Egyptian composer, musician, and film star, was born in the early 1900s, either in Cairo or in the village of Abu Kibir, Sharqiya Province. There is confusion regarding both the date and the place of his birth. Two official identification cards in his possession listed his birth in 1910 but in the two different locations named above. ʿAbd al-Wahhab’s contemporaries have suggested that he was born sometime between 1896 and 1907 their suggestions are supported by reported incidents of his early musical life and encounters with important historical figures of the 1910s His early years were spent in the Bab al Shaʿrani quarter of Cairo where his father Muhammad Abu ʿIsa ʿAbd al Wahhab was shaykh religious scholar and caretaker of the neighborhood mosque ʿAbd al Wahhab was one of five children born to his father and Fatima Higazi his mother Early on ʿAbd al Wahhab was enrolled by ...
Anne Elise Thomas
classical singer, author, gay rights activist, and former literary assistant to writer Langston Hughes, was born in Cleveland, Ohio. Abdul's father, Hamid Abdul, was from Calcutta, India, and his mother, Bernice (Shreve) Abdul, was able to trace her ancestry back to the pre-Revolutionary War era. Abdul got his start in theater at a young age, participating in children's theater by age six. He attended John Hay High School and, after graduation, worked as a journalist for the Cleveland Call and Post. He would later go on to earn a diploma from the Vienna Academy of Music in 1962. He also studied at Harvard University, the New School for Social Research, the Cleveland Institute of Music, New York College of Music, and the Mannes College of Music.
In 1951 at age twenty two Abdul relocated to New York City There he began studying music and was ...
Mousstapha Alassane, one of Niger's first filmmakers, excels in animation, a genre of film typically ignored in Africa. His work aims to preserve and revalue his African cultural heritage and to provide biting social commentary on Niger's postcolonial bourgeoisie.
Alassane was born in N’Jougou, Benin. He moved with his family to Niger in 1953. While in primary school, he began to develop the film style he would later polish as an adult. Alassane entertained his relatives and friends with shadow shows and makeshift cartoons drawn on translucent wrappings and shown through a projector he built. Throughout his teenage years, he refined his animation technique and at the age of twenty, he produced two short animated films—Le Piroguier (The Canoe-Paddler) and La Pileuse de mil Woman Pounding Millet While working at the Institut Fondamental d Afrique Noire Alassane had the opportunity to show these films to French ...
Nigerois filmmaker, was born in Ndougou (Niger). A mechanic by trade, he revealed himself to be an inventive young man at an early age. When no film theater existed in his village, indeed at a time when most of his fellow villagers had never seen a film, Alassane drew characters on cardboard, cut them out, and offered his fellow villagers their first cinematic experience by animating a rudimentary set of puppets.
In 1960 Alassane met Jean René Debrix and with his support obtained employment at the Institut d Afrique Noire Ifan in Niamey Later on two major figures exerted profound influence on the art and filmmaking career of Moustapha Alassane Jean Rouch a French engineer turned Africanist and advocate of direct anthropology and Norman McLaren a Scottish Canadian who made his first film at age twenty and later became the animation guru at the studios of National Film Board ...
African‐Americantragedian and Shakespearean actor who emigrated to England and performed extensively in Europe. Aldridge was born to Daniel and Lurona Aldridge on 24 July 1807 in West Broadway, New York. There has been some confusion concerning his genealogy. One suggestion of his lineage was that he was a descendant of a princely line of the Fulah tribe in Senegal. This version is probably a romantic tale fabricated to accentuate an exoticism that would have boosted his dramatic persona. What is known, however, is that Daniel Aldridge was a straw‐vendor and a pastor, who might have been a slave. There are no records to verify that Daniel was indeed a slave, but the name Aldridge was most probably that of a slave master.
Although Daniel had intended his son to join the ministry the young Aldridge was already passionate about the theatre After his education at the African Free School ...
Aldridge earned international recognition as one of his era's finest actors for his moving theatrical performances throughout England, Scotland, Ireland, Europe, and the United States. Although born free in New York City, he was the son of a slave turned Calvinist preacher. Aldridge saw limited theatrical opportunities in the United States and, after training at the African Free School in New York City, left the United States for Europe in 1824. Intent on pursuing an acting career, he studied drama at the University of Glasgow in Scotland for more than a year.
Debuting onstage at the Royal Coburg in London, England, in 1825 Aldridge won widespread praise for his portrayal of Shakespeare s Othello a role that became his trademark as well as for his renditions of other leading characters during the six week theatrical run After this success he performed in the Theatre Royal in Brighton England ...
actor, was born Ira Frederick Aldridge, the son of Daniel Aldridge, a minister, and Lurona (maiden name unknown). Although certain historical accounts record that Aldridge was born in Senegal, Africa, and was the grandson of the Fulah tribal chieftain, modern biographical scholarship has established that he was born in New York City. It is possible that he could claim Fulah ancestry, but his lineal descent from tribal royalty is unconfirmed. Extant evidence concerning Aldridge's life is sketchy, conflicting, or exaggerated, possibly owing in part to the aggrandizements of theatrical publicity.
