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Reid Badger

(b Mobile, AL, Feb 22, 1880; d Boston, May 9, 1919). American bandleader and composer. A champion of black American music and musicians, he played a significant role in the transformation of orchestral ragtime into jazz. As a teenager in Washington, DC, Europe studied the violin, the piano and composition. After moving to New York in 1903, he continued his studies informally with organist Meville Charlton and singer/composer Henry T. Burleigh. By 1909 he had achieved considerable success as a composer of popular songs and as music director for several important theatrical productions, including Red Moon (1908–9) and Mr Lode of Koal (1909). The following year he organized and was elected president of the Clef Club, the first effective union for black musicians in the city’s history. He also conducted the club’s symphony orchestra. On 2 May 1912 ...

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Reid Badger

music administrator, conductor, and composer, was born in Mobile, Alabama, the son of Henry J. Europe, an Internal Revenue Service employee and Baptist minister, and Lorraine Saxon. Following the loss of his position with the Port of Mobile at the end of the Reconstruction, Europe's father moved his family to Washington, D.C., in 1890 to accept a position with the U.S. Postal Service. Both of Europe's parents were musical, as were some of his siblings. Europe attended the elite M Street High School for blacks and studied violin, piano, and composition with Enrico Hurlei of the U.S. Marine Corps band and with Joseph Douglass, the grandson of Frederick Douglass.

Following the death of his father in 1900 Europe moved to New York City There he became associated with many of the leading figures in black musical theater which was then emerging from the ...

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Bill Egan

musician. James Reese “Jim” Europe was born in Mobile, Alabama, the fifth of six children. His parents were Henry J. Europe, a former slave and a Baptist pastor employed in various public positions, and Lorraine Saxon Europe, a teacher. Europe learned music from his mother, playing violin and later mandolin.

In 1889 the family moved to Washington, D.C. John Philip Sousa was a close neighbor, and Europe received tuition on piano and violin from Enrico Hurlei, the assistant director of the U.S. Marine Corps Band. Around 1903 Europe moved to New York and studied with the noted African American composer and spirituals expert Harry T. Burleigh. Though aware of his traditional religious heritage, Europe embraced secular black music—ragtime and the show music of entertainers like Bert Williams and George Walker, Ernest Hogan, and Bob Cole and J. Rosamond Johnson He joined Hogan ...

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Norman Weinstein

Prince Far I was born Michael Williams in Spanish Town and grew up in the Waterhouse area of Kingston, Jamaica. His musical career began in 1970 when he convinced the Reggae producer Coxsone Dodd (who employed him as a security guard at Studio One, Jamaica's most famous recording studio) to let him record when a scheduled musician failed to appear for a session. Dodd was so taken by Prince Far I's talent as a DJ (someone chanting or talking-singing spontaneously over prerecorded rhythm tracks) that he released several Prince Far I recordings under the name he created for the performer, King Cry-Cry As he gained confidence and sought other producers for his recordings Williams changed his name to Prince Far I Distinguishing features of his recordings under the name King Cry Cry or Prince Far I include a thunderously deep bass delivery of intensively personal lyrics laced ...