carpenter, newspaper editor, and state representative during Reconstruction, was born free, of “unmixed African blood,” in New Bern, North Carolina, to Israel B. Abbott and Gracie Maria Green. His father died in 1844, and Abbott was raised by his mother and maternal grandmother, Hannah, the wife of Bristow Rue (Rhew). His mother's second husband was Nelson Brown, with whom she had a daughter, Hannah Cora, and stepsons Samuel H. Brown and George M. Brown. She married her third husband, the Reverend Joseph Green, a Methodist Episcopal Zion Church minister, in 1854. When Abbott was four, his grandmother contributed one dollar toward his education, and he attended a school taught by Mrs. Jane Stevens. He went to school regularly until age ten, when he began serving two years as apprentice to a carpenter, completing his trade with his stepfather, Joseph Green ...
artist, was born in Colquitt County, Georgia, son of John Henry Adams, a former slave and preacher in the Methodist Church, and Mittie Rouse. Many questions surround Adams's early life. While he reported in an Atlanta Constitution article (23 June 1902) that he came from a humble background, his father served parishes throughout Georgia. According to the History of the American Negro and His Institutions (1917), Adams Sr. was a man of accomplishment, leading black Georgians in a colony in Liberia for two years and receiving two honorary doctorates, from Bethany College and Morris Brown University. Educated in Atlanta schools, Adams claimed in the Atlanta Constitution article to have traveled to Philadelphia in the late 1890s to take art classes at the Drexel Institute of Art, Science, and Industry (later Drexel University). Drexel, established in 1891 opened its doors to a diverse student ...
Wilbert H. Ahern
newspaper editor and publisher, civil rights leader, and Republican Party activist, was born in Louisville, Kentucky, the son of Henry Adams, a prominent minister and educator, and Margaret Corbin. Both of his parents were free persons of color. Following private schooling in Wisconsin and Ohio, Adams graduated from Oberlin College. After a brief teaching stint in Louisville, in 1870 he followed his uncle, Joseph C. Corbin, to work in Arkansas during Reconstruction. By 1874 Adams had risen from schoolteacher to assistant superintendent of public instruction. His lifelong activism in the Republican Party began in Arkansas; there he twice served as secretary to Republican state conventions, was elected as justice of the peace on the party ticket, and held the offices of engrossing clerk of the state senate and deputy commissioner of public works. The defeat of the Arkansas Republican Party in 1874 and the ...
Regenia A. Perry, Camara Dia Holloway, Christina Knight, Dele Jegede, Bridget R. Cooks, and Jenifer P. Borum
Term used to describe art made by Americans of African descent. While the crafts of African Americans in the 18th and 19th centuries continued largely to reflect African artistic traditions (see Africa, §VIII), the earliest fine art made by professional African American artists was in an academic Western style (see fig.).
Scott Alves Barton
Evidence of African, African American influence in food and foodways begins in the seventeenth century in the New York colony’s Dutch and British “Meal Market” that operated from 1655 to 1762 on Wall Street and the East River where enslaved Africans were also sold. Men, women, and children worked as market vendors of prepared foods like hot corn, fresh produce, oysters, fish, livestock, and as dairymen and -women selling cheeses, butter, and milk in local markets. In addition, the African Burial Ground’s archaeology of colonial privies identifies products such as Brazil nuts, coconut, and watermelon that were not native to New York or Europe. Colonizers may have imported some these goods, but the enslaved would have known how to process or raise them (Cheek and Roberts, 2009; Berlin 1996; Burrows and Wallace 1999 At the same time West African women cooking in elite white colonial and ...
teacher and abolitionist, said in a letter of protest to the Hartford Courant that he was born to enslaved parents, but their names are unknown. Slavery was not formally abolished in New York State until 1827, and the census of 1820 recorded 518 slaves in New York City. One source suggests that Africanus was born in New York City in 1822; it is possible that he may have been connected to the brothers Edward Cephas Africanus and Selas H. Africanus, who taught at a black school in Long Island in the 1840s. Africanus is now remembered only through his few published writings and journalistic documentation of his actions; the earliest records of his activity in Connecticut date from 1849 when he attended a Colored Men s Convention and a suffrage meeting His most notable publication was the broadside he created to warn Hartford African Americans about ...
Juan Carlos Estenssoro
was born in 1788 to Rosa Rudesinda Retuerto, a free mulatto woman. On his certificate of baptism, he is documented as a son without a father; however, on his marriage certificate, his father is identified as the surgeon and pharmacist José Isidoro Alcedo. He began his studies in the Augustine music academy in Lima, which was run by the friar Cipriano Aguilar; he later moved to the Santo Domingo convent, where he received his true musical education under the direction of Friar Pascual Nieves. In 1807 he took simple vows as a third-order Dominican for three years, having worn the friar’s habit the year before. At that time he began to teach music at the convent. In 1821 he was among the signatories of Peru s Declaration of Independence and he presented two compositions to the competition led by General José de San Martín to select a national march ...
