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Marion Arnold

South African sculptor and multimedia artist, was born in Johannesburg, South Africa. Her father’s family emigrated from Germany (her paternal grandfather was Jewish). She studied at the University of the Witwatersrand, Johannesburg, graduating with a bachelor of fine arts degree and the Martienssen Student Prize in 1982 and completing her masters degree in 1988. She taught English and art at schools in Namibia and Cape Town before joining the Michaelis School of Fine Art, University of Cape Town, as a part-time lecturer in 1996. She holds a professorship in sculpture and is resident in Cape Town. An intensely private person, Alexander rarely gives interviews or explains her work verbally.

In 1986 Alexander gained attention with a solo exhibition in Johannesburg. It included Butcher Boys (1985–1986 a disquieting depiction of three white life size naturalistic figures seated on a bench These self absorbed beings possessing animal and ...


Mary (Polly) Nooter Roberts

Senegalese visual artist, was born in a rural Senegalese town in 1954 and moved to Dakar in 1973, where he received a degree in fine arts from the National Institute of the Arts of Senegal and his baccalaureate in 1979. He also earned a four-year degree in arts education from the National School of Art Education. Diba was then awarded a scholarship to pursue a doctorate in urban geography at the University of Nice, where he wrote a dissertation comparing human impact on the environments of Dakar and Nice. Since 1986 Diba has been a professor of visual arts at the National School of Art Education in Dakar and has served as president of the Senegalese National Association of Visual Arts He was one of the founders of Dak Art the Biennial of Contemporary African Art and serves on its Scientific Commission Diba has been instrumental in ...


Roberto Conduru

was born on 11 September 1950 in São Luís do Maranhão, in northeastern Brazil. Early on, she cultivated the craft of handmade clothing, as well as corn husk and fabric dolls (cloth witches). In 1958 she moved with her family to Rio de Janeiro, where she has lived ever since.

In 1987 Martins joined the Movement of Negro Women and worked as the coordinator of cultural animation at the Integrated Center for Public Education Luiz Carlos Prestes, located in Cidade de Deus, in Jacarepagua, to the west of Rio de Janeiro. In June of that same year, she began experimenting with a particular mode of expression that involved a technique of making dolls from scraps of fabric and with the minimal use of tools, utilizing only knots and without glue or sewing. The following year, she named the doll “Abayomi,” a Yoruba word that means “precious encounter.” Later in 1988 ...


Maria Grazia Sindoni

was born on 19 March 1981 in Kingston, Jamaica, to Oscar Z. Patterson, a businessman, and Thelma V. Ferguson, a sales representative for a life insurance company. She was raised as an only child. Her parents encouraged her early artistic ambitions, and Patterson has claimed that she consciously decided to become an artist when she was 9 years old.

Patterson attended Holy Childhood Preparatory School and went on to the Convent of Mercy Academy “Alpha” (Queens High School). She then attended the Caribbean’s only English-speaking arts school, the Edna Manley College of the Visual and Performing Arts and graduated in 2004 with an honors diploma in painting. In 2002 she was awarded a scholarship in a residency program in the United Kingdom, where she was able to refine her art and have new experiences that would later be employed in her creative production.

In 2004 Patterson moved to the ...


Roberto Conduru

was born in Japaratuba, a city located in the state of Sergipe in northeastern Brazil on either 16 March or 14 May 1911. His parents Adriano Bispo do Rosario and Blandina Francisca de Jesus were descendants of Africans who had been enslaved in the country. In 1925 he joined the Brazilian navy, which he left in 1932. The following year, he began working as a washer for the Viação Excelsior bus company in Rio de Janeiro. After this company fired him in 1937, he worked as a janitor at the residence of Humberto Magalhães Leone, a lawyer.

In 1938 he was taken to the National Hospital for the Insane in Rio de Janeiro where he was diagnosed as a paranoid schizophrenic The following year he was transferred and admitted to the Colônia Juliano Moreira in the same city an institution that at that time housed people ...


Joanna Grabski

Senegalese artist, educator, and administrator, was born in Dakar, Senegal, on 18 May 1948. Sy became a practicing artist in the 1970s, a period when Senegalese artistic production moved away from its independence-era association with Négritude philosophy and the state patronage of President Léopold Sédar Senghor. Sy attended the National School of Art Education in Dakar, Senegal (1970–1976), as well as the Royal Academy of Fine Arts in Brussels, Belgium (1976–1979), where his studies focused on drawing, painting, and printmaking. With his artistic sensibility forged in a cosmopolitan crucible, Sy’s ideas about art and artists developed with sensitivity to international perspectives. This orientation figured into both his individual artistic practice and his pedagogical approach at the National School of Fine Arts in Dakar, where he taught from 1979 to 1986. During his tenure as Director of the National School of Fine Arts from 1986 to 1996 he ...


Elisabeth Harney

Senegalese visual artist and teacher, was born in 1931 near Dakar.

In 1947, Tall trained in an early private art studio in Dakar, run by the Frenchman Cosson. He then traveled in 1955 on a government scholarship to Paris to study at the École spéciale d’architecture. In 1959, Léopold Sédar Senghor, the philosopher, poet, and later first president of Senegal, saw some of Tall’s drawings on exhibit in Paris and encouraged him to pursue fine arts. Following this encounter, Senghor promoted the young Tall, supporting his application for a grant to attend the École Supérieure des Beaux-Arts in Paris and to pursue further instruction in Sèvres, where Tall studied painting, serigraphy, tapestry, mosaics, and pedagogy.

Papa Ibra Tall is best known for the key role he played in postindependence Senegal as a teacher in the art school and as director in the national tapestry center Critics would characterize ...