Senegalese dancer and choreographer was born in Benin the daughter of a Senegalese colonial civil servant and the granddaughter of a Yoruba priestess When she was ten years old her family moved to Dakar Senegal From an early age Acogny showed exceptional talent for and love of dancing After pursuing a degree in physical education she went to France in the early 1960s where she studied ballet and modern dance Upon returning to Senegal she began teaching dance classes in the courtyard of her home and in the lycée where she was hired to be in charge of physical education In these classes she began to develop a codification of what she calls African dance Establishing an inventory of positions and steps as well as a spatial stability to each position s appearance she developed a dance technique based on an aesthetic of groundedness a sense of dynamism moving up ...
Susan Leigh Foster
also known as Carlos Junior Acosta Quesada, was born on 2 June 1973 in Havana, Cuba. Acclaimed as one of the most brilliant ballet performers of his generation, Carlos Acosta has been a principal dancer of London’s Royal Ballet, the English National Ballet, and the Houston Ballet, as well as a guest star of the American Ballet Theatre, the Paris Opera Ballet, and the Bolshoi Ballet, among other ensembles. He has also performed with his own country’s premier troupe, the Ballet Nacional de Cuba.
No other black ballet dancer has enjoyed a career marked by so many first-rate engagements and prestigious awards. His status as a glittering ballet celebrity, vastly popular with audiences, critics, and the media, is rare for an Afro-descendant, as blacks are underrepresented in this dance form. Through his success and public declarations, Acosta has contributed to eliminating prejudices about blacks’ abilities and suitability for ballet.
dancer and arts administrator, was born in New York City, the daughter of Julius J. Adams, a journalist who rose to managing editor of the New York Amsterdam News, and Olive A. Adams, an accomplished pianist. Her parents cultivated in her a deep appreciation of the arts, as well as a legacy of social activism that stayed with Adams throughout her life—both during her career as a dancer and after her retirement from the stage, when she helped found community-based arts centers for children in Harlem. The dance writer Muriel Topaz described the Adamses' home as a “center of social and political activity,” and noted that the Global News Syndicate, an organization of black newspapers, was founded in their small apartment (Topaz, 30).
When she was eight years old Adams entered New York s progressive Ethical Culture School an institution dedicated to the moral as well ...
USdancer, choreographer, and director. He studied in Los Angeles with Horton and later with Graham, Holm, and Weidman in New York, making his debut in Horton's company in 1950. In 1953, after Horton's death, he took over as director, then in 1954 went to New York to dance in the Broadway musical House of Flowers. In the same year he also appeared in the film Carmen Jones. A big, graceful dancer he gave his first New York concert in 1957 and in 1958 formed the Alvin Ailey American Dance Theater. In the company's first year he created Blues Suite a work exploring the pain and anger of his own African American heritage It became one of his most popular works defining his stylistic mix of modern jazz classical and black dance as well as his unique ability to fuse ...
Alvin Ailey was born in Rogers, Texas. He grew up in a single-parent household headed by his mother, Lula Elizabeth Cooper. As a boy, he helped her pick cotton. In 1942 they moved to Los Angeles, California, where she found employment in the World War II aircraft industry. Ailey attended George Washington Carver Junior High School and Jefferson High School, primarily black schools. He went on to study literature at the University of California at Los Angeles (UCLA). Ailey's dancing career started in 1949 when a high school friend, Carmen DeLavallade, introduced him to Lester Horton, his first dance instructor at the Lester Horton Dance Theater. When Horton died in 1953, Ailey became the director of the company. The following year, Ailey moved to New York City where he joined DeLavallade in the Broadway dance production House of Flowers While appearing in other stage ...
Lili Cockerille Livingston
actor, dancer, and choreographer, was born in Rogers, Texas, the son of Alvin Ailey, a laborer, and Lula Elizabeth Cliff, a cotton picker and domestic. Before Ailey was a year old, his father abandoned the family, leaving them homeless for close to six years. During that time Ailey and his mother made their way, often by foot, across the unforgiving terrain of the impoverished and bitterly racist Brazos Valley in southeastern Texas to seek shelter with relatives and find work in nearby fields.A bright curious child Ailey joined his mother in the cotton fields as soon as he could carry a sack He reveled in the sights and sounds of the gospel choirs and worshipers that he witnessed in the black Baptist churches of his youth Ailey also became acquainted with the less pious side of life through those who spent Saturday nights dancing ...
choreographer and dancer. Born in Rogers, Texas, Alvin Ailey was raised in a single-parent home headed by his mother, Lula Elizabeth Cooper. Ailey and his mother earned money by picking cotton and doing domestic work for local families. In 1942 Ailey moved to Los Angeles; he attended George Washington Carver Junior High School and Jefferson High School, where he developed an interest in music and literature. After graduation he went on to study literature at the University of California at Los Angeles.
