Egyptian composer, musician, and film star, was born in the early 1900s, either in Cairo or in the village of Abu Kibir, Sharqiya Province. There is confusion regarding both the date and the place of his birth. Two official identification cards in his possession listed his birth in 1910 but in the two different locations named above. ʿAbd al-Wahhab’s contemporaries have suggested that he was born sometime between 1896 and 1907 their suggestions are supported by reported incidents of his early musical life and encounters with important historical figures of the 1910s His early years were spent in the Bab al Shaʿrani quarter of Cairo where his father Muhammad Abu ʿIsa ʿAbd al Wahhab was shaykh religious scholar and caretaker of the neighborhood mosque ʿAbd al Wahhab was one of five children born to his father and Fatima Higazi his mother Early on ʿAbd al Wahhab was enrolled by ...
Anne Elise Thomas
Ronald P. Dufour
pianist and composer, was born in Chicago. He began studying piano at age seventeen and is largely self-taught, though in the late 1940s he studied briefly at Chicago Musical College and at Governors State University in Chicago. Abrams played his first professional gig in 1948, and during the early 1950s he wrote arrangements for the saxophonist King Fleming and other rhythm and blues groups. From 1957 to 1959 he was pianist, composer, and arranger for the hard-bop group MJT+3. Throughout the 1950s he also accompanied visiting soloists like Miles Davis, Sonny Rollins, Johnny Griffin, Dexter Keith Gordon, and Max Roach.
In the early 1960s Abrams and a group of young Chicagoans that included saxophonist Eddie Harris and bassist Donald Garrett began to make plans for a rehearsal band. This initial attempt failed, but Abrams and Garrett revived the effort in 1961 and ...
(b St Thomas, VI, Nov 4, 1889; d St Thomas, VI, Nov 24, 1987). American bandmaster, composer and educator. He taught himself to play the flute and piccolo, took correspondence courses from several universities, and received the BMus degree from the University Extension Conservatory of Music, Chicago. In 1910 he formed Adams’ Juvenile Band, which was incorporated into the US Navy when it assumed the administrative duties of the US Virgin Islands in 1917. He was editor of the band department of Jacobs’ Band Monthly (1913–17), the Virgin Islands correspondent for the Associated Press, and the author of articles for various music journals, newspapers and magazines. From 1918 to 1931 he supervised the music programme in the Virgin Islands public schools, modelling it after similar programmes on the mainland. After retiring from the navy in 1947 he produced musical ...
was born in Charlotte Amalie, St. Thomas (now the US Virgin Islands) on 4 November 1889. He was the son of Jacob Henry Adams, a carpenter, and Petrina Dinzey, a tailor, and followed their career trajectory as part of the community’s black artisanal class. He served apprenticeships in the trades of carpentry and shoemaking.
With only a primary education and no formal school of music on the islands, Adams studied in the United States. He enrolled at the University of Pennsylvania as well as Carnegie Hall’s School of Music Theory in New York. Unable to sojourn long enough in the States, Adams completed his study of music by correspondence, a mark of distinction of the self-motivation that shaped his life. He attained a bachelor’s degree in music from the University Extension Conservatory of Chicago in 1931.
Adams organized his first musical band in 1904 and launched his ...
Mark Clague and John H. Zimmerman
flutist, composer, bandmaster, music educator, journalist, and hotelier, was born in Charlotte Amalie, St. Thomas, Danish West Indies (later U.S. Virgin Islands) and is remembered as the U.S. Navy's first African American bandmaster. Adams was the son of Jacob Henry Adams, a carpenter, and Petrina Evangeline Dinzey, a tailor; both his parents were members of the black artisan class centered around St. Thomas's port. This culture celebrated music and literature and instilled the young Adams with values of hard work and self-education. Although professional musicians were unknown in the Virgin Islands in his youth, Adams dreamt of a musical career inspired by his deeply held belief that music was not just entertainment, but vital to community health.
