(b Philadelphia, PA, Feb 14, 1760; d Philadelphia, March 26, 1831). American tunebook compiler. A former slave, he founded the African Methodist Episcopal Church in Philadelphia in 1794 and was elected its first bishop on the incorporation of the church in 1816. He compiled a hymnbook of 54 hymns, A Collection of Spiritual Songs and Hymns, for use by his congregation, the Bethel AME Church, in 1801. Later that year an enlarged version was published as A Collection of Hymns and Spiritual Songs. It was the first hymnbook published by an African American for use by African Americans, and many of the hymns later became sources for black spirituals. With Daniel Coker and James Champion, Allen also compiled the first official hymnbook of the AME Church in 1818.
Mary Krane Derr
multi‐instrumental musician, teacher, and orchestra conductor, was born in Lynchburg, Virginia. Some sources give her birth year as 1885; however, according to U.S. census data, it was most likely 1882. Her mother, Betty Anderson, was born March 1849 in Virginia. Little is known about Hallie Anderson's father except that he was also a Virginia native. When Hallie was three, the family migrated to New York City. As a child, Hallie took public school and private music lessons. She received classical training at the New York German Conservatory of Music. Although it did not record her occupation, the 1900 census noted that Hallie's mother was a widow who could neither read nor write, and who had seven living children. Betty Anderson was then living with three of her children, all of whom could read and write: Charles (born Sept. 1872), a waiter; John ...
Genaro Vilanova Miranda de Oliveira
better known as Lereno freeborn in Brazil from a Portuguese father and an Angolan mother rose to be a celebrated eighteenth century artist of the Portuguese Empire Details about Barbosa s childhood are largely unknown He was probably born in Rio de Janeiro just after his merchant father arrived from West Central Africa Barbosa s mother initially brought as a slave by his father was manumitted after giving birth so that the mixed descent child could be raised in freedom Because of his Iberian father Barbosa was able to enroll at a Jesuit school where he received instruction in liberal arts and philosophy including rhetoric and music He eventually moved to Portugal to study law at the prestigious University of Coimbra However following the death of his father and sponsor he was forced to prematurely abandon his studies and move to Lisbon Penniless he turned to the lyrical and poetic ...
jazz guitarist and banjoist, vocalist, and author, was born Daniel Moses Barker in New Orleans, Louisiana, to Moses Barker, a drayman, and Rose Barbarin Barker. Barker grew up in New Orleans with a largely absent Baptist father of rural origins and a mother whose familial connections to the Barbarin family, famed in New Orleans music, rooted him in the city's Creole of Color musical community. His childhood experiences immersed him in the cultures of both sides of his family: rural Protestant and urban Roman Catholic.
Barker's uncle, the drummer Paul Barbarin composer of the jazz standard Bourbon Street Parade started Danny on drums after trying the clarinet Danny decided to play multiple string instruments guitar banjo and ukulele A teenaged Barker played in spasm bands children s bands that featured rudimentary instruments often created from discarded objects Playing ukulele Barker led a spasm band named ...
was born Mariano de la Cruz on 14 September 1749, the illegitimate son of an unknown father and Feliciana Barros, who was described on her son’s baptismal certificate as a parda, a designation commonly applied in eighteenth-century Chile to free men and women of African descent. In 1769, at age 20, he married Josefa Guerrero Morales (1748–1842), a mixed-race slave of Inés Echevarría Portillo.
Barros established his candle making workshop with the financial assistance of someone named José Baeza and with the earnings from this shop he was able to buy his wife s freedom They would ultimately have ten children Barros s status as a master candle maker allowed him to join the black militia a group of free men of African ancestry who were charged with patrolling the city at night and protecting its stores and warehouses He soon became an officer in ...
Marlene L. Daut
Medal of Honor recipient, actor, and playwright, was born in Richmond, Virginia, of unknown parentage. Beaty (sometimes spelled Beatty) was born a slave, but little else is known of his early years or how he came to be free. Beaty left Richmond in 1849 for Cincinnati, where he would spend the majority of his life, and became a farmer. Later, Beaty's education consisted of an apprenticeship to a black cabinetmaker in Cincinnati, as well as a tutelage under James E. Murdock, a retired professional actor and dramatic coach.
On 5 September 1862 Powhatan Beaty along with 706 other African American men was forced to join Cincinnati s Black Brigade after Confederate troops repeatedly threatened the city The Black Brigade was one of the earliest but unofficial African American military units organized during the Civil War but it did not engage in any military action since the city was ...
Alias of Thomas Wiggins (1849–1908), famous slave pianist, described by Mark Twain as a musical prodigy. He was born in May 1849 in Columbus, Georgia, being blind, and in today's terms an ‘autistic savant’. The renowned lawyer James N. Bethune bought Wiggins's parents as slaves. Recognizing that Wiggins was a musical genius capable of imitating noises, improvising, and composing at 6, Bethune's daughter Mary taught him to play the piano.