Ailey's dance training began in 1949 when a friend, Carmen DeLavallade, introduced him to Lester Horton, founder of the Lester Horton Dance Theater. Horton was one of the few dance instructors who accepted black students, and he became Ailey's first dance coach. When Horton died in 1953 Ailey became the director of the company The following year Ailey moved to New York City where ...
was born on 18 June 1937 in Ponce, Puerto Rico, and raised in the neighborhood of Bélgica, the hotbed of the southern tradition of traditional Puerto Rican bomba, la bomba sureña. The life of “Doña Isa” connected the few thriving family-based bomba communities of the 1940s–1960s to the municipal bombazos of the 2000s. As a girl she used to accompany her mother, Teresa Dávila, and father, Domingo Albizu, to the regional bomba competitions between the communities of Felix Alduén in Mayaguez and William Archevald in Ponce, from the early 1940s to the early 1970s (Lasalle, 2014). These friendly rivalries had an enormous ripple effect on the development of bomba outside the San Juan metro area in the latter half of the twentieth century and the beginning of the twenty-first.
While Afro Puerto Rican bomba music and dance has suffered marginalization since its inception in early colonial times ...
Donna Waller Harper
dancer, choreographer and actress, was born Deborrah Kaye Allen in Houston, Texas, to Andrew Allen, a dentist, and Vivian Ayers-Allen, a poet and librarian; her parents had two other children, the actress Phylicia Rashad, and Hugh Allen, better known as Tex. Although she exhibited an early interest in dance and desired to join the Houston Foundation for Ballet, she was denied admission when she applied in the 1950s in what her mother saw as a clear example of discrimination. Her parents were able to pay for private ballet lessons with the Ballet Russes. She later traveled and trained in Mexico City with the Ballet Nacional de Mexico. In 1964 she returned to Houston where she once again auditioned for the Houston Foundation for Ballet This time she was not only accepted to the prestigious organization but was awarded a scholarship Her talent won her ...
Ambitious, talented Debbie Allen has broken ground for black women in a variety of roles, primarily behind the scenes of the entertainment industry—directing, producing, writing, and choreographing television shows, films, and musical theater.
Debbie Allen was born into a remarkable family in Houston, Texas. Her father, Andrew Allen, was a dentist, and her mother, Vivian Ayers Allen, is a poet who has been nominated for the Pulitzer Prize. Her sister, Phylicia Rashad, is a well-known actor, and one of her brothers is Andrew “Tex” Allen, a jazz musician.
Allen decided early that she wanted to be a dancer She began her training when she was three and by the time she was eight she had decided to go into musical theater When she tried to enroll in the school of the Houston Foundation for Ballet she was rejected for reasons her mother considered discriminatory As a ...
was born in Chilpancingo in the Bravo in the Mexican state of Guerrero. His father was a tailor and his mother a cook. The speech and behavior of blacks and mulattoes of the Guerrero coast (Costa Chica and Costa Grande) influenced him from an early age. Men and women who came to sell their fish and seafood in Chilpancingo heightened his awareness of his African heritage.
In 1974 he started his studies of folk dance with the maestro Efrain Velez, and particularly the sones de tarima di de Tixtla. Percussive foot rhythms characterize this dance of African origin where couples dance by striking a wooden deck with their feet. On the Costa Chica this dance is called Sones de Artesa. In addition to learning Mexican folklore and dancing, Aponte joined the dance ensemble Xochiquetzal under the direction of Pedro Barrios Jaimes.
At the end of 1981 Aponte ...
Winter Rae Schneider
was born in Port-au-Prince, Haiti, on 24 September 1975 to Ernst Appolon, a police officer, and Lucienne Duverlis. He spent his childhood in the neighborhood of Nazon with his parents and two younger brothers. Growing up in the center of Port-au-Prince, Appolon attended a public primary school and later completed secondary school at the College Canado-Haïtien. On 7 February 1986, when Appolon was 10 years old, then-president Jean-Claude Duvalier and First Lady Michelle Bennet fled Haiti and went into exile in France. After Duvalier’s flight, Appolon’s family faced increasing insecurity. Ernst was targeted several times by different political factions because of his position with the Haitian police force, and Appolon and his brothers often accompanied their father into hiding throughout Port-au-Prince, the Haitian countryside, and the Dominican Republic. In 1987 Lucienne left Haiti for the United States In spite of the political instability Appolon s father stayed behind ...
tap dancer and choreographer, was born Charles Atkinson in Pratt City, Alabama, the son of Sylvan Atkinson, a construction and steel worker, and Christine Woods. At age seven Atkins moved with his mother to Buffalo, New York. Woods, herself an avid social dancer, encouraged her children to dance, and Atkins won his first local contest at age ten doing the Charleston. As a teenager Atkins made his first money as a dancer by busking at rest stops while working as a bus line porter between Buffalo and Albany. His dancing caught the attention of a talent scout for the Alhambra on the Lake, a Lake Erie nightclub, who booked Atkins as a regular act. There he learned to tap from William “Red” Porter, a dancing waiter who became Atkins's first dance partner.
In 1929 Atkins joined a traveling revue produced by Sammy Lewis and toured through ...
As performer, choreographer, and dance coach, Cholly Atkins mastered the art of the Tap Dance. He was best known for his team tap dancing with the great Charles “Honi” Coles.
