something with our hands modeling with the very red Tennessee clay also copying ...
Kimberly L. Malinowski
landscape and figure painter, was born in Wood County, near Parkersburg, West Virginia, to Charles T. Dodd and Senora Tibbs Dodd. Dodd attended local schools and began studying art by correspondence. In 1925 he attended the West Virginia Colored Institute (later West Virginia State College) in Institute, West Virginia. He graduated second in his class and was student body president. In 1929 he received a scholarship to study at the National Academy of Design in New York.
In 1932 Dodd returned to West Virginia and worked as an art professor at Bluefield State College in Bluefield West Virginia Dodd was a practicing artist during the years that he taught He taught numerous classes showcasing his many talents He taught introduction to art classes for public school teachers not aspiring to be practicing artists but who wished to have some art background The range of Dodd s teaching ...
Kimberly M. Curtis
visual artist, art historian, and art critic, was the youngest child born to Frank Donaldson and Clementine Richardson Donaldson of Pine Bluff, Arkansas. When Jeff Donaldson was four years old his father died. To support the family Clementine Donaldson worked as a grammar school principal and high school principal. Donaldson received his early education in Pine Bluff, where he studied art with John Miller Howard, a professor at Arkansas AM&N College (later the University of Arkansas at Pine Bluff). After earning a BA in Studio Art from Arkansas AM&N in 1954, he returned to Chicago, where he had moved as a teenager with his family, and took courses at the School of the Art Institute of Chicago. Donaldson went on to study photography, color and design, and printmaking at the Illinois Institute of Technology, where he earned an MS in Art Education and Administration in 1963 ...
Douglas, Aaron (26 May 1899–02 February 1979), artist and educator, was born in Topeka, Kansas, the son of Aaron Douglas, Sr., a baker, and Elizabeth (maiden name unknown), a domestic. Educated in segregated schools until high school, Douglas’s early artistic influences included his mother’s paintings and drawings and fellow African-American artist Henry Ossawa Tanner’s Christ and Nikodemus (1899), which young Douglas saw reproduced in a magazine.
Torn between becoming a lawyer and an artist after graduating from Topeka High School Douglas like thousands of other black laborers headed to the urban centers of the North in search of a factory job Unlike most of them however Douglas was intent on saving enough money to attend college in the fall Arriving in Detroit Michigan he worked as a plasterer but finding this work too much for his slight frame he worked for Cadillac loosening molding sand from ...
A. B. Christa Schwarz
artist. Known as the “father of Black American art,” Aaron Douglas significantly influenced the field of black visual arts and dominated the visual sphere of the Harlem Renaissance, the first African American cultural movement. Douglas was born in Topeka, Kansas, one of several children of the baker Aaron Douglas Sr. from Tennessee and his wife, Elizabeth, a homemaker from Alabama. Douglas developed an interest in art at an early age, graduated from the University of Nebraska with a bachelor of fine arts degree in 1922, and took a teaching position at Lincoln High School in Kansas City in 1923, staying until 1925. Desiring to further develop his own craft and inspired by the 1925 Harlem issue of the sociology journal Survey Graphic, Douglas moved to Harlem in 1925.
Interpreting the Harlem Renaissance as an opportunity to replace old stereotypical images of African Americans ...
Linda M. Carter
artist, art historian, curator, and educator, was born David Clyde Driskell in Eatonton, Georgia, the youngest of four children and the only son of George W. Driskell, a Baptist minister, and Mary L. Clyde Driskell. When Driskell was five years old, his family moved to Polkville, North Carolina, a community located in the Appalachian Mountains. He attended Rutherford County public schools and graduated from Grahamtown High School in 1949. He began his matriculation at Howard University in 1950 where he joined the Reserve Officers' Training Corps. He married Thelma G. DeLoatch on 9 January 1952, and had two daughters. In 1953 he began studying at the Skowhegan School of Painting and Sculpture, located in Skowhegan, Maine. After he graduated from Howard with a BA in Art in 1955 Driskell was commissioned a second lieutenant in the U S Army later being ...
