Egyptian composer, musician, and film star, was born in the early 1900s, either in Cairo or in the village of Abu Kibir, Sharqiya Province. There is confusion regarding both the date and the place of his birth. Two official identification cards in his possession listed his birth in 1910 but in the two different locations named above. ʿAbd al-Wahhab’s contemporaries have suggested that he was born sometime between 1896 and 1907 their suggestions are supported by reported incidents of his early musical life and encounters with important historical figures of the 1910s His early years were spent in the Bab al Shaʿrani quarter of Cairo where his father Muhammad Abu ʿIsa ʿAbd al Wahhab was shaykh religious scholar and caretaker of the neighborhood mosque ʿAbd al Wahhab was one of five children born to his father and Fatima Higazi his mother Early on ʿAbd al Wahhab was enrolled by ...
Anne Elise Thomas
Eritrean Tigrinya singer and performer, songwriter, instrument player, and music composer, was born in the city of Asmara. During the Eritrean war of liberation (1961–1991), Abraham Afewerki and his family, like hundreds of thousands of other Eritreans, sought refuge in Sudan.
Abraham Afewerki became attracted by music and musical instruments at an early age. As a young child, he started playing famfam harmonica and singing at school events As a young boy with great artistic potential he joined the Qeyyahti Embaba Red Flowers of the Eritrean People s Liberation Front EPLF at the age of twelve The Red Flowers was a cultural troupe composed of young artists who performed cultural and revolutionary music and theater within Eritrea in areas controlled by the EPLF and Sudan A branch of the troupe of which Abraham Afewerki was a member was active in Khartoum By writing and composing his own ...
Born Wesley Cook in Philadelphia, Mumia Abu-Jamal was a political activist from adolescence. At the age of fourteen he was arrested and beaten for demonstrating against segregationist presidential candidate George Wallace. He was a founding member of the Philadelphia chapter of the Black Panther Party in 1968 and worked on the party's newspaper in California during the summer of 1970.
Returning to Philadelphia, Abu-Jamal became a radio journalist with the Corporation for Public Broadcasting and had his own talk show on station WUHY. He was highly critical of Philadelphia's police department and of the city's “law and order” mayor, Frank Rizzo. He provided coverage of the police treatment of MOVE, a Philadelphia black militant group, which further alienated the authorities. Forced to leave his position as a journalist, Abu-Jamal took a job as a taxi driver.
While Abu Jamal was driving his cab on the ...
Susan Leigh Foster
Senegalese dancer and choreographer was born in Benin the daughter of a Senegalese colonial civil servant and the granddaughter of a Yoruba priestess When she was ten years old her family moved to Dakar Senegal From an early age Acogny showed exceptional talent for and love of dancing After pursuing a degree in physical education she went to France in the early 1960s where she studied ballet and modern dance Upon returning to Senegal she began teaching dance classes in the courtyard of her home and in the lycée where she was hired to be in charge of physical education In these classes she began to develop a codification of what she calls African dance Establishing an inventory of positions and steps as well as a spatial stability to each position s appearance she developed a dance technique based on an aesthetic of groundedness a sense of dynamism moving up ...
influential Afro-Uruguayan cultural workers and political activists in Buenos Aires and the coastal region, based in Argentina from 1983. Ángel (1961– ) and José (1963–1996) were born in Montevideo to an interracial couple, Blanca Martínez and Miguel Ángel Acosta, but were raised by their mother and a surrogate father, their mother’s second husband, Emilio Díaz. Nevertheless, their experiences with their father’s family left a deep impression on the brothers, sparking their interest in la cultura afro (Afro culture) (Frigerio and Lamborghini, 2009; Parody, 2013). Their grandfather, “Quico” Acosta, taught them how to construct artisanal drums for candombe (an Afro-Uruguayan music and dance rhythm). At the same time, their father encouraged an interest in the arts, African religion, and various forms of cultural resistance.
When Ángel and José were teenagers they traveled to Brazil crossing the border illegally in search of adventure and new ...
