Egyptian composer, musician, and film star, was born in the early 1900s, either in Cairo or in the village of Abu Kibir, Sharqiya Province. There is confusion regarding both the date and the place of his birth. Two official identification cards in his possession listed his birth in 1910 but in the two different locations named above. ʿAbd al-Wahhab’s contemporaries have suggested that he was born sometime between 1896 and 1907 their suggestions are supported by reported incidents of his early musical life and encounters with important historical figures of the 1910s His early years were spent in the Bab al Shaʿrani quarter of Cairo where his father Muhammad Abu ʿIsa ʿAbd al Wahhab was shaykh religious scholar and caretaker of the neighborhood mosque ʿAbd al Wahhab was one of five children born to his father and Fatima Higazi his mother Early on ʿAbd al Wahhab was enrolled by ...
Anne Elise Thomas
Ronald P. Dufour
pianist and composer, was born in Chicago. He began studying piano at age seventeen and is largely self-taught, though in the late 1940s he studied briefly at Chicago Musical College and at Governors State University in Chicago. Abrams played his first professional gig in 1948, and during the early 1950s he wrote arrangements for the saxophonist King Fleming and other rhythm and blues groups. From 1957 to 1959 he was pianist, composer, and arranger for the hard-bop group MJT+3. Throughout the 1950s he also accompanied visiting soloists like Miles Davis, Sonny Rollins, Johnny Griffin, Dexter Keith Gordon, and Max Roach.
In the early 1960s Abrams and a group of young Chicagoans that included saxophonist Eddie Harris and bassist Donald Garrett began to make plans for a rehearsal band. This initial attempt failed, but Abrams and Garrett revived the effort in 1961 and ...
(b St Thomas, VI, Nov 4, 1889; d St Thomas, VI, Nov 24, 1987). American bandmaster, composer and educator. He taught himself to play the flute and piccolo, took correspondence courses from several universities, and received the BMus degree from the University Extension Conservatory of Music, Chicago. In 1910 he formed Adams’ Juvenile Band, which was incorporated into the US Navy when it assumed the administrative duties of the US Virgin Islands in 1917. He was editor of the band department of Jacobs’ Band Monthly (1913–17), the Virgin Islands correspondent for the Associated Press, and the author of articles for various music journals, newspapers and magazines. From 1918 to 1931 he supervised the music programme in the Virgin Islands public schools, modelling it after similar programmes on the mainland. After retiring from the navy in 1947 he produced musical ...
was born in Charlotte Amalie, St. Thomas (now the US Virgin Islands) on 4 November 1889. He was the son of Jacob Henry Adams, a carpenter, and Petrina Dinzey, a tailor, and followed their career trajectory as part of the community’s black artisanal class. He served apprenticeships in the trades of carpentry and shoemaking.
With only a primary education and no formal school of music on the islands, Adams studied in the United States. He enrolled at the University of Pennsylvania as well as Carnegie Hall’s School of Music Theory in New York. Unable to sojourn long enough in the States, Adams completed his study of music by correspondence, a mark of distinction of the self-motivation that shaped his life. He attained a bachelor’s degree in music from the University Extension Conservatory of Chicago in 1931.
Adams organized his first musical band in 1904 and launched his ...
Mark Clague and John H. Zimmerman
flutist, composer, bandmaster, music educator, journalist, and hotelier, was born in Charlotte Amalie, St. Thomas, Danish West Indies (later U.S. Virgin Islands) and is remembered as the U.S. Navy's first African American bandmaster. Adams was the son of Jacob Henry Adams, a carpenter, and Petrina Evangeline Dinzey, a tailor; both his parents were members of the black artisan class centered around St. Thomas's port. This culture celebrated music and literature and instilled the young Adams with values of hard work and self-education. Although professional musicians were unknown in the Virgin Islands in his youth, Adams dreamt of a musical career inspired by his deeply held belief that music was not just entertainment, but vital to community health.