Born in Birmingham, Alabama, and raised in Buffalo, New York, Atkins displayed a talent for the stage at an early age. He began performing at the age of ten, when he won a Charleston contest, and while attending high school he learned basic Jazz and soft-shoe dance steps. He began his formal career as a singing waiter in 1929. Soon he and dancing waiter William Porter formed the Rhythm Pals, a vaudeville song-and-dance team. After ten years, Atkins left the Rhythm Pals to begin dancing and choreographing for the Cotton Club Boys, a tap troupe that toured with Cab Calloway and performed with Bill “Bojangles” Robinson in a swing musical called The Hot Mikado at ...
Constance Valis Hill
jazz tap dancer, was born Laurence Donald Jackson in Baltimore, Maryland. His parents' names and occupations are unknown. He was a boy soprano at age twelve, singing with McKinney's Cotton Pickers. When the bandleader Don Redman came to town, he heard Laurence and asked his mother if he could take the boy on the road. She agreed, provided that her son was supplied with a tutor. Touring on the Loew's circuit, Laurence's first time in New York was marked by a visit to the Hoofers Club in Harlem, where he saw the tap dancing of Honi Coles, Raymond Winfield, Roland Holder, and Harold Mablin. Laurence returned home sometime later to a sudden tragedy; both of his parents had died in a fire. “I don't think I ever got used to the idea,” he told Marshall Stearns in Jazz Dance in 1968 They always took such ...
playwright, actor, director, singer, and dancer, was born in New Orleans, Louisiana, the third child of Gloria Diaz Bagneris and Lawrence Bagneris Sr. Bagneris's mother was a housewife and deeply religious woman who “quietly outclassed most people,” and his father was a playful, creative man, a World War II veteran, and lifelong postal clerk. Bagneris grew up in the tightly knit, predominantly Creole Seventh Ward to a family of free people of color that had been in New Orleans since 1750 From the age of six he had a knack for winning popular dance contests and during christenings and jazz funerals he learned more traditional music and dance By the mid 1960s the once beautiful tree lined neighborhood in which he was raised fell victim to the U S government s program of urban renewal known colloquially as Negro removal A freeway overpass was ...
Although she spent most of her adult life living in France and touring the world, Josephine Baker was born in St. Louis, Missouri. After a difficult childhood, she left home at thirteen, starting her dance career with a vaudeville troupe called the Dixie Steppers. In the early 1920s, she worked in African American theater productions in New York such as Shuffle Along and Chocolate Dandies. In 1925 Baker left for Paris to begin her long international career with companies like Revue Nègre, Folies Bergères, and, later, the Ziegfeld Follies.
As her career evolved, Baker increasingly focused on political concerns. During World War II Baker toured North Africa while providing information to French and British intelligence. Later she used her considerable fame to advance civil rights issues during her frequent visits to the United States. In 1951 the NAACP honored her political work by declaring an official Baker Day ...
Samuel S. Brylawski
(b St Louis, June 3, 1906; d Paris, April 12, 1975). American singer and actress. She became a professional street musician at the age of 13, and toured with the Dixie Steppers vaudeville troupe. Following her success as end-girl in the chorus line on tour with the musical Shuffle Along (1921), she was featured in its sequel, Chocolate Dandies (1924), and in a New York nightclub revue. In 1925 she moved to Paris to star in La revue nègre at the Théâtre des Champs-Elysées, in which she indulged in frenzied dancing and exaggerated mimicry; the show concluded with a nude savage dance duet. Baker then appeared in the Folies-Bergère (1925 where she made her entrance clad in three bracelets and a girdle of rhinestone studded bananas Her combination of the erotic and comic made her one of the ...
Baker was an African-American singer and dancer who became famous in Paris in the 1920s. She made her debut at the age of fourteen at the Booker T. Washington Theater in her home town, and subsequently went on tours. During this time she married first Willie Wells and then William Howard Baker, from whom, despite intervening liaisons and a pretended marriage to Count Pepito Abatino, she was not divorced until 1936. She was engaged in New York for the 1920s musical comedies Shuffle Along and The Chocolate Dandies.
Paris discovered Baker on 20 October 1925 when, with her partner Joe Alex, she appeared as the star of Noble Sissle's La Revue Nègre at the Théâtre des Champs-Élysées. The subject of much attention, she posed for Paul Colin, Pablo Picasso, Fujita Tsuguharu, Kees van Dongen, Man Ray, Henri Laurens, Alexander Calder and ...
US-born dancer and singer who became a star of the Paris music halls. She began her career as a chorus girl in an African-American revue in Philadelphia and also appeared at the Cotton Club in Harlem. In the 1920s she was hired to work on the New York musical comedies Shuffle Along and The Chocolate Dandies, but her career break came when she went to Paris in 1925 in La Revue nègre at the Théâtre des Champs-Elysées. Paris was charmed; she posed for Picasso and Man Ray; André Levinson called her the black Venus For her debut at the Folies Bergère she wore a belt of bananas and sang Yes We Have No Bananas She subsequently made the French capital her home As one of the first black international stars she performed regularly at the Folies Bergère and the Casino de Paris as well as on numerous ...