Adams attended elementary school and apprenticed as a carpenter and then a shoemaker choosing his trade based on the musical abilities of his master ...
cornetist, trumpeter, bandleader, composer, arranger, and college educator, was born Nathaniel Adderley in Tampa, Florida, the second of two sons of Julian Adderley Sr. and Jessie Adderley. Julian Sr. was an educator who played trumpet and cornet, thus becoming Nat's first music teacher. Jessie was also a teacher. Nat's only sibling, Julian Adderley Jr., nicknamed “Cannonball” because of his rotund build, was three years older than his brother. The Adderleys moved from Tampa to Tallahassee, Florida, when Nat was a toddler so that Julian Sr. and Jessie could take teaching jobs at Florida A&M College (FAMC), a historically black school. The college changed its name to Florida A&M University (FAMU) in 1953.
Cannonball was the first of the two brothers to play trumpet He later became more interested in the alto saxophone leaving his trumpet to sit idle Nat showed no ...
His father, Benjamin, was an accountant and his mother Molly (née Ekere) was a teacher and a singer, and the family belonged to the Ibibio ethnic group, chiefly resident in Akwa Ibom state in southeastern Nigeria. Akpabot taught himself to play piano when he was young. After he graduated from primary school, he moved to Lagos, where he enrolled at King’s College secondary school, which was known for its classical musical education. Akpabot also sang treble in the choir of the Anglican Cathedral Church of Christ until 1949, and he worked under Thomas Ekundayo Phillip, a skilled educator who ran the choir and taught the singers about Western classical choral music. Once he graduated from King’s College, he worked as a sports reporter for the Lagos Daily Times. During his secondary school days, Akpabot had starred on the soccer field.
In 1949 he left the choir and ...
Nigeriancomposer, organist, and ethnomusicologist born in Uyo, Akwa Ibom state, Nigeria, in 1932. In his early education at King's College, Lagos, and as a chorister at Christchurch Cathedral, in that city, he was exposed to European classical music, Mendelssohn being his favourite composer. His musical outlook was eclectic, and he was involved in dance bands such as the Chocolate Dandies and the Akpabot Players (his own band), formed in 1949, as well as being organist at St Saviour's Anglican Church in Lagos.
Akpabot studied the trumpet and organ in London at the Royal College of Music in 1954, with teachers such as John Addison, Osborn Pisgow, and Herbert Howells. Study at the University of Chicago yielded a Master's degree in Musicology, and he also received a Ph.D. from Michigan State University. He was a broadcaster for the Nigerian Broadcasting Corporation (1959 ...
Composer, contralto, successful vocal coach, accompanist, and teacher. She was the youngest daughter of the famous African‐American actor Ira Aldridge, and born in Upper Norwood, London. Early on she was educated at a convent school in Belgium. At the age of 17 she was awarded a scholarship to study singing at the Royal College of Music. Her teachers included Jenny Lind and George Henschel for singing, along with Frederick Bridge and Frances Edward Gladstone for harmony and counterpoint.
Aldridge's career was successful and varied, as a contralto until an attack of laryngitis damaged her voice, an accompanist, vocal coach, and later a composer. She accompanied her brother Ira Frederick Aldridge on musical tours until his death in 1886. She also accompanied her sister Luranah in concerts at many well‐known London venues at the turn of the 20th century.
Aldridge also played a seminal ...
Mariana Isabel Lorenzetti
who specialized in jazz. Some sources (e.g., Ortega, 2007) give his date of birth as 20 February 1909, in the locality of Machagai, Chaco Province, in the far north of Argentina. Others (e.g., Gaffet, 2002) record his birthplace as the city of Resistencia, Chaco’s capital. Oscar Alemán was the son of Marcela Pereira—of the indigenous Qom, or Toba people—and of the amateur guitarist Jorge Alemán Moreira, who was born in Uruguay. He was the fourth of seven children in his family.
Alemán began to explore the world of music at a very young age, mostly through self-instruction. According to the family of the musician Guilldermo Iacona, at 6 years old, in 1915, Oscar belonged to a group called Moreira Sextet, along with his father and siblings Rodolfo, Carlos, Jorgelina, and Juana (Iacona et al., 2012 As a member of that group he delivered his ...
was born in Callao (Peru), on 8 May 1877, the son of Ignacio Almenerio and Juana Mejia. He moved to Barrios Altos (Lima) in his youth and lived there for the rest of his life. Almenerio was a criollo musician of the early twentieth century and was renowned as a composer and performer of the mandolin and bandurria (a lute-type instrument).