As a young boy, Aldridge attended the African Free School in New York City. Although Aldridge's father intended for him to join the clergy, Aldridge showed an early attraction to the stage, excelling at debate and declamation. Around 1821 Aldridge tried to perform at Brown s Theatre also known as the African Theatre but his father ...
Graham Russell Hodges
Ira Frederick Aldridge was the son of Daniel Aldridge, a minister, and Lurona (maiden name unknown). Born in New York City, Aldridge was educated at the African Free School. Although his father wanted him to become a minister, Aldridge turned to the stage when he became fascinated by the fledgling African Grove Theater, run by William Brown and starring the pioneering black actor James Hewlett. The theater closed in 1823 after the New York City government, under pressure from racist mobs, refused to grant it a license. Recognizing that his career as a serious actor was limited in the United States because of prevalent prejudice against blacks, Aldridge immigrated to England in 1824 and became an attendant to the famed thespian Henry Wallack whom he met through Wallack s brother James Aldridge and Henry Wallack would clash when the latter identified the young black man as his ...
Eritrean comedian, theater artist, musician, and sports teacher, was born on 1 February 1925 during the Italian colonial period in Eritrea in Abba Shawl, the poor segregated Eritrean quarters of the capital Asmara. His father was Kahsay Woldegebr, and his mother, Ghebriela Fitwi.
At the age of ten he attended an Orthodox Church school and then received four years of Italian schooling, the maximum period of formal education for Eritreans under Italian rule. Thereafter Alemayo worked as a messenger for an Italian lawyer and, at the age of seventeen, found employment as a stagehand in Cinema Asmara, then Teatro Asmara, an imposing Italian theater and center for Italian social and cultural life. Here Alemayo was exposed to European variety shows, operas, and cinema that fascinated him greatly, particularly the genre of comedy, such as the works of Charlie Chaplin and the Neapolitan comedian Totò.
Italian colonization was characterized by strict ...
Africanjournalist and nationalist born in Egypt of Egyptian and Sudanese parentage. At the age of 9 or 10 Ali was sent to England to be educated. He never returned to Egypt and spent most of his time between 1883 and 1921 living in Britain. During this period, he was poverty‐stricken, attempting to earn a living through his pen and tour acting. Ali published Land of the Pharaohs in 1911, an anti‐imperialist book that became a significant contribution to the decolonization efforts in the United States and West Africa.
In 1912Ali and John Eldred Taylor, a journalist from Sierra Leone, inaugurated the African Times and Orient Review (1912–20), a magazine that sought to deal with anti‐colonial issues that not merely embraced Pan‐African matters, but incorporated Pan‐Oriental topics as well. The journal was inspired by the Universal Races Congress in London in 1911 which advocated ...
Ambitious, talented Debbie Allen has broken ground for black women in a variety of roles, primarily behind the scenes of the entertainment industry—directing, producing, writing, and choreographing television shows, films, and musical theater.
Debbie Allen was born into a remarkable family in Houston, Texas. Her father, Andrew Allen, was a dentist, and her mother, Vivian Ayers Allen, is a poet who has been nominated for the Pulitzer Prize. Her sister, Phylicia Rashad, is a well-known actor, and one of her brothers is Andrew “Tex” Allen, a jazz musician.
Allen decided early that she wanted to be a dancer She began her training when she was three and by the time she was eight she had decided to go into musical theater When she tried to enroll in the school of the Houston Foundation for Ballet she was rejected for reasons her mother considered discriminatory As a ...
actor, athlete, singer, and producer, was born in Newark, New Jersey, to Annabelle Patricia West and John Allen Amos Sr., a self-taught diesel auto mechanic and tractor trailer driver. Shortly after his second birthday, the family moved to East Orange, New Jersey, where they lived while John Sr. served in the military during World War II. His father left after the war, and his mother struggled to support her family by working as a domestic and then as a certified dietician. Amos recalled that, “the only time [he] ever saw his mother concede to possible failure was one time when she could not find any food in the cupboards. She had to ask him to go to the next-door neighbor to borrow food” (interview with John Amos by the author, 2010 Amos first joined the Metropolitan Baptist Church in Newark New Jersey at about ...
actor and comedian. Anderson's character Rochester, the manservant in the Jack Benny radio shows and films of the 1930s and 1940s and later on the Jack Benny Show on network television brought him fame and fortune and made him a household name in mid twentieth century America During the 1930s and later most African American screen actors and actresses who took roles in white produced Hollywood films were depicted in subservient or demeaning parts Anderson however was the independent hilariously witty favorite loved by audiences across the nation His unique ability to stir his audience with humor and sympathy made him the highest paid black actor of his time Though his role as a manservant was superficially subservient he was in fact saucy sarcastic ironic and anything but subservient His trademark answer to his boss Yes Mister Benny was delivered in a tone that let viewers know that ...
George H. Douglas
radio and movie actor, was born Edward Lincoln Anderson in Oakland, California. Anderson was from a show business family. His father, “Big Ed” Anderson, was a vaudevillian, and his mother, Ella Mae (maiden name unknown), was a circus tightrope walker. As a youngster Eddie sold newspapers on the streets of Oakland, a job that, according to his own account, injured his voice and gave it the rasping quality that was long his trademark on radio.