Adams attended elementary school and apprenticed as a carpenter and then a shoemaker choosing his trade based on the musical abilities of his master ...
cornetist, trumpeter, bandleader, composer, arranger, and college educator, was born Nathaniel Adderley in Tampa, Florida, the second of two sons of Julian Adderley Sr. and Jessie Adderley. Julian Sr. was an educator who played trumpet and cornet, thus becoming Nat's first music teacher. Jessie was also a teacher. Nat's only sibling, Julian Adderley Jr., nicknamed “Cannonball” because of his rotund build, was three years older than his brother. The Adderleys moved from Tampa to Tallahassee, Florida, when Nat was a toddler so that Julian Sr. and Jessie could take teaching jobs at Florida A&M College (FAMC), a historically black school. The college changed its name to Florida A&M University (FAMU) in 1953.
Cannonball was the first of the two brothers to play trumpet He later became more interested in the alto saxophone leaving his trumpet to sit idle Nat showed no ...
Composer, contralto, successful vocal coach, accompanist, and teacher. She was the youngest daughter of the famous African‐American actor Ira Aldridge, and born in Upper Norwood, London. Early on she was educated at a convent school in Belgium. At the age of 17 she was awarded a scholarship to study singing at the Royal College of Music. Her teachers included Jenny Lind and George Henschel for singing, along with Frederick Bridge and Frances Edward Gladstone for harmony and counterpoint.
Aldridge's career was successful and varied, as a contralto until an attack of laryngitis damaged her voice, an accompanist, vocal coach, and later a composer. She accompanied her brother Ira Frederick Aldridge on musical tours until his death in 1886. She also accompanied her sister Luranah in concerts at many well‐known London venues at the turn of the 20th century.
Aldridge also played a seminal ...
Mariana Isabel Lorenzetti
who specialized in jazz. Some sources (e.g., Ortega, 2007) give his date of birth as 20 February 1909, in the locality of Machagai, Chaco Province, in the far north of Argentina. Others (e.g., Gaffet, 2002) record his birthplace as the city of Resistencia, Chaco’s capital. Oscar Alemán was the son of Marcela Pereira—of the indigenous Qom, or Toba people—and of the amateur guitarist Jorge Alemán Moreira, who was born in Uruguay. He was the fourth of seven children in his family.
Alemán began to explore the world of music at a very young age, mostly through self-instruction. According to the family of the musician Guilldermo Iacona, at 6 years old, in 1915, Oscar belonged to a group called Moreira Sextet, along with his father and siblings Rodolfo, Carlos, Jorgelina, and Juana (Iacona et al., 2012 As a member of that group he delivered his ...
was born in Callao (Peru), on 8 May 1877, the son of Ignacio Almenerio and Juana Mejia. He moved to Barrios Altos (Lima) in his youth and lived there for the rest of his life. Almenerio was a criollo musician of the early twentieth century and was renowned as a composer and performer of the mandolin and bandurria (a lute-type instrument).
While still a child, he attended a performance of the Spanish Estudiantina Figaro (a string ensemble) at La Linea café; this sparked his passion for stringed instruments. A few years later, he learned to play the bandurria under the guidance of Manuel Boza and later mastered the mandolin and guitar.
His work as a composer includes several well known waltzes Rebeca based on a stanza of a poem by Guillermo Bazo El Huracan Tempestad and La Abeja the musical arrangement of a poem by the Colombian Julio Florez ...
Guthrie P. Ramsey
(b Coatesville, PA, Aug 17, 1928). American composer. Born into a musical family, he began piano study with his mother at the age of five and formed his first touring jazz ensemble at the age of 13. He studied at West Virginia State College (BMus 1950), Pennsylvania State University (MMusEd, 1951), the Cincinnati Conservatory (summer 1954) and the University of Iowa (PhD 1958). His teachers included Edward Lewis, Ted Phillips, P. Ahmed Williams, George Ceiga, T. Scott Huston, Phillip Bezanson and Richard B. Hervig, among others. He also attended the Aspen Music School (summer 1964), where he studied with Milhaud. His teaching appointments include positions in the North Carolina public schools and at West Virginia State College (1955–6), Langston University (1958–63) and Tennessee State University, Nashville (1963–9). From 1969 to 1971 he served as ...
