artist, was born in Colquitt County, Georgia, son of John Henry Adams, a former slave and preacher in the Methodist Church, and Mittie Rouse. Many questions surround Adams's early life. While he reported in an Atlanta Constitution article (23 June 1902) that he came from a humble background, his father served parishes throughout Georgia. According to the History of the American Negro and His Institutions (1917), Adams Sr. was a man of accomplishment, leading black Georgians in a colony in Liberia for two years and receiving two honorary doctorates, from Bethany College and Morris Brown University. Educated in Atlanta schools, Adams claimed in the Atlanta Constitution article to have traveled to Philadelphia in the late 1890s to take art classes at the Drexel Institute of Art, Science, and Industry (later Drexel University). Drexel, established in 1891 opened its doors to a diverse student ...
Cristina Ferreira Pinto-Bailey
was born on 14 April 1857 in São Luís, capital of the northern Brazilian province of Maranhão. Born to David Gonçalves de Azevedo, Portugal’s vice consul in Brazil, and Emília Amália Pinto de Magalhães (also Portuguese), Aluísio Tancredo Gonçalves was the younger brother of the famous playwright Artur Azevedo (1855–1908). Azevedo’s parents were not legally married, as his mother had been married beforehand to a Portuguese businessman. It was an arranged marriage that ended when Magalhães left her violent husband, causing social scandal.
Growing up in São Luís, Azevedo developed an early interest in painting and drawing. He moved to Rio de Janeiro in 1876 to study at the Academia Imperial de Belas Artes National Academy of Fine Arts In the capital of the Brazilian Empire he began working as an illustrator and caricaturist for several newspapers As many critics have pointed out Azevedo s craft as ...
London‐born poet, printer, visionary, and ‘prophet against empire’. Over the course of his lifetime Blake confronted the horrors of slavery through his literary and pictorial art. He was able both to counter pro‐slavery propaganda and to complicate typical abolitionist verse and sentiment with a profound and unique exploration of the effects of enslavement and the varied processes of empire.
Blake's poem ‘The Little Black Boy’ from Songs of Innocence (1789 examines the mind forg d manacles of racial constructions in the minds of individuals both in the poem itself in the form of the black child and his white counterpart and also in the minds of those involved in the political dispute over abolition Seeming to explain a desire for racial acceptance and spiritual purity through assimilation into white British society and seeming also to be endorsing conventional assumptions of white racial superiority the poem ...
María de Lourdes Ghidoli
who specialized in portraiture. Blanco de Aguirre received artistic training in Florence (Italy) thanks to a grant from the presidential administration of Domingo Faustino Sarmiento (1868–1874). Although nineteenth-century publications highlighted his work as an oil painter, the three pieces that Blanco de Aguirre is best known for are pencil drawings: Retrato de José Mármol (1871), El negro Falucho (1889), and Heroísmo del negro Falucho (1889). In 1888 Blanco de Aguirre wrote a book (Colección de Artículos Literarios) that authorship offers ample information on Blanco de Aguirre’s childhood and adolescence.
Blanco de Aguirre was born in a rural part of San José Uruguay in the 1850s to a humble family of farmers According to Blanco de Aguirre himself because of his interest in studying and limited access to formal education his family placed him under the tutelage of Colonel Manuel Fernández ...
painter, illustrator, and graphic artist, was born in Brooklyn, New York, the second oldest of nine children of Herbert and Irene Crichlow, immigrants from Barbados. Using his bricklaying and plastering skills, Crichlow's father made beautiful, patterned ceiling decorations that Ernest recalled as his earliest artistic inspiration. In the 1920s Crichlow won his first artistic commission: a neighborhood preacher paid him and a close friend to paint a black Jesus on a window shade. Not only did this assignment encourage Crichlow to pursue a career in art, it also marked the beginning of his work with black subjects.
Realizing Crichlow's artistic potential, his art teachers at Haaren High School in Brooklyn raised money for a scholarship for him to attend the School of Commercial Illustrating and Advertising Art in Manhattan. In a 1968 interview Crichlow recalled that he left school during the height of the Depression but whether this ...
Dorothy B. Porter
Patrick Henry Reason was born in New York City, one of four children of Michel and Elizabeth Melville Reason. He was baptized on April 17, 1816, as Patrice Rison. His father, Michel Rison, was from Sainte-Anne, Guadeloupe, and his mother, Elizabeth Melville, was from Santo Domingo (in what is now the Dominican Republic). Patrick's young sister, Policarpe, died in 1818 at age four. His brother Elver (or Elwer) did not attain the prominence that Patrick or his brother Charles Lewis did. All three brothers received their early education at the New York African Free School, established on Mulberry Street by the New York Manumission Society. Patrick Reason's skill as an engraver was recognized at age thirteen when he made an engraving of the African Free School that was printed as a frontispiece of Charles C. Andrews's History of the New York African ...
printmaker and abolitionist, was born in New York City, the son of Michel Reason of St. Anne, Guadeloupe, and Elizabeth Melville of Saint-Dominique. Reason was baptized as Patrick Rison in the Church of St. Peter on 17 April 1816. While it is not known why the spelling of his name changed, it may have been an homage to the political leader Patrick Henry. While he was still a student at the African Free School in New York, his first engraving was published, the frontispiece to Charles C. Andrews's The History of the New York African Free-Schools (1830). It carried the byline “Engraved from a drawing by P. Reason, aged thirteen years.” Shortly thereafter, Reason became apprenticed to a white printmaker, Stephen Henry Gimber and then maintained his own studio at 148 Church Street in New York where he offered a wide variety of engraving ...