Diane Mutti Burke
fugitive slave, was born near Richmond, Virginia, on a plantation owned by the Delaney family. Despite his memories of being well treated, his father, Aleck, was sold to pay his master's debts and taken south. Rev. Delaney justified Aleck's sale by claiming that the literate slave had shared ideas about freedom with other slaves in the neighborhood. When Rev. Delaney died in 1831, Alexander's mother, Chloe, was left to Mrs. Delaney, and eighteen-year-old Alexander was left to the master's son, Thomas. Chloe Alexander died six months after Thomas Delaney took her son with him to Missouri.
Delaney settled in western St Charles County Missouri where Alexander married a local slave woman named Louisa He later sold Alexander to Louisa s master Jim Hollman when he moved from the state and the couple spent the next twenty years living with their growing family on the Hollman farm Alexander was ...
(b Philadelphia, PA, Feb 14, 1760; d Philadelphia, March 26, 1831). American tunebook compiler. A former slave, he founded the African Methodist Episcopal Church in Philadelphia in 1794 and was elected its first bishop on the incorporation of the church in 1816. He compiled a hymnbook of 54 hymns, A Collection of Spiritual Songs and Hymns, for use by his congregation, the Bethel AME Church, in 1801. Later that year an enlarged version was published as A Collection of Hymns and Spiritual Songs. It was the first hymnbook published by an African American for use by African Americans, and many of the hymns later became sources for black spirituals. With Daniel Coker and James Champion, Allen also compiled the first official hymnbook of the AME Church in 1818.
Amy J. Buono
Born around 1780 in Rio de Janeiro, Amaral was best known as an artist employed by the Luso-Brazilian Court in Rio. Details of Amaral’s early life and training are scant, including his parentage, but he lived and worked in Rio, where he studied under the artist José Leandro de Carvalho (c. 1770–1834). Amaral continued his studies at the officially sanctioned course of painting and drawing in Rio created by the Marquis of Aguiar (Fernando José de Portugal e Castro, viceroy between 1801 and 1806 The school was administered by the painter Manuel da Costa de Oliveira with whom Amaral studied stage design He also worked as the assistant of José Leandro at the São João Theater Amaral s talents were quickly recognized and he was summoned to do decorative work for the court leaving the theater behind Amaral s oeuvre is especially noteworthy in that it bridged the ...
Mary Krane Derr
multi‐instrumental musician, teacher, and orchestra conductor, was born in Lynchburg, Virginia. Some sources give her birth year as 1885; however, according to U.S. census data, it was most likely 1882. Her mother, Betty Anderson, was born March 1849 in Virginia. Little is known about Hallie Anderson's father except that he was also a Virginia native. When Hallie was three, the family migrated to New York City. As a child, Hallie took public school and private music lessons. She received classical training at the New York German Conservatory of Music. Although it did not record her occupation, the 1900 census noted that Hallie's mother was a widow who could neither read nor write, and who had seven living children. Betty Anderson was then living with three of her children, all of whom could read and write: Charles (born Sept. 1872), a waiter; John ...
John Sekora and Donald A. Petesch
[This entry comprises two articles. The first is an overview of the major figures and currents of thought associated with anti-slavery literature in North America during the eighteenth and nineteenth centuries. The second is an expanded discussion of African-American perspectives from the eighteenth century to the present day. ...
was born José Toribio Apelo on 7 April 1797 in Santiago, Chile, the illegitimate son of Pascuala Apelo Gormas, the daughter-in-law of the pardo captain Domingo Eustaquio Cruzate (1709–1788). Apelo himself was considered a pardo, a designation commonly applied in eighteenth-century Chile to free men and women of color. At an early age he went to work for the master carpenter Ambrosio Santelices, the most famous sculptor in the Chilean capital at the time, whose shop was located directly across from the current site of the National Library. In this workshop Apelo met and befriended the master’s son, the sculptor Pedro Santelices. At about this time, he also joined the city’s black militia, a group that was charged with the night patrol of the city’s shops and warehouses. On 15 April 1805 Apelo married the master carpenter s daughter María del Carmen the couple would have ...
Valerie A. Gray
college president, educator, and minister, was born Jared Maurice Arter in Jefferson County, West Virginia, the son of Jeremiah Arter, a slave and a miller by trade, and Hannah Frances Stephenson, a slave. When Arter was seven years old his father died in an accident at the mill. The plantation on which the family lived, the Little plantation, was located four miles from Harpers Ferry. In 1859 Arter witnessed the hanging of four men who participated in John Brown's raid at that city. This childhood memory sparked in him the desire to fight for equality; the schoolroom would be his battleground.