The first image of an African American in film occurred in 1903 with the silent movie Uncle Tom's Cabin. The twelve-minute-long movie, though, starred a white actor in blackface as the title character. For African American actors and actresses, the opportunity to appear in films, and subsequently in television and serious theater productions, took a while to develop. During the late nineteenth and early twentieth centuries, the white actors who portrayed black characters, such as those who performed in D. W. Griffith'sThe Birth of a Nation in 1915, established several derogatory characters. Over the next century, black actors and actresses found themselves working against these stereotypes.
The practice of excluding African Americans from performing began during the post Civil War period and extended to all forms of acting In Wild West shows and circuses black actors and actresses were almost nonexistent The African Americans who appeared usually ...
(b St Thomas, VI, Nov 4, 1889; d St Thomas, VI, Nov 24, 1987). American bandmaster, composer and educator. He taught himself to play the flute and piccolo, took correspondence courses from several universities, and received the BMus degree from the University Extension Conservatory of Music, Chicago. In 1910 he formed Adams’ Juvenile Band, which was incorporated into the US Navy when it assumed the administrative duties of the US Virgin Islands in 1917. He was editor of the band department of Jacobs’ Band Monthly (1913–17), the Virgin Islands correspondent for the Associated Press, and the author of articles for various music journals, newspapers and magazines. From 1918 to 1931 he supervised the music programme in the Virgin Islands public schools, modelling it after similar programmes on the mainland. After retiring from the navy in 1947 he produced musical ...
was born in Charlotte Amalie, St. Thomas (now the US Virgin Islands) on 4 November 1889. He was the son of Jacob Henry Adams, a carpenter, and Petrina Dinzey, a tailor, and followed their career trajectory as part of the community’s black artisanal class. He served apprenticeships in the trades of carpentry and shoemaking.
With only a primary education and no formal school of music on the islands, Adams studied in the United States. He enrolled at the University of Pennsylvania as well as Carnegie Hall’s School of Music Theory in New York. Unable to sojourn long enough in the States, Adams completed his study of music by correspondence, a mark of distinction of the self-motivation that shaped his life. He attained a bachelor’s degree in music from the University Extension Conservatory of Chicago in 1931.
Adams organized his first musical band in 1904 and launched his ...
was born Wilfred Robert Adams, in Georgetown, British Guiana (now Guyana), the son of Robert Adams, a boat builder. He was educated in Georgetown at St. Stephen’s Scots School, and St. Joseph’s Intermediate. He studied engineering drafting, but then trained as a teacher at the leading British West Indian teachers’ training college, Mico College in Jamaica. After his marriage broke down, he left for England, arriving there in September 1930. Failing to study law because of a lack of the necessary qualifications, he did a number of menial jobs and even became a professional wrestler with the name “The Black Eagle” (there is a 1934 painting by William Roberts of one of his bouts).
Acting then took over. His stage debut, with Paul Robeson in Stevedore, received favorable reviews. A year later he played Jean-Jacques Dessalines to Robeson’s Toussaint Louverture in C. L. R. James’s Toussaint Louverture ...
Born Julian Edwin Adderley in Tampa, Florida, Adderley earned the nickname “Cannonball,” a corruption of “cannibal,” for his huge appetite. Adderley was introduced to music by his father, a cornetist, and was performing in bands by the time he was fourteen. He played in local bands as well as in the United States Army (he enlisted in 1950) and taught music before moving to New York to join his brother Nat in 1955. He immediately found success on the New York Jazz scene, joining the bands of bassist Oscar Pettiford.
The recordings Adderley made with Davis, which included John Coltrane on tenor saxophone, Paul Chambers on bass, and Wynton Kelly on piano, are some of the most celebrated of the 1950s. In 1959 Adderley and his brother Nat formed their own quintet and built on the influence of Davis and saxophonist Charlie Parker During ...
