dancer, choreographer, artistic director, educator, and activist, was born in Effingham, South Carolina, the eldest of three daughters of Jack Cummings and Carrie Cummings sharecroppers who grew tobacco and cotton When Blondell was a year old the Cummingses like many African American families of the mid twentieth century migrated to the North While both her parents had relatives who previously moved to New York it was Jack who followed two of his four church singing brothers to the city to pursue careers in the commercial music industry Upon the family s arrival in Harlem Jack found work as a taxi driver and Carrie earned a living as a domestic and later completed school to become a health care professional Cummings described her upbringing as very strict and typical of most black families Her mother was the disciplinarian and while her father was not an authoritarian together they ran a ...
Princess Mhoon Cooper
Frank A. Salamone
dancer, anthropologist, and activist. Katherine Dunham, born in Joliet, Illinois, was an innovator in dance. She was the Queen Mother of Black Dance, basing her understanding of dance and her innovations in it on anthropological principles and fieldwork in Haiti. Her father, an African American dry cleaner, owned his own business. Her mother was French Canadian and American Indian. Dunham began her dance training in her late teens.
Dunham majored in social anthropology at the University of Chicago, where she earned her BA in 1936. The ideas of the anthropologists Melville Herskovits and Robert Redfield inspired her work in dance, and she applied these ideas to her work with young children in her dance company, Ballet Nègre, which she started in 1931. Her combination of dance and anthropology earned her a Rosenwald Travel Fellowship in 1936 Dunham traveled to the West Indies combining her ...
Guinean choreographer and statesman, was born in the Maninka (Malinké) town of Siguiri in northeastern French Guinea (today’s Republic of Guinea) in 1921. His father was an educated merchant. His mother was of the Diabaté jeli (or griot, praise singer) lineage. Acquainted with reputable local artists from an early age, including a griot that performed at the 1931 Paris Colonial Exposition, Keita quickly excelled in both music and French schooling, learning the banjo and gaining entry into colonial Guinea’s most prestigious school—the École Primaire Supérieure located in the capital city of Conakry. While earning high academic marks in Conakry (1937–1940), Keita also led a band whose songs incorporated diverse global influences. This youthful demonstration of leadership and comprehensive artistic vision foretold of Keita’s eventual career as one of Africa’s greatest, most influential choreographers.
Like many of the brightest young men who came of age in French West Africa over ...
Rwandan poet, scholar, and composer, was born Sipiriyani Rugamba in Rwamiko in southern Rwanda. He was a member of the Hutu ethnic group but was considered by many to be a Rwandan who created art for all people due to the general impression that his works, which included actors from all ethnic groups, embodied a concentrated focus on writing about Rwandan history and culture, regardless of ethnicity. Due to his affinity for Rwanda culture, he wrote music that spoke to Rwandans by approaching his craft from an African perspective as opposed to other writers and composers of his era who incorporated European aspects of art into their own. Rugamba was known to incorporate Rwanda’s past into his works in order to create an art form that was distinctly Rwandan.
Rugamba studied philosophy and literature and received a doctorate in history at the Catholic University of Louvain in Belgium Soon after ...