As a teenager Arter applied for a position as a bellboy for which he would have to pass a test demonstrating his ability to read numbers With help from his brother in law he mastered the skill sufficiently in one evening to pass the test This accomplishment ...
Rebekah Presson Mosby
The colonial period in America was not noted for its fine arts there was little in the way of sculpture and most of the paintings that were made were stiff portraits in the manner of European mostly British art The puritanical spirit that dominated America at the time was not one that nurtured the arts in general Very little if any experimentation went on in any of the arts as most art was regarded as frivolous and a distraction from what was held to be the serious and important business of religion and work Within this context there is evidence that fine art in the form of portraits was made by Africans in colonial America However most of the known artifacts from both slave and free blacks are the work of artisans Some of this work is of exceptionally high quality and it includes just about every imaginable practical and ...
the first African American to integrate baseball, was born in Pittsfield, Massachusetts, the second son of Nelson Askin and Sarah Lloyd. In 1844 Nelson Askin moved to Florence, a mill village in Northampton, Massachusetts, to open a livery. Across the road was the Northampton Association of Education and Industry, a utopian community whose ideals and practices ensured an integrated membership. Although the association disbanded in 1846, many members stayed in Florence, including Sojourner Truth and David Ruggles; their influence marked the village as a “sanctuary” for all, regardless of religion, class, or race. But in 1849, when Sarah Askin arrived in Florence with her six children, Nelson had already sold off parts of his property, and shortly thereafter the livery was seized by creditors. By 1850 Nelson had abandoned Sarah From then on Sarah took in washing to support her children who at the earliest ...
Susan J. Hubert
Autobiography has been a significant genre throughout the history of African American literature. In documenting the lives of African Americans, autobiographical writing has challenged racist beliefs and racially oppressive institutions—especially slavery—and provided examples of perseverance and resistance. Although they were primarily concerned with their individual thoughts and experiences, African American autobiographers have also helped define the character of African American people as a whole. As a literary form, African American autobiography evolved from its somewhat derivative beginnings into a distinctly African American literary movement.
Authenticity is a central issue in early African American autobiography Although some autobiographers relied on amanuenses the publication of narratives written by African Americans provided concrete evidence against racist claims that people of African descent were incapable of artistic and intellectually sophisticated writing Writing provided a degree of independence that has often been denied black people in racist societies and African American authors gained representation in ...
Lynn Orilla Scott
Slave narratives are autobiographical accounts of the physical and spiritual journey from slavery to freedom. In researching her groundbreaking 1946 dissertation, Marion Wilson Starling located 6,006 slave narratives written between 1703 and 1944. This number includes brief testimonies found in judicial records, broadsides, journals, and newsletters as well as separately published books. It also includes approximately 2,500 oral histories of former slaves gathered by the Federal Writers' Project in the 1930s. The number of separately published slave narratives, however, is much smaller. Although exact numbers are not available, nearly one hundred slave narratives were published as books or pamphlets between 1760 and 1865, and approximately another one hundred following the Civil War. The slave narrative reached the height of its influence and formal development during the antebellum period, from 1836 to 1861 During this time it became a distinct genre of American literature and achieved immense popularity ...
Kimberly L. Malinowski
skilled daguerrean who practiced photography in Massachusetts and in White Sulphur Springs, West Virginia. Little is known about his early life, other than that he was from Boston, Massachusetts, and was most likely a freeman. He was a pioneer of the daguerreotype. The daguerreotype process is exceedingly laborious and includes polishing the daguerreotype plate, buffing it, coating it with iodine and bromine, exposing the plate in the camera, positioning both the subject and the camera, and then developing it, exposing it to mercury, removing the coating, gilding the image, and then coloring the image as necessary. This process requires highly skilled artists to get a clean image.
While little is known about Bailey, his importance stems from his role in teaching James Presley Ball the art of daguerreotyping in the 1840s Bailey most likely taught Ball in White Sulphur Springs West Virginia Ball was a renowned abolitionist who published ...
Ball, Charles (1781?–?), fugitive slave, soldier, and memoirist, was born on a tobacco plantation in Calvert County, Maryland, the son of slave parents whose names are unknown. When Ball was four years old his mother and siblings were sold to slave traders to settle their late master’s debts; he never saw them again. Ball was sold to John Cox, a local slaveowner, and continued to live near his father and grandfather. After the sale of Ball’s mother, his father sank into a deep depression, eventually escaping from slavery on the eve of his purchase by a slave trader. Ball became close to his octogenarian grandfather, a former African warrior who had arrived in Maryland around 1730.
Cox died when Ball was twelve and the young slave worked for his late master s father until he was twenty years old During this time Ball married a slave named ...