Adderley, Cannonball (15 September 1928–08 August 1975), jazz saxophonist, was born Julian Edwin Adderley in Tampa, Florida, the son of Julian Carlyle Adderley, a high school guidance counselor and jazz cornet player, and Jessie Johnson, an elementary school teacher. The family moved to Tallahassee, where Adderley attended Florida Agricultural and Mechanical College High School from 1941 until 1944. He earned his bachelor’s degree from Florida A & M in 1948, having studied reed and brass instruments with band director Leander Kirksey and forming, with Kirksey, a school jazz ensemble. He then worked as band director at Dillard High School in Fort Lauderdale, Florida, and jobbed with his own jazz group.
Adderley served in the army from 1950 until 1953 leading the 36th Army Dance Band to which his younger brother cornetist Nathaniel Nat Adderley was also assigned While stationed in Washington D C in 1952 Adderley continued ...
James Clyde Sellman
was born in Tunapuna, Trinidad and Tobago, to Malcolm and Elitha Addison. Her father was an electrician, and her mother was a schoolteacher and housewife. She later recalled that “my father used to play the guitar, and my brothers were also involved in music, so music was always around me” (Blood, 2013). Her first stage appearance came in 1959 or 1960. Her brother Winston was performing at a community show in Tunapuna and called her out of the audience. She later appeared on television and on Radio Trinidad’s Sunday Serenade. While still a teenager, she made her first recording—a single for Arawak Records, featuring Paul McCartney’s “My Love” backed by her own song, “Tricked and Trapped,” on the B-side.
Her first full-length album, Born to Shine (1976 was released on the Trinidadian label KH Records It featured American style gospel inflected soul music and ...
Nigerian pioneer of juju and world music star, was born Sunday Adeniyi Adé in the southwestern Nigerian city of Ondo on 22 September 1946. His father was a Methodist pastor and the organist for his church, while his mother engaged in various trading enterprises. Through his maternal grandfather, who lived in the town of Akoure, near Ondo, Ade was of royal lineage. By the time he reached his adolescent years, Adé had moved with his family to the town of Oshobo. Although he completed primary school, Adé ended up dropping out of secondary school before completing his studies. His lack of financial resources cut short his formal education. He already had developed eclectic tastes in music through his childhood and adolescent experiences. Traditional Yoruba music featuring drums fascinated the young boy, as did the occasional use of drums at church. Adé remembered in a 2005 interview that when ...
Sunday Anthony Ishola Adeniyi Adegeye, known internationally to African music fans as King Sunny Ade, was raised in a home where Christian and Yoruba religious and cultural perspectives were thoroughly intermingled. Ade's father was a church organist. Ade attended missionary schools, then dropped out of college in the 1960s to pursue a career as a drummer in Juju bands. Juju, a form of Nigerian pop music first developed by Yoruba musicians in the 1920s, was just beginning to gain an international audience. Ade's chief musical inspiration was I. K. Dairo, though Ade's later song lyrics drew more inspiration from his Christian education.
The early 1970s marked the birth of Ade s reputation as an African superstar with an international audience Ade deviated from the Dairo legacy through a series of innovations He expanded the juju band lineup from a single electric guitarist to as many as six played with at ...
Jerry C. Waters
an interdisciplinary artist and musician, was born Terry Roger Adkins in Washington, D.C., the eldest of five children of Robert Hamilton Adkins, a teacher and a musician, and Doris Jackson Adkins, a homemaker and musician. Adkins was raised in Alexandria, Virginia.
The artistic and musical achievements of Terry Adkins are linked to his formative years. Born in the racially segregated South, he attended a predominantly black primary school in Alexandria, Virginia, and graduated in 1971 from Ascension Academy a mostly white Catholic high school Adkins s parents encouraged his artistic talents and academic pursuits because education was valued within the extended Adkins family His father Robert Hamilton Adkins was a chemistry and science teacher at Parker Gray High School a predominantly black school in Alexandria and performed within the community as an organist and vocalist Adkins s grandfather the Reverend Andrew Warren Adkins pastored Alfred Street Baptist ...