Leonard L. Brown
musician, composer, arranger, teacher, scholar, and humanitarian, was born Thomas Jefferson Anderson in Coatesville, Pennsylvania, the only son and eldest of three children born to Thomas Jefferson Anderson Sr., a college professor and school principal, and Anita Turpeau Anderson, a teacher. Anderson's early years were spent in Washington, D.C., and Cincinnati, Ohio. His mother was a pianist who accompanied singers in church. She was his first musical mentor, providing encouragement from a very early age through music lessons on violin and trumpet.
Anderson attended James Monroe Elementary School in Washington, D.C., where he conducted a rhythm band and impressed Esther Ballou a city supervisor of music who told his mother the musical world will hear from your son He later attended Benjamin Banneker Junior High in Washington D C It was during his time in Washington that he discovered the Howard Theatre and the big bands of ...
was born on 4 April 1928 in Santa Clara, Cuba, in the province of Las Villas, located north of Cienfuegos and near the island’s center. His family included several talented musicians; his father was a trombonist, and his first cousin Benny Moré was one of Cuba’s most popular singers. Armenteros began performing before the age of 20 with the vocalist and bandleader René Álvarez and his group Conjunto Los Astros. In 1949 in Havana, Arsenio Rodríguez asked Armenteros to join his ensemble, a group known for pioneering the celebration of previously disparaged Afro-Cuban elements of Cuban music. Armenteros contributed compositions as well as performances, developing an improvisational language that draws on both Afro-Cuban vocal styles and jazz phrasing and harmony. His prolific compositional portfolio and formidable improvisational skills garnered him singular fame among audiences and his peers.
One of the most prolific musicians in twentieth century Latin music Armenteros performed ...
leading male vocalist of his generation in Egypt, composer and box- office sensation with a career spanning five decades, was born in Suwayda, a village in the Druze stronghold of Southern Syria. He was the eldest child of Fahd al-Atrash, an Ottoman official related to the leading Druze princely clan and Alia al-Mundhir, a Druze from Beirut. At the end of World War I, Fahd al-Atrash was posted in the Turkish district of Demirci. Fearing arrest, he fled with his family to Beirut; on the sea passage from Izmir, Alia gave birth to a daughter, Amal, whose fame as the musical artist Asmahan would equal, if not surpass, her older brother’s.
In 1923 against her husband s will Alia took her children to Damascus and then to Cairo She fled the violence that had followed the bombardment of the Druze stronghold in response to an attack on French forces ...
jazz singer, was born Cora Calhoun in Chattanooga, Tennessee. Nothing is known about her parents. In a 1950 article on Austin in Down Beat, the journalist George Hoefer wrote that “Lovie” was a nickname given to her by her grandmother. Hoefer further claimed that her grandmother “also brought up another little girl a few years younger then Lovie. Her name was Bessie Smith, and the two little playmates were parted before either of them began to get the blues.” Lovie studied music theory and piano at Roger Williams University in Nashville and Knoxville College in Knoxville. Her career was launched in 1912 when she began touring the vaudeville circuit At about this time she married a Detroit movie house operator a union that lasted briefly She then married the vaudeville performer Austin of the team Austin and Delaney Lovie worked the vaudeville circuit as the piano accompanist ...
Austin, Lovie (19 September 1887–10 July 1972), pioneer jazzwoman, was born Cora Calhoun, in Chattanooga, Tennessee. Little is known about Austin’s personal life. She studied music theory and piano at Roger Williams University in Nashville and Knoxville College in Knoxville. Her musical contributions were nearly overlooked until the revived interest in women in jazz in the 1970s. The reacquaintance with Austin can be attributed to the publication of three books on women in the early days of jazz.
The pianist/composer/arranger Mary Lou Williams throughout her career consistently recalled her impression of an early exposure to Austin s genius Williams indicated that as a child she visited a Pittsburgh theater and was fascinated and inspired by the female at the keyboard Austin who was writing down music with her right hand while accompanying the performance with her swinging left Austin had done all of the orchestrations for ...