In 1857 Bethune paraded Wiggins's talent across Georgia, meeting rapturous responses. Consequently, Bethune had tours organized by Perry Oliver (concert promoter) earning them $100,000 a year. Wiggins would play European classical music, improvisations, popular ballads, and his own compositions, examples of the last being ‘The Rainstorm’ (1865) and ‘Cyclone Gallop’ (1887).
The Bethune family forced him to tour the South performing to raise funds during the Civil War for the confederacy and its army ...
minstrel performer and composer, was born in Flushing, Long Island, New York, the son of Allen M. Bland, an incipient lawyer, and Lidia Ann Cromwell of Brandywine, Delaware, of an emancipated family. Bland's father, whose family had been free for several generations, attended law school at Howard University in Washington, D.C., and in 1867 became the first black to be appointed an examiner in the U.S. Patent Office.
James Bland entered Howard University as a prelaw student in 1870 at the urging of his father but the subject and the life associated with it did not appeal to him Instead he was attracted to the minstrel show that was approaching its peak during the 1870s He played the guitar danced the steps sang the minstrel songs and most important composed songs for the shows A free black man who attended college for two years Bland had to learn ...
also known as Chevalier de Saint-Georges, one of the most accomplished musicians, composers, and fencing masters of eighteenth-century Europe, was born on 25 December 1745 on the plantation Saint-Robert in the town of Baillif, near the region of Basse-Terre, Guadeloupe. (Some sources give his birth year as 1739 Born a slave he was the son of Georges de Bologne de Saint Georges a wealthy white planter who had purchased a title of minor nobility and his black concubine Nanon a Senegalese house slave The ancestry of Joseph Bologne de Saint Georges places him from his earliest childhood at a precocious juncture of influences in the theater of revolutionary change in the Antilles encompassing multiple debates over slavery Although slavery had been abolished in France in the late eighteenth century it remained institutionalized in the colonies Created to normalize the life of slaves in the Antilles Le Code Noir initiated ...
George A. Thompson
theater manager and playwright, was born in the West Indies, probably on Saint Vincent, before 1780. Little is known about Brown's early life. He worked for some years as a steward on passenger ships, then left the sea and settled in New York City, where he worked as a tailor. The 1820 census shows him as middle-aged and free, living with his wife and daughter. At about this time he opened a public garden in the grounds behind his house on Thomas Street, between West Broadway and Hudson Street. An open-air cabaret offering light refreshments and music, the African Grove, as he called it, served the city's African American population, which was excluded from the other larger public gardens in the city.
The African Grove presumably opened in the spring of 1821, but the only knowledge of it comes from a story in the National Advocate of ...
Juan Carlos Estenssoro
was born in Trujillo, in northwestern Peru, between 1707 and 1728; his exact year of birth is unknown. He was the son of Magdalena Tirado, who might have been a slave, and Miguel de Herrera, a free man of mixed descent. He defined himself as a pardo, or black man. It has been confirmed that he was a slave belonging to the silversmith Martín de la Cadena, which would explain his last name as well as his knowledge of metalwork; however, during the period of time documented in his biography, José was a free man.
Cadena’s first marriage was to Pascuala Velarde. In 1761 he signed his Cartilla música, a small treatise of musical theory published in Lima two years later. He was imprisoned briefly for debts he acquired in printing the treatise. It is probable that between 1763 and 1767 he might have lived in ...
Domingos Caldas Barbosa was born in Rio de Janeiro, Brazil, to a white father, Antonio de Caldas Barbosa, and a black mother, whose identity remains unknown. From an early age Caldas received a Jesuit education. He showed a predilection for poetry and musical composition.
While still a young man Caldas was drafted into the military and sent to serve in the Portuguese colony of Sacramento on the Rio de la Plata. Subsequently, Caldas obtained his discharge, returned home to Brazil, and then boarded a ship bound for Portugal. He arrived in Lisbon in 1763 and shortly thereafter enrolled at the University of Coimbra. It is unclear at what point Caldas's university studies were discontinued, but author Jane M. Malinoff asserts that the young poet took leave shortly after learning of his father s death Unable to independently support the cost of his education Caldas recalled ...
Jan Michael Hanvik
The vivid and diverse dances of the Caribbean are both influential and popular in the Americas, Europe, and Africa. Caribbean countries and island territories sustaining strong, viable dance in the twentieth century include Haiti, the Dominican Republic, Martinique, Cuba, Puerto Rico, Trinidad, the Bahamas, and Jamaica, as well as the coastal regions of such Caribbeanrim nations as Colombia, Venezuela, Belize, Guatemala, Honduras, Nicaragua, Panama, and the United States.