(b New York, April 10, 1960). American DJ. He grew up in New York’s South Bronx, his musical eclecticism matched by his vision of African American social and racial unity. In the mid-1970s he was one of the pioneers of New York’s emergent hip hop culture of rapping, DJ mixing and scratching, graffiti and breakdancing. Along with two other Bronx DJs, Grandmaster Flash and Kool Herc, he began playing small percussive sections from obscure and unexpected rock, funk and electro-pop records as a rhythm track for rappers, interspersing the beats with extracts from cartoon melodies and film themes. When hip hop moved from school gymnasium dances to the mainstream world of record contracts, Bambaataa recorded ‘Zulu Nation Throwdown’ for the Harlem entrepreneur, Paul Winley. Unhappy with Winley, he moved to Tommy Boy Records, where his third contribution to that label, Planet Rock was recorded in ...
The Nigerian musicians Fela Anikulapo Kuti, popularly known as Fela, and Orlando Julius Ekemode both claim to have coined the term Afro-Beat to describe their fusion of highlife, soul, jazz, and traditional Nigerian musical styles, including Juju and fuji, during the late 1960s and early 1970s. The music of James Brown and other African American artists contributed heavily to the Afro-Beat style. While the early recordings of Ekemode, such as his hit “Juagua Nana,” show the elements of Afro-Beat, most recognize Fela's band, Africa 70, as the definitive Afro-Beat band. Their 1971 recording “Why Black Men Dey Suffer,” defined the Afro-Beat style, incorporating call-and-response vocals with a unique beat and tempo.
Afro-Beat's popularity stemmed, in part, from Fela's courageous stance against political corruption and economic injustice in Nigeria. This made him a role model for the Nigerian urban underclass and intelligentsia. Writing lyrics in “pidgin” English rather than Yoruba ...
Sudanese military figure and song composer, was an Agar Dinka woman from the Nyang section born of an Yibel mother in Dinkaland in South Sudan. She is perhaps the most famous female military commander in Southern Sudanese history and also one of the most famous song composers. She became a role model for younger twentieth-century women as an example of new female leadership in a rapidly changing society.
In the early 1960s Ager Gum was living as most other Dinka women did However she experienced a series of personal misfortunes She was married three times but all her marriages failed in part because most of her children proved unable to survive the harsh health conditions of South Sudan where preventative vaccinations and medicines were rarely available The father of her sole surviving child a son named Chol demanded the return of the wedding cattle that comprised her bridewealth thus ...
Baqi<ayn>e Bedawi Muhammad
pioneer Sudanese woman singer and activist during the struggle for Sudanese independence and the first woman to perform on the radio in Sudan. Born in 1905 in Kassala City in the eastern region of Sudan, Ahmad was the eldest among her seven siblings, including three brothers and four sisters. Among them was a sister Jidawiyya who played a crucial role with Ahmad in their journey as female musicians. Ahmad’s family was originally from Nigeria and migrated to Sudan in the late nineteenth century as pilgrims on their way to the holy places in Saudi Arabia. Her father, Musa Ahmad Yahiyya, was from the Fulani-Sokoto ethnic group, while her mother, Hujra, was from Hausa. Ahmad’s nickname is Aisha al-Falatiyyia, a reference to her father’s ethnic group, the Fulani, or Fallata, as they are known in Sudan.
The documented history indicates that Sudan served as a crossroads to the holy places in ...
USdancer, choreographer, and director. He studied in Los Angeles with Horton and later with Graham, Holm, and Weidman in New York, making his debut in Horton's company in 1950. In 1953, after Horton's death, he took over as director, then in 1954 went to New York to dance in the Broadway musical House of Flowers. In the same year he also appeared in the film Carmen Jones. A big, graceful dancer he gave his first New York concert in 1957 and in 1958 formed the Alvin Ailey American Dance Theater. In the company's first year he created Blues Suite a work exploring the pain and anger of his own African American heritage It became one of his most popular works defining his stylistic mix of modern jazz classical and black dance as well as his unique ability to fuse ...