Pamela Lee Gray
painter, graphic artist, printmaker, curator, and educator, was born in Dayton, Ohio. His family later moved to Indianapolis, where he attended high school in 1903 and 1904. While Farrow was in high school, the noted muralist William Edouard Scott recognized his artistic potential and encouraged him to enroll at the School of the Art Institute of Chicago. In 1908 Farrow moved to Chicago to begin classes at the Institute, Scott's alma mater and one of the first U.S. art schools to admit black students.
Farrow studied intermittently at the School of the Art Institute of Chicago from 1908 to 1918, while working for the U.S. Postal Service. When Farrow arrived at the institute, founded as the Chicago Academy of Fine Arts in 1879 it was not yet a world class art institution In the early twentieth century the institute was actively building ...
artist, writer, illustrator and educator, was born Elton Clay Fax, the son of Mark Oakland and Willie Estele Fax in Baltimore, Maryland. Fax initially matriculated at the historically black institution Claflin University, in Orangeburg, South Carolina, but completed his studies and received a BFA at Syracuse University in Syracuse, New York, in 1931. On 12 March 1929, Fax married the former Grace Elizabeth Turner, and their union produced three children.
In 1934 Fax painted a well-received mural, commissioned by the Public Works of Art Projects (PWAP) at Baltimore's Dunbar High School, depicting the incorporation of southern, black agrarians into the urban, industrial north. Fax's representation of the Great Migration and a pluralistic American workforce was an ideal example of the American Social-Realist art that was supported by Franklin Delano Roosevelt's New Deal projects Social Realism was a popular style in the 1930s ...
Janet Yagoda Shagam
painter, printmaker, and educator, was born Reginald Adolphus Gammon Jr. in Philadelphia, Pennsylvania, the son of Reginald Gammon Sr. and Martha Brown, Jamaican émigrés. An academic-track student, Gammon graduated from Benjamin Franklin High School in 1941. The caption under his yearbook portrait states that he is “one of the best artists.”
In 1941 Gammon received a scholarship to the Philadelphia Museum School of Industrial Arts (later the Philadelphia Museum College of Art). During the summer of 1942, he worked at the Philadelphia Naval Shipyard refurbishing battleships for the war effort. He lost his scholarship when his job caused him to miss the September registration date, and for the next eighteen months, he worked at the shipyards during the day and went to art school at night. With the arrival of his draft notice, Gammon joined the navy and served from 1944 to 1946 ...
Jennifer Anne Hart
Ghanaian artist and professor, was born in the La community of Accra, Ghana. Glover’s early education was obtained at Presbyterian mission schools and later the teacher’s training college in Accra. He studied art and education at the University of Science and Technology, Kumasi (later Kwame Nkrumah University of Science and Technology, KNUST) from 1957 to 1958, and later at Central Saint Martins School of Art and Design (1959–1962) and the University of Newcastle-upon-Tyne (1964–1965), both in the UK. In 1965 he became an associate professor in the department of art education at the University of Science and Technology Kumasi In the early 1970s he moved to the United States to pursue graduate studies at Kent State University MA art education 1972 and the Ohio State University PhD 1974 Glover served as professor chair of the department of art education and dean of the College of Arts at the ...
Cynthia Haveson Veloric
artist and educator, was born in Philadelphia, Pennsylvania, to Ruby Arlene Powell, a homemaker, and Barkley H. Hendricks, a carpenter who worked at the Philadelphia Navy Yard. Barkley L. Hendricks “didn't like school” (unpublished interview, 2005), preferring to sketch and draw in his spare time, but once he entered high school, his teachers encouraged his art studies. Another outlet for his talent was the high school yearbook, for which he was both editor and illustrator. Outside school he created chalk and pastel markings on city walls, which he later called “pre-aerosol graffiti” (unpublished interview, 2005).
After graduating from Simon Gratz High School in 1963, Hendricks enrolled in the Pennsylvania Academy of the Fine Arts in Philadelphia, the oldest art school in the country. At the time, there were few black students or faculty. He can easily recall fellow students Lou Sloan and Raymond Saunders ...