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Theresa Leininger-Miller

artist, was born in France, but the exact place of his birth is unknown. Nothing is known about his parents or his youth, but it seems likely that he received a traditional artistic education in Europe. Lion's lithographs were exhibited at the prestigious Paris Salons of 1831 (four prints, including L'affût aux canards [Duck Blind], which won honorable mention), 1834 (four works, including a scene based on Victor Hugo'sNôtre Dame de Paris), and 1836 (lithographs after Van Dyck, Jacquand, Waltier, Boulanger, and others). In the mid-1830s Lion immigrated to New Orleans, where the 1837 city directory listed him as a freeman of color and as a painter and lithographer; he worked in a lithography shop opened by the newspaper L'Abeille (The Bee Light skinned Lion often passed for white and appeared in other records as such His studio was located at ...

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Dorothy B. Porter

Patrick Henry Reason was born in New York City, one of four children of Michel and Elizabeth Melville Reason. He was baptized on April 17, 1816, as Patrice Rison. His father, Michel Rison, was from Sainte-Anne, Guadeloupe, and his mother, Elizabeth Melville, was from Santo Domingo (in what is now the Dominican Republic). Patrick's young sister, Policarpe, died in 1818 at age four. His brother Elver (or Elwer) did not attain the prominence that Patrick or his brother Charles Lewis did. All three brothers received their early education at the New York African Free School, established on Mulberry Street by the New York Manumission Society. Patrick Reason's skill as an engraver was recognized at age thirteen when he made an engraving of the African Free School that was printed as a frontispiece of Charles C. Andrews's History of the New York African ...

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Theresa Leininger-Miller

printmaker and abolitionist, was born in New York City, the son of Michel Reason of St. Anne, Guadeloupe, and Elizabeth Melville of Saint-Dominique. Reason was baptized as Patrick Rison in the Church of St. Peter on 17 April 1816. While it is not known why the spelling of his name changed, it may have been an homage to the political leader Patrick Henry. While he was still a student at the African Free School in New York, his first engraving was published, the frontispiece to Charles C. Andrews's The History of the New York African Free-Schools (1830). It carried the byline “Engraved from a drawing by P. Reason, aged thirteen years.” Shortly thereafter, Reason became apprenticed to a white printmaker, Stephen Henry Gimber and then maintained his own studio at 148 Church Street in New York where he offered a wide variety of engraving ...