While still a child, he attended a performance of the Spanish Estudiantina Figaro (a string ensemble) at La Linea café; this sparked his passion for stringed instruments. A few years later, he learned to play the bandurria under the guidance of Manuel Boza and later mastered the mandolin and guitar.
His work as a composer includes several well known waltzes Rebeca based on a stanza of a poem by Guillermo Bazo El Huracan Tempestad and La Abeja the musical arrangement of a poem by the Colombian Julio Florez ...
Sonia Fuentes Resto
was born in Bayamón, Puerto Rico, on 8 May 1934, to Alberto “Titi” Amadeo, a popular composer, and Vicenta Rodríguez. Miguel and his older brother Ramón were raised by their mother, who was a seamstress and homemaker. Miguel was only about a year old when his father left the family to return to New York City full-time, where he had been living on and off since 1927. In the late 1920s, the Puerto Rican music scene in New York was exploding, with Rafael Hernández, Pedro Flores, and Manuel Jiménez making a name for themselves as composers and performers. Alberto Amadeo became an accomplished songwriter himself, with many popular Latin American stars recording his songs. Miguel, however, had no relationship with his father, and although he seemed to inherit his musical talent from him, his father’s success would offer him no entrée into the industry.
After World War II ...
Guthrie P. Ramsey
(b Coatesville, PA, Aug 17, 1928). American composer. Born into a musical family, he began piano study with his mother at the age of five and formed his first touring jazz ensemble at the age of 13. He studied at West Virginia State College (BMus 1950), Pennsylvania State University (MMusEd, 1951), the Cincinnati Conservatory (summer 1954) and the University of Iowa (PhD 1958). His teachers included Edward Lewis, Ted Phillips, P. Ahmed Williams, George Ceiga, T. Scott Huston, Phillip Bezanson and Richard B. Hervig, among others. He also attended the Aspen Music School (summer 1964), where he studied with Milhaud. His teaching appointments include positions in the North Carolina public schools and at West Virginia State College (1955–6), Langston University (1958–63) and Tennessee State University, Nashville (1963–9). From 1969 to 1971 he served as ...
Leonard L. Brown
musician, composer, arranger, teacher, scholar, and humanitarian, was born Thomas Jefferson Anderson in Coatesville, Pennsylvania, the only son and eldest of three children born to Thomas Jefferson Anderson Sr., a college professor and school principal, and Anita Turpeau Anderson, a teacher. Anderson's early years were spent in Washington, D.C., and Cincinnati, Ohio. His mother was a pianist who accompanied singers in church. She was his first musical mentor, providing encouragement from a very early age through music lessons on violin and trumpet.
Anderson attended James Monroe Elementary School in Washington, D.C., where he conducted a rhythm band and impressed Esther Ballou a city supervisor of music who told his mother the musical world will hear from your son He later attended Benjamin Banneker Junior High in Washington D C It was during his time in Washington that he discovered the Howard Theatre and the big bands of ...
was born on 4 April 1928 in Santa Clara, Cuba, in the province of Las Villas, located north of Cienfuegos and near the island’s center. His family included several talented musicians; his father was a trombonist, and his first cousin Benny Moré was one of Cuba’s most popular singers. Armenteros began performing before the age of 20 with the vocalist and bandleader René Álvarez and his group Conjunto Los Astros. In 1949 in Havana, Arsenio Rodríguez asked Armenteros to join his ensemble, a group known for pioneering the celebration of previously disparaged Afro-Cuban elements of Cuban music. Armenteros contributed compositions as well as performances, developing an improvisational language that draws on both Afro-Cuban vocal styles and jazz phrasing and harmony. His prolific compositional portfolio and formidable improvisational skills garnered him singular fame among audiences and his peers.
One of the most prolific musicians in twentieth century Latin music Armenteros performed ...
