(b Philadelphia, PA, Feb 14, 1760; d Philadelphia, March 26, 1831). American tunebook compiler. A former slave, he founded the African Methodist Episcopal Church in Philadelphia in 1794 and was elected its first bishop on the incorporation of the church in 1816. He compiled a hymnbook of 54 hymns, A Collection of Spiritual Songs and Hymns, for use by his congregation, the Bethel AME Church, in 1801. Later that year an enlarged version was published as A Collection of Hymns and Spiritual Songs. It was the first hymnbook published by an African American for use by African Americans, and many of the hymns later became sources for black spirituals. With Daniel Coker and James Champion, Allen also compiled the first official hymnbook of the AME Church in 1818.
Mary Krane Derr
multi‐instrumental musician, teacher, and orchestra conductor, was born in Lynchburg, Virginia. Some sources give her birth year as 1885; however, according to U.S. census data, it was most likely 1882. Her mother, Betty Anderson, was born March 1849 in Virginia. Little is known about Hallie Anderson's father except that he was also a Virginia native. When Hallie was three, the family migrated to New York City. As a child, Hallie took public school and private music lessons. She received classical training at the New York German Conservatory of Music. Although it did not record her occupation, the 1900 census noted that Hallie's mother was a widow who could neither read nor write, and who had seven living children. Betty Anderson was then living with three of her children, all of whom could read and write: Charles (born Sept. 1872), a waiter; John ...
jazz guitarist and banjoist, vocalist, and author, was born Daniel Moses Barker in New Orleans, Louisiana, to Moses Barker, a drayman, and Rose Barbarin Barker. Barker grew up in New Orleans with a largely absent Baptist father of rural origins and a mother whose familial connections to the Barbarin family, famed in New Orleans music, rooted him in the city's Creole of Color musical community. His childhood experiences immersed him in the cultures of both sides of his family: rural Protestant and urban Roman Catholic.
Barker's uncle, the drummer Paul Barbarin composer of the jazz standard Bourbon Street Parade started Danny on drums after trying the clarinet Danny decided to play multiple string instruments guitar banjo and ukulele A teenaged Barker played in spasm bands children s bands that featured rudimentary instruments often created from discarded objects Playing ukulele Barker led a spasm band named ...
Alias of Thomas Wiggins (1849–1908), famous slave pianist, described by Mark Twain as a musical prodigy. He was born in May 1849 in Columbus, Georgia, being blind, and in today's terms an ‘autistic savant’. The renowned lawyer James N. Bethune bought Wiggins's parents as slaves. Recognizing that Wiggins was a musical genius capable of imitating noises, improvising, and composing at 6, Bethune's daughter Mary taught him to play the piano.
In 1857 Bethune paraded Wiggins's talent across Georgia, meeting rapturous responses. Consequently, Bethune had tours organized by Perry Oliver (concert promoter) earning them $100,000 a year. Wiggins would play European classical music, improvisations, popular ballads, and his own compositions, examples of the last being ‘The Rainstorm’ (1865) and ‘Cyclone Gallop’ (1887).
The Bethune family forced him to tour the South performing to raise funds during the Civil War for the confederacy and its army ...
minstrel performer and composer, was born in Flushing, Long Island, New York, the son of Allen M. Bland, an incipient lawyer, and Lidia Ann Cromwell of Brandywine, Delaware, of an emancipated family. Bland's father, whose family had been free for several generations, attended law school at Howard University in Washington, D.C., and in 1867 became the first black to be appointed an examiner in the U.S. Patent Office.
James Bland entered Howard University as a prelaw student in 1870 at the urging of his father but the subject and the life associated with it did not appeal to him Instead he was attracted to the minstrel show that was approaching its peak during the 1870s He played the guitar danced the steps sang the minstrel songs and most important composed songs for the shows A free black man who attended college for two years Bland had to learn ...
Domingos Caldas Barbosa was born in Rio de Janeiro, Brazil, to a white father, Antonio de Caldas Barbosa, and a black mother, whose identity remains unknown. From an early age Caldas received a Jesuit education. He showed a predilection for poetry and musical composition.
While still a young man Caldas was drafted into the military and sent to serve in the Portuguese colony of Sacramento on the Rio de la Plata. Subsequently, Caldas obtained his discharge, returned home to Brazil, and then boarded a ship bound for Portugal. He arrived in Lisbon in 1763 and shortly thereafter enrolled at the University of Coimbra. It is unclear at what point Caldas's university studies were discontinued, but author Jane M. Malinoff asserts that the young poet took leave shortly after learning of his father s death Unable to independently support the cost of his education Caldas recalled ...
musician, educator, and activist, was born to free parents in Drummondtown, Accomack County, Virginia. His father died when Carter was about eight, and his mother, whose maiden name was probably Drummond, cared for Dennis. When one of his cousins, Henry Drummond, was bound out to an area slaveholder named Thomas R. Joynes because of his status as an orphan, Carter's mother began to fear that her son would also be enslaved should something happen to her. Determined that her son stay free, she moved with him to Philadelphia in about 1825. There Carter's musical talents flowered, in part under the tutelage of the famous black Philadelphia bandleader Francis Johnson.