Juliana Braz Dias
Cape Verdean musician and composer, was born on São Vicente Island (Cape Verde) on 3 December 1905 He was the son of João Vicente da Cruz and Rosa Antónia Lopes da Cruz a domestic servant Born on Saint Francis Xavier s day he was named Francisco Xavier da Cruz after the saint and many of his works as a composer are registered under this name However B Léza is the name he used throughout his life and the name that keeps him alive in the collective memory of the Cape Verdean nation B Léza grew up on the streets of Lombo a poor district whose population was largely composed of sailors fishermen domestic servants and workers of the coal companies established by the British in the City of Mindelo São Vicente Island during the times of steam navigation B Léza was the product of a port city an environment ...
was born in the town of Hopelchén, Campeche, on 7 January 1892 to Francisco José Baqueiro and Teodosía Fóster. Probably of Mayan and not of African descent, he was a relative of the famous nineteenth-century Yucatecan musician Chan Chil (Cirilio Baqueiro Prevé). Baqueiro Fóster attended primary school in Hopelchén before moving to Mérida, Yucatán, to continue his education. He learned to play the guitar, mandolin, violin, oboe, and flute, his instrument of choice. In 1921 he moved to Mexico City, and the following year he enrolled at the National Conservatory, where he studied with the renowned musical theorist Julián Carrillo. He later married Eloisa Ruiz Carvalho (1925–1980), a music critic and educator.
Baqueiro Fóster began to make a name for himself during Mexico’s First National Congress of Music in 1926 With fellow Carrillo disciple Daniel Castañeda he argued that Mexican composers could study indigenous music more accurately ...
composer and pianist, was born in New Orleans, Louisiana, to Augustine Celestine, a slave, and Jean Barès, a white French-born carpenter. He was baptized at the age of one month in Saint Mary's Roman Catholic Church in the French Quarter. Basile Barès was born a slave of Adolphe Périer, the French-born owner of a music emporium, where Barès learned to tune pianos. Barès worked at this Royal Street business while receiving piano instruction under Eugène Prévost, former director of the Orleans Theater and the French Opera of New Orleans, and instruction in composition under C. A. Predigam. Barès played both piano and saxophone and composed for piano.
Barès's first-known published piece of sheet music, “Grande polka des Chasseurs à Pied de la Louisiane,” was copyrighted to him in 1860 despite the illegality of this action because he was a sixteen year old slave Very few slaves are ...
Vivian Njeri Fisher
musician and composer, was born in Baltimore, Maryland, to Floyd Bartz, a railroad employee and club owner, and Elizabeth E. Bartz, a club owner. Bartz grew up in West Baltimore during an era when the music scene in that city was thriving. The hub of African American entertainment in Baltimore was found on Pennsylvania Avenue, although there were numerous clubs throughout the city owned by African Americans. At the age of six Bartz heard his first Charlie Parker recording at his grandmother s house Bartz recalled this formative moment Not knowing what the music was what the instrument was or who was playing I thought it was the most beautiful thing I ever heard I said right then I want to do whatever that is Ouellette 31 When Bartz was eleven he began to play the alto saxophone influenced to take up the instrument by his love ...
Burton W. Peretti
jazz pianist, composer, and bandleader, was born William James Basie in Red Bank, New Jersey, the son of African American parents Harvey Lee Basie, an estate groundskeeper, and Lillian Ann Chiles, a laundress. Basie was first exposed to music through his mother's piano playing. He took piano lessons, played the drums, and acted in school skits. An indifferent student, he left school after junior high and began performing. He organized bands with friends and played various jobs in Red Bank, among them working as a movie theater pianist. In his late teens he pursued work in nearby Asbury Park, but he met with little success. Then, in the early 1920s, he moved to Harlem, where he learned from the leading pianists of the New York “stride” style, Willie “The Lion” Smith, James P. Johnson, Luckey Roberts, and especially Fats Waller, his exact contemporary.