1-5 of 5 results  for:

  • Orchestral Conductor x
  • Writing and Publishing x
Clear all

Article

Harmony A. Teitsworth

symphonic conductor, composer, and poet, was born in Philadelphia, Pennsylvania, to James Henry DePreist and Ethel Anderson. Ethel's sister, James's aunt, was the distinguished singer Marian Anderson, a contralto who became the first African American to appear with the New York Metropolitan Opera. In Philadelphia, DePreist attended Central High School, the second-oldest high school in the country. One of the best college preparatory schools in the country, it is also a public magnet school renowned for its strong music department. During high school DePreist played percussion and timpani in the all-Philadelphia high school band and orchestra. The orchestra's director, Louis Werson, became a significant musical influence on DePreist and used his musical background to help his student start the Jimmy DePreist Quintet, a jazz band.

In 1958 DePreist received a bachelor s degree as a pre law student at the Wharton School of ...

Article

Miranda Kaufmann

Classical musician and war correspondent born in British Guiana (now Guyana). Dunbar began his musical career with the British Guianan militia band. He moved to New York at the age of 20, where he studied music at Columbia University. In 1925 he moved to Paris, where he studied music, journalism, and philosophy. By 1931 he had settled in London and founded the Rudolph Dunbar School of Clarinet Playing. The same year Melody Maker invited him to contribute a series of articles on the clarinet. These were successful enough for him to publish in 1939A Treatise on the Clarinet (Boehm System). Dunbar was a successful conductor, especially in the 1940s, when he became the first black man to conduct an orchestra in many of the prestigious cities of Europe, including, in 1942 the London Philharmonic at the Albert Hall to an audience of 7 000 people the Berlin ...

Article

Jeffrey Green

African‐American composer born in Charleston, South Carolina, where his father had recently founded an orphanage where vocational training included music. Jenkins abandoned his studies in Atlanta to play the clarinet with a band appearing at the Anglo‐American Exhibition in London in 1914. The band's performance was a success, and Jenkins decided to remain in England after the band's return to the United States. He then enrolled as a student at the Royal Academy of Music. His studies included composition with Frederick Corder, a Wagner enthusiast. He taught the clarinet, and graduated in 1921. With Caribbean students in the Coterie of Friends, Jenkins mounted a concert in 1919 with himself conducting; four instrumentalists were from the Southern Syncopated Orchestra, an American group in Britain until 1921. They played his Charlestonia, an orchestral work with three black melodies, and works by Samuel Coleridge‐Taylor.

John Alcindor ...

Article

Gayle Murchison

clarinetist, composer, and conductor, was born in Charleston, South Carolina, the son of Daniel Jenkins, a former slave, minister, and founder-director of the Jenkins Orphanage Band, and Lena James. Jenkins attended the Avery Institute in Charleston. As a child he learned to play violin, clarinet, and piano. His first music teachers were his father and other instructors at the orphanage, which was founded in December 1891 and formally incorporated as the Orphan Aid Society in July 1892. By the time he was fourteen years old, Jenkins had learned to play all the instruments of his father's brass band. In 1908 he entered Atlanta Baptist College (now Morehouse College), where he studied violin with Kemper Harreld Jenkins participated in the symphony orchestra glee club and other musical activities During vacations he performed directed and toured with the orphanage band Jenkins left college during the ...

Article

Barry Kernfeld

bandleader, pianist, and columnist, was born in Louisiana. Details of his birth and family life are unknown. Peyton was a member of the clarinetist Wilbur Sweatman's trio in Chicago from about 1908 to 1912, when he became the music director at the Grand Theater. In 1914 he founded his own symphony orchestra of about fifty instrumentalists; they gave monthly concerts. On 29 October 1924 he opened the Plantation Cafe as the leader of the Symphonic Syncopators. They played for dancing and for musical revues, the latter including the show Plantation Follie. Peyton wrote the music for some of these shows. The reed player Darnell Howard played with Peyton's fifteen-piece Symphonic Syncopators, and in November the cornetist King Oliver joined Oliver s purpose may have been to ingratiate himself with the management and take over Peyton s job If so he succeeded this episode might ...