The study of dance in the region is inseparable from the issue of migration European colonizers entered the Caribbean at the end of the fifteenth century at that time Native American peoples had lived on the islands and along the coasts for thousands of years After missionizing colonizing and losing most of them to overwork and epidemics African slaves were forcibly transported to the Caribbean by European slave traders until the nineteenth century Slaves escaping island conditions immigrated to the coastal mainland ...
musician, educator, and activist, was born to free parents in Drummondtown, Accomack County, Virginia. His father died when Carter was about eight, and his mother, whose maiden name was probably Drummond, cared for Dennis. When one of his cousins, Henry Drummond, was bound out to an area slaveholder named Thomas R. Joynes because of his status as an orphan, Carter's mother began to fear that her son would also be enslaved should something happen to her. Determined that her son stay free, she moved with him to Philadelphia in about 1825. There Carter's musical talents flowered, in part under the tutelage of the famous black Philadelphia bandleader Francis Johnson.
Carter toured with Johnson's band sporadically during the 1830s, 1840s, and early 1850s, reportedly joining Johnson's 1837 trip to Great Britain and an 1851 trip to Sulphur Springs Virginia In addition to working as a musician Carter ...
Camille A. Collins
blues musician, was born in Louisiana, and raised in McComb, Mississippi, fifteen miles north of the Louisiana border. While familial and personal details of Collins's life remain sparse, he has achieved an affirmed place in the cannon of American blues singers.
Collins's hometown lies beyond the Mississippi Delta, the region famed for giving rise to legendary blues artists such as Robert Johnson. Yet, the notion that the Delta was the only area rich in blues talent is a mythological one. In reality, much of Mississippi proved fertile ground for gifted blues performers.
Collins is best known for his unique vocalization, characterized by a rich, emotive, somewhat feminine timbre, often described as “falsetto.” In songs like the mournful “Jailhouse Blues,” he calls to mind female singers of the era such as Bessie Smith. Clearly, Collins's keening, plaintive style is attributable to the appellation “Crying Sam.”
Compositional innovation was ...
Revolutionary War soldier and fifer, was born in Africa and brought to work in the British colonies as a slave. Some sources assert that he was a free man when he enlisted in the Continental Army, but it is more likely that he secured his freedom in exchange for enlistment. His name does not appear on the list of enslaved recruits to the First Rhode Island Regiment compiled by historian Lorenzo Greene in his seminal 1952Journal of Negro History article Some Observations on the Black Regiment of Rhode Island in the American Revolution which may explain why historians and writers consider Cozzens a free person Greene admits that the primary source records are incomplete In addition like other enslaved recruits Cozzens would be emancipated if he passed muster and then served through the end of the war Cozzens may have been enslaved by members of the distinguished ...
Robert H. Gudmestad and Kathleen Thompson
[This entry contains two subentries dealing with dance from the early eighteenth century through the end of the nineteenth century The first article discusses the transmission of African dance traditions to North America by slaves and the new expressions that arose while the second article discusses the movement of ...
Mark Réné De Mortie, abolitionist, politician, and businessman, and his sister, Louise De Mortie, dramatic reader, singer, and philanthropist, were born in Norfolk, Virginia, perhaps to Mark Anthony De Mortier and his wife Francis De Mortier. Census records provide conflicting information about the siblings' parents, describing the father as born either in Virginia or France and the mother as French-born. All printed sources describe the two as free-born in Norfolk and local records reveal that as early as 1822 a free Haitian family named “Demortier” lived in Norfolk.
In 1870, however, the Washington Evening Star charged that Mark had been a slave and recent genealogical research may have turned up evidence in Norfolk borough court records that Louise had been freed in the early 1850s. The fact that the two turned up in Boston after passage of the 1850 Fugitive Slave Law may ...
Jean Mutaba Rahier
In its Afro-Esmeraldian variant, décimas are oral poems generally composed and recited by older black men, decimeros, of the northwestern Ecuadorian province of Esmeraldas—one of the two traditional black regions of the country. In contrast to the traditional ten-verse décima, Afro-Esmeraldian décima is composed of forty-four verses divided into five stanzas: one of four verses followed by four of ten. These oral poems have as their origin a written poetry that was quite popular during the Renaissance in Spain and in Europe called “the gloss” (la glosa The link between the two poetic genres is obvious when their formal structures are compared In both the Spanish gloss and the Afro Esmeraldian décima the first verse of the quatrain ends the first ten line stanza the second verse of the quatrain ends the second ten line stanza and so on until the fourth verse of the quatrain ...
Pamela Lee Gray
composer, violinist, and conductor, was born in New Orleans to parents who were free Creoles of color. His father and mother were originally from the French West Indies but immigrated to the United States in approximately 1809 as part of the mass political exile during that period His father was a professional musician who worked as a bandmaster for a local military unit As a child Dédé studied the clarinet and then began playing the violin His teachers were Ludovico Gabici and Constantin Debergue Debergue was director of the Philharmonic Society established by the free Creoles of color in the area he was also a violinist which may account for Dédé s particular affection for that instrument Gabici an Italian was one of the earliest music publishers in New Orleans and the director of the Saint Charles Theater orchestra Dédé was schooled in music by many ...