Born around 1780 in Rio de Janeiro, Amaral was best known as an artist employed by the Luso-Brazilian Court in Rio. Details of Amaral’s early life and training are scant, including his parentage, but he lived and worked in Rio, where he studied under the artist José Leandro de Carvalho (c. 1770–1834). Amaral continued his studies at the officially sanctioned course of painting and drawing in Rio created by the Marquis of Aguiar (Fernando José de Portugal e Castro, viceroy between 1801 and 1806 The school was administered by the painter Manuel da Costa de Oliveira with whom Amaral studied stage design He also worked as the assistant of José Leandro at the São João Theater Amaral s talents were quickly recognized and he was summoned to do decorative work for the court leaving the theater behind Amaral s oeuvre is especially noteworthy in that it bridged the ...
Amy J. Buono
Thomas George Caracas Garcia
was born in Salvador, Bahia, on 30 April 1914. His paternal great-grandfather (whose name was spelled “Caimmi”) immigrated to Brazil from Italy and was a construction worker. His father, Durval Henrique Caymmi, was a civil servant and amateur musician, and his mother, Aurelina, was an amateur singer of African and Portuguese descent. Dorival never had any formal training as a singer, and in his teens he had a variety of jobs, most notably as a street vendor. His musical career, however, took off while he was still a teenager. He was a self-taught guitarist, singer, and composer, and by the early 1930s, he was performing his own songs on the nascent radio stations in his hometown.
By 1935 Caymmi was singing and playing guitar on Rádio Clube de Bahia (Bahia Radio Club, a major broadcaster in Salvador) and in 1935, he had his own show, Caymmi e Suas ...
Pamela Lee Gray
dancer, painter, choreographer, actor, author, photographer, director, musician, and costume and set designer, was born in Port of Spain, Trinidad. He was one of four children of middle-class parents of Irish, French, and African descent.
Holder was educated at Queen's Royal College in Port of Spain. His grandfather, Louis Ephraim, was a French painter whose influence led both Holder and his older brother Boscoe to begin experimenting with oils Geoffrey began teaching himself to paint at age fifteen when he was forced to stay home from school due to a prolonged illness He also learned much from Boscoe who was a pianist painter and dancer When Boscoe moved to England Geoffrey took over as director of his brother s dance company while continuing to create new paintings and display work at gallery exhibitions Holder s work was displayed at ...
Jennifer Lynn Headley
cultural critic, historian, performance and installation artist, photographer, writer, and activist, was born in Boston, Massachusetts. Her mother, Lena, emigrated from Jamaica to Boston in the 1920s. She earned a BA from Wellesley College in Spanish and Economics and an MFA in Fiction Writing from the University of Iowa, studying-in its renowned Writers' Workshop. From Iowa, she moved to New York City and began writing for the Village Voice and Rolling Stone as a rock critic. She changed her career course with her first performance pieces in the 1980s and her critical writings about art and its effect on students and peers.
O'Grady's first performed as Mlle. Bourgeoise Noire, loosely translated into Ms. Black Middle Class; her alter ego was a rowdy uninvited guest to numerous high-profile art exhibitions. Mlle. Bourgeoise Noire Goes to JAM (1980), Mlle Bourgeoise Noire Goes to ...
Senegalese artist, painter, and actor, was born in Saint-Louis, Senegal. Originally trained as a stenographer, Seye is self-taught as a visual artist and actor. She participated in the much heralded Premier Festival Mondial des Arts Nègres in Dakar (1966) and, at the bequest of the Senegalese minister of culture, three years later in the First Pan-African Cultural Festival in Algiers, where she won a United Nations Educational, Scientific, and Cultural Organization (UNESCO) grant to support a training residency in Ivory Coast. Her residency led to a solo exhibition in the Hôtel Ivoire (1972), participation in the widely touring state-sponsored Senegalese Art Today (which opened in Paris at the Grand Palais in 1974), and a place within the festival of arts and culture called “FESTAC” in Lagos in 1977 She has enjoyed a broad ranging patronage from public commissions for the Ethiopian offices of the Organization of African Unity and ...