Born in the Las Villas province of Cuba, Alfredo “Chocolate” Armenteros became a master of the island's distinctive, horn-led musical musical styles. As a horn-player, composer, and arranger, he contributed to the development of modern Afro-Latin popular music.
Armenteros is a virtuoso player of the trumpet and the flügelhorn. He is also the last surviving master of Cuban septeto music, which is performed by a small ensemble featuring a trumpet backed by stringed instruments and percussion. He has played in many Latin American musical genres, including Afro-Latin Jazz big bands, small-group Cuban Descargas (jam sessions), and Salsa Music. On the 1979 album Knockdown Calypsoes. Armenteros convincingly re-created the sound of the Calypso bands of Trinidad in the 1930s and 1940s. Armenteros's trumpet-playing is instantly recognizable. Rather than seeking harmonic complexity or intricate rapid-fire melodies, typical of jazz trumpet playing since the Bebop era he projects a ...
Cynthia Tse Kimberlin
Ethiopian ethnomusicologist, composer, scholar, and teacher, was born in Addis Ababa. His paternal grandfather was Liqe Mekuwas Adinew Goshu, a renowned hero of the Battle of Adwa and a close confidant of Empress Taitu. His great grandfather, Dejazmach Goshu, served as a mentor and teacher to Emperor Tewodros. The most creative and artistic individual in his family was his mother, Fantaye Nekere, who composed verse and poetry. She taught Ashenafi about Ethiopian artistic forms, which he later drew upon for his work.
Ashenafi first showed an interest in music while attending Haile Selassie I Elementary School. After attending the Harar Teachers’ Training School, he taught music at Haile Sellassie I University and the Addis Ababa YMCA before obtaining his BA in Music (1962 from the University of Rochester s Eastman School of Music in the United States He returned to Addis Ababa to serve as the first official ...
leading male vocalist of his generation in Egypt, composer and box- office sensation with a career spanning five decades, was born in Suwayda, a village in the Druze stronghold of Southern Syria. He was the eldest child of Fahd al-Atrash, an Ottoman official related to the leading Druze princely clan and Alia al-Mundhir, a Druze from Beirut. At the end of World War I, Fahd al-Atrash was posted in the Turkish district of Demirci. Fearing arrest, he fled with his family to Beirut; on the sea passage from Izmir, Alia gave birth to a daughter, Amal, whose fame as the musical artist Asmahan would equal, if not surpass, her older brother’s.
In 1923 against her husband s will Alia took her children to Damascus and then to Cairo She fled the violence that had followed the bombardment of the Druze stronghold in response to an attack on French forces ...
jazz singer, was born Cora Calhoun in Chattanooga, Tennessee. Nothing is known about her parents. In a 1950 article on Austin in Down Beat, the journalist George Hoefer wrote that “Lovie” was a nickname given to her by her grandmother. Hoefer further claimed that her grandmother “also brought up another little girl a few years younger then Lovie. Her name was Bessie Smith, and the two little playmates were parted before either of them began to get the blues.” Lovie studied music theory and piano at Roger Williams University in Nashville and Knoxville College in Knoxville. Her career was launched in 1912 when she began touring the vaudeville circuit At about this time she married a Detroit movie house operator a union that lasted briefly She then married the vaudeville performer Austin of the team Austin and Delaney Lovie worked the vaudeville circuit as the piano accompanist ...
Austin, Lovie (19 September 1887–10 July 1972), pioneer jazzwoman, was born Cora Calhoun, in Chattanooga, Tennessee. Little is known about Austin’s personal life. She studied music theory and piano at Roger Williams University in Nashville and Knoxville College in Knoxville. Her musical contributions were nearly overlooked until the revived interest in women in jazz in the 1970s. The reacquaintance with Austin can be attributed to the publication of three books on women in the early days of jazz.
The pianist/composer/arranger Mary Lou Williams throughout her career consistently recalled her impression of an early exposure to Austin s genius Williams indicated that as a child she visited a Pittsburgh theater and was fascinated and inspired by the female at the keyboard Austin who was writing down music with her right hand while accompanying the performance with her swinging left Austin had done all of the orchestrations for ...