Carter toured with Johnson's band sporadically during the 1830s, 1840s, and early 1850s, reportedly joining Johnson's 1837 trip to Great Britain and an 1851 trip to Sulphur Springs Virginia In addition to working as a musician Carter ...
Camille A. Collins
blues musician, was born in Louisiana, and raised in McComb, Mississippi, fifteen miles north of the Louisiana border. While familial and personal details of Collins's life remain sparse, he has achieved an affirmed place in the cannon of American blues singers.
Collins's hometown lies beyond the Mississippi Delta, the region famed for giving rise to legendary blues artists such as Robert Johnson. Yet, the notion that the Delta was the only area rich in blues talent is a mythological one. In reality, much of Mississippi proved fertile ground for gifted blues performers.
Collins is best known for his unique vocalization, characterized by a rich, emotive, somewhat feminine timbre, often described as “falsetto.” In songs like the mournful “Jailhouse Blues,” he calls to mind female singers of the era such as Bessie Smith. Clearly, Collins's keening, plaintive style is attributable to the appellation “Crying Sam.”
Compositional innovation was ...
Revolutionary War soldier and fifer, was born in Africa and brought to work in the British colonies as a slave. Some sources assert that he was a free man when he enlisted in the Continental Army, but it is more likely that he secured his freedom in exchange for enlistment. His name does not appear on the list of enslaved recruits to the First Rhode Island Regiment compiled by historian Lorenzo Greene in his seminal 1952Journal of Negro History article Some Observations on the Black Regiment of Rhode Island in the American Revolution which may explain why historians and writers consider Cozzens a free person Greene admits that the primary source records are incomplete In addition like other enslaved recruits Cozzens would be emancipated if he passed muster and then served through the end of the war Cozzens may have been enslaved by members of the distinguished ...
Jean Mutaba Rahier
In its Afro-Esmeraldian variant, décimas are oral poems generally composed and recited by older black men, decimeros, of the northwestern Ecuadorian province of Esmeraldas—one of the two traditional black regions of the country. In contrast to the traditional ten-verse décima, Afro-Esmeraldian décima is composed of forty-four verses divided into five stanzas: one of four verses followed by four of ten. These oral poems have as their origin a written poetry that was quite popular during the Renaissance in Spain and in Europe called “the gloss” (la glosa The link between the two poetic genres is obvious when their formal structures are compared In both the Spanish gloss and the Afro Esmeraldian décima the first verse of the quatrain ends the first ten line stanza the second verse of the quatrain ends the second ten line stanza and so on until the fourth verse of the quatrain ...
Pamela Lee Gray
composer, violinist, and conductor, was born in New Orleans to parents who were free Creoles of color. His father and mother were originally from the French West Indies but immigrated to the United States in approximately 1809 as part of the mass political exile during that period His father was a professional musician who worked as a bandmaster for a local military unit As a child Dédé studied the clarinet and then began playing the violin His teachers were Ludovico Gabici and Constantin Debergue Debergue was director of the Philharmonic Society established by the free Creoles of color in the area he was also a violinist which may account for Dédé s particular affection for that instrument Gabici an Italian was one of the earliest music publishers in New Orleans and the director of the Saint Charles Theater orchestra Dédé was schooled in music by many ...
Dwain C. Pruitt
Since the eighteenth century, France has occupied a special place in the African American imagination. Presumed French racial liberalism attracted the African American intelligentsia, several of whom, in turn, found France to be far more welcoming than their native land had been.
African Americans continued to arrive in France throughout the nineteenth century, but they did not arrive in significant enough numbers to constitute an expatriate community until World War I, when some two hundred thousand African Americans served in France. The American forces generally used African Americans as stevedores, which the trained soldiers deeply resented. The units that saw action fought alongside the hard-pressed French army in French uniforms at several key battles, including the Battle of Verdun. The French welcomed them as liberators and challenged the American military's efforts to enforce Jim Crow segregation on French soil.
The French were also struck by something else that black soldiers ...
Known as “the father of Brazilian music,” José Maurício Nunes Garcia gained recognition in the early nineteenth century as a composer of church music. He wrote hymns, masses, chants, antiphones, and Te Deums, and his Requiem Mass (1816) is considered by music scholars to be one of the most significant masses ever written in Latin America. Although he wrote mostly sacred music, he was influenced by secular styles, most notably by Italian opera and by the Viennese masters, Haydn and Mozart. One of Haydn's former students, the Austrian musician Sigismund Ritter von Neukomm, considered Garcia “the greatest improviser in the world on the clavichord.”
Born in Rio de Jainero, Garcia was the son of a Portuguese lieutenant, Apolinário Nunes Garcia, and a black woman, Vitória Maria da Cruz He studied harpsichord viola and solfège at the academy of Salvador José de Almeida e ...
crystal am nelson
community leader and musician, was born Occramer Marycoo in West Africa. Although his country of origin is unknown, a 1757 ship manifest shows that he was brought to America at the age of fourteen. He was on one of that year's seven slaving voyages that brought a total of 831 African slaves to Rhode Island. Gardner was one of the 106,544 slaves brought to Newport, Rhode Island, between 1709 and 1807. Caleb Gardner, a white merchant and member of the principal slave-trading team Briggs & Gardner, bought the teenage Marycoo and baptized him into the Congregational faith as Newport Gardner.