Between 1923 and 1933 Anderson's older brother Cornelius had a career in vaudeville as a song and dance man, and Eddie, who had little formal education, joined him occasionally. With vaudeville dying, however, Eddie drifted toward Hollywood. In the depths of the Depression, pickings were slim. His first movie appearance was in 1932 in What Price Hollywood? For a few years he had only bit parts but then he secured a major role in ...
The humor and energy between Benny and Anderson led to the development of a twenty-year collaboration that delighted radio, television, and film audiences. The relationship between Anderson and Benny, for all of its sarcasm, wit, and camaraderie, was typical of the “Uncle Tomism” of the era. Anderson's trademark line to Benny became “What's that, Boss?” Yet blacks not only appreciated the comedy but were also pleased that the character was played by a black actor instead of by a white actor attempting to imitate black expression.
Anderson was born in Oakland, California. His parents performed in vaudeville, and he began acting when he was eight. His formal show business career began in 1919 when he appeared in a black revue and continued when he and his older brother Cornelius toured as a two-man music and dance team. After appearing in his first film, Green Pastures (1936 Anderson ...
James V. Hatch
playwright and minister, was born in Wichita, Kansas. Little is known about his parents, although his mother is said to have been an active reformer and a poet. Anderson completed four years of school (the only formal education that he ever received) before his father moved the family to California to take a job as a janitor in the post office. The following year Anderson's mother died, and at age twelve he left home to become a newsboy, selling the Telegraph Press on the corner of Third and Market streets in San Francisco.
After working as a porter on the railroad, Anderson worked for the next fifteen years as a bellhop in various San Francisco hotels. During this period he also became a temporary convert to Christian Science. One afternoon in 1924 he saw a performance of Channing Pollack's moralistic drama The Fool and knew immediately that he ...
Maxwell Akansina Aziabah
Ghanaian filmmaker, writer, producer, and director, was born in Agona Swedru in the Central Region of Ghana. His father, J. R. Ansah, was a professional photographer, a painter, dramatist, and musician, and his mother was a trader. Kwaw Ansah, after his Anglican elementary education in Agona Swedru, moved to Accra, where he completed his ordinary-level certificate examinations. While studying for his ordinary-level certificate, he worked as a fashion designer for the United Africa Company. He later entered London Polytechnic (now the University of Westminster) in 1963 to study theater design. Having decided to pursue a career in film production, he then enrolled in the American Academy of Dramatic Arts in New York and graduated two years later, in 1965 with a diploma in dramatic arts That same year he was admitted to the American Musical and Dramatic Academy It was while there that he understudied film production in R ...
actor, director, educator, and artist advocate, was born Osceola Marie Macarthy in Albany, Georgia, of black, white, and Native American racial heritage. The daughter of a life insurance executive, Archer attended Fisk University Preparatory School in Nashville, Tennessee. She then enrolled at Howard University in Washington, D.C., in 1909, where she was a pupil of Alain Locke and the sociologist Kelly Miller. Self‐defined as a suffragette, in 1913, her senior year at Howard, Archer and twenty‐one fellow female students cofounded one of the largest black fraternal organizations in the United States, Delta Sigma Theta, a sorority dedicated to community service and the mutual support of African American women. That same year Archer began to pursue her interest in drama by performing the title role in the Howard University Dramatics Club production of The Lady of Lyon a Victorian romantic comedy known as a showcase for actors ...
tap dancer and choreographer, was born Charles Atkinson in Pratt City, Alabama, the son of Sylvan Atkinson, a construction and steel worker, and Christine Woods. At age seven Atkins moved with his mother to Buffalo, New York. Woods, herself an avid social dancer, encouraged her children to dance, and Atkins won his first local contest at age ten doing the Charleston. As a teenager Atkins made his first money as a dancer by busking at rest stops while working as a bus line porter between Buffalo and Albany. His dancing caught the attention of a talent scout for the Alhambra on the Lake, a Lake Erie nightclub, who booked Atkins as a regular act. There he learned to tap from William “Red” Porter, a dancing waiter who became Atkins's first dance partner.
In 1929 Atkins joined a traveling revue produced by Sammy Lewis and toured through ...
leading male vocalist of his generation in Egypt, composer and box- office sensation with a career spanning five decades, was born in Suwayda, a village in the Druze stronghold of Southern Syria. He was the eldest child of Fahd al-Atrash, an Ottoman official related to the leading Druze princely clan and Alia al-Mundhir, a Druze from Beirut. At the end of World War I, Fahd al-Atrash was posted in the Turkish district of Demirci. Fearing arrest, he fled with his family to Beirut; on the sea passage from Izmir, Alia gave birth to a daughter, Amal, whose fame as the musical artist Asmahan would equal, if not surpass, her older brother’s.
In 1923 against her husband s will Alia took her children to Damascus and then to Cairo She fled the violence that had followed the bombardment of the Druze stronghold in response to an attack on French forces ...