The forced exposure to Christianity aided Gardner s rise to a leadership position in the New World He quickly learned English from daily Bible studies with his master who freed Gardner after overhearing him pray for emancipation Upon gaining his freedom Gardner combined his new religious fervor with ...
pianist and composer, was born in New Orleans to Edward Gottschalk, a Londoner of German-Jewish extraction who emigrated to Louisiana to trade in real estate, commodities, currency, and slaves, and Aimee-Marie Bruslé, whose murkier ancestry has contributed to much confusion over her musician son's ethnic heritage. Virtually all period sources identify Gottschalk's mother as “Creole,” a term “synonymous with native” in early-nineteenth-century New Orleans and embracing “all objects indigenous to Louisiana, from cabbage to cotton, and all people, regardless of hue” (Gary B. Mills, “Creole,” in Encyclopedia of Southern Culture 426 By the late 1800s however the word was reserved both for those of pure white ancestry who were wealthy and aristocratic and rooted in the Delta country of lower Louisiana as well as for those uniformly poor in worldly goods quaint in customs and mixed of blood Mills 427 That Edward Gottschalk in addition to ...
singer and teacher, known as the “Black Swan,” was born a slave in or near Natchez, Mississippi. Her father may have been born in Africa, and her mother, Anna, was of mixed ancestry. Various sources offer no fewer than seven different birth dates between 1807 and 1824. Greenfield's use of “Taylor” rather than “Greenfield” in certain documents suggests that her parents used this surname, but little record of them survives.
When their owner, the wealthy widow Elizabeth Holliday Greenfield, joined the Society of Friends and moved to Philadelphia, Pennsylvania, in the 1820s, Greenfield's parents were manumitted and immigrated to Liberia. Though records suggest her mother planned to return, Greenfield never saw her parents again. She lived with her mistress until she was about eight years old and then rejoined her as a nurse-companion in about 1836 she seems to have lived with relatives in the ...
Adele N. Nichols
singer, dancer, ventriloquist, and junk merchant, was born in Greenwich Village, New York, on the eve of the Civil War. To date, questions remain about Harmon's real name, parents, siblings, if any, and childhood. In addition, there appears to be no documentation about his years as a performer. The available information indicates that he worked in show business as a singer, dancer, and ventriloquist. Essentially, he was a well-rounded entertainer who had many talents and a knack for the stage. Harmon was married and had two children; however, the names of his wife and children are not readily available. When Harmon was around 38 and 39, his wife and children died from influenza in 1898–1899, during the Spanish American War. Harmon then moved to Harlem and lived in a two-room apartment.
Around 1910 Harmon having left the stage began a new career with a small cart and a ...
George A. Thompson
actor and singer, is a person about whom little early information is known. He told an interviewer in 1825 that he had been born in Rockaway, Long Island, New York, but James McCune Smith who had known the Hewlett boy suggested that he might have been born in the West Indies. The 1830 census indicated that he was older than thirty-six, and the 1825 interviewer states that he had been a servant to a well-known actor who died in 1812. This all suggests that he was born in the early- or mid-1790s. It also is not known whether he was born slave or free. A number of his ancestors were Euro-Americans, however, as his light skin tone was frequently remarked upon.
As a young man Hewlett worked on boats as a steward acting as servant to the officers and passengers probably out of New York City He also ...
guitarist, teacher, composer, arranger, and civil rights advocate, was born in Norfolk County, Virginia, to Exum Holland a farmer. His mother's name is not recorded.
Justin Holland recognized at an early age that rural Virginia offered few opportunities for an ambitious young African American. Born on a farm in Norfolk County to free parents in 1819, Holland was only fourteen when he set out for Boston. Massachusetts was the first state to abolish slavery (in 1783 and Boston had a small but comparatively thriving black population Holland found work that provided in his words a good living in nearby Chelsea and became immersed in the energetic cultural life of the city He had shown a knack for music from a young age but farm life provided little opportunity to develop musical talent Now inspired by the performances of Mariano Perez one of the ...
Richlyn Faye Goddard
concert soprano, was born in Sacramento, California, the eldest of four daughters of the amateur musicians Sam B. Hyers and his wife. Anna's exact date of birth and death cannot be confirmed but most agree that she was born either in 1853 or 1855. At an early age she showed her prodigious talent. Her parents provided basic music training, and both of their daughters, Anna and Emma Louise Hyers, later studied piano and voice formally with the German professor Hugo Sank and the former Italian opera singer Madame Josephine D'Ormy. On 22 April 1867 the Hyers Sisters made their professional debut at the Metropolitan Theater in Sacramento and for the next four years they toured the California circuit and were well received by the public at each stop Anna was said to possess a pure sweet soprano voice very true even and flexible of remarkable ...