1-12 of 12 results  for:

  • Performing Arts x
Clear all

Article

Jennifer Carolina Gómez Menjívar

was born on 7 February 1954 in Lima, Peru. She was raised by her maternal grandmother, who taught her to sing when she was 3 and nurtured her dreams of becoming an artist from an early age, encouraging her to perform at school events as well as on children’s programs on radio and television. Born María Angélica Ayllón Urbina, the artist adopted her grandmother’s name as her stage name upon launching her solo career. Cherished by fans on two continents, Ayllón has released over thirty albums and has become a successful artist with a solid foundation in Peruvian “Creole” and Afro-Peruvian musical styles.

Ayllón began performing in the early 1970s in commercial venues in Lima that had a reputation for showcasing Creole music. She began her career alongside notable artists, and in 1973 she became the lead singer of Los Kipus a musical trio They toured Peru performed for ...

Article

Rebecca Dirksen

also commonly remembered as Lina Mathon-Fussman or, equally, as Lina Fussman-Mathon, was born in Port-au-Prince on 3 January 1903, one of five children of Charles Mathon, a medical doctor, and Cléante N. Marie Anne Carré Mathon. By all accounts captivated by the piano as a toddler, she was formally introduced to the instrument at the age of 4 by Haitian composer Justin Elie. She subsequently studied the classical music repertoire with the best teachers of the era, including completing advanced studies at the Ecole Notre-Dame de Sion in Paris between 1917 and 1921. Blanchet would eventually cofound the Lycée Musical de Port-au-Prince (a music school) and was later named the first director of the Conservatoire National by Haitian president Paul Eugène Magloire.

A tireless promoter of Haitian folkloric music throughout her life, Blanchet is cited as the first artist to mount stylized Vodou-influenced spektak performances on a ...

Article

Jaime O. Bofill Calero

was born in Puerta de Tierra, a poor urban area of San Juan, Puerto Rico, on 8 July 1908. He was the son of Leonor Atiles, a laundry woman, and Modesto Cepeda Robles, a field laborer. Rafael Cepeda is known as “El patriarca de la bomba y la plena” (the patriarch of bomba and plena), two of Puerto Rico’s most traditional forms of African-derived music and dance. This title was bestowed on him for his lifelong contributions to the preservation of these musical forms, as well as for successively passing on these traditions to his sons and daughters, whom he incorporated as an integral part of his folk- and community-based groups.

Among Cepeda’s ensembles, Ballet Folklórico de la Familia Cepeda (1975) stands out as the most important, due the influence this group had in shaping traditional bomba performance The Cepeda family is generally considered as ...

Article

Jaime O. Bofill Calero

was born on 27 March 1960, in the coastal town of Loíza, Puerto Rico. Over the course of his professional career, Cepeda has developed innovative musical concepts such as “Afrorican Jazz” and “bomba sinfónica,” which have maintained him at the forefront of both the Latin jazz and classical music scenes in Puerto Rico and abroad. His eclectic style of performance and composition reflects a fusion of the musical realms of jazz, classical, world, and traditional Afro–Puerto Rican music styles, primarily bomba and plena. As a performer he has collaborated and toured with a wide array of artists, among them Lester Bowie, David Murray, Celia Cruz, Batacumbele, Zaperoko, and Tito Puente. William Cepeda has also dedicated himself to the preservation of Puerto Rico’s traditional folk culture through his independent record label, Casabe Records, and various educational projects.

Cepeda grew up in Loíza a town known for its ...

Article

Aida Ahmed Hussen

musician, author, and educator, was born Maud Cuney in Galveston, Texas, to Norris Wright Cuney, a prominent Republican politician and entrepreneur, and Adelina Dowdie Cuney, a public school teacher, soprano vocalist, and community activist. Both of Cuney's parents were born slaves of mixed racial parentage, and both gained freedom, education, social clout, and considerable financial advantage as the acknowledged offspring of their fathers. This, in addition to Norris Wright Cuney's political success with the Texas Republican Party, situated the Cuney family solidly among the Texan black elite. Cuney describes her early home life as one that was comfortable and markedly pleasant, and she praises both of her parents for instilling in her and in her younger brother, Lloyd Garrison Cuney, the values of education, racial pride, and social obligation.

Following her graduation from Central High School in 1890 Cuney moved to Boston Massachusetts where she enrolled ...

Article

Rayford W. Logan

Maude Cuney was born in Galveston, Texas, the daughter of Norris Wright and Adelina (Dowdy) Cuney. After graduation from the Central High School, Galveston, she received a musical education at the New England Conservatory of Music, Boston, Massachusetts. Later she studied under private instructors such as Emil Ludwig, a pupil of Russian pianist and composer Anton Grigoryevich Rubinstein, and Edwin Klare, a pupil of Hungarian pianist and composer Franz Liszt. She then served for a number of years as director of the Deaf, Dumb and Blind Institute of Texas and at Prairie State College in Prairie View, Texas. In 1906 she returned to Boston and married William P. Hare, who came from an old and well-known Boston family. She died there in 1936 and was buried in Galveston in the grave between her father and mother in Lake View Cemetery (Houston Informer ...

Article

Lynda Koolish

Maud Cuney-Hare is remembered for her literary accomplishments as a gifted playwright, biographer, and music columnist for the Crisis. Born in Galveston, Texas, on 16 February 1874, to teacher and soprano Adelina Dowdie and Norris Wright Cuney, an important Texas political figure who was the (defeated) Republican candidate for the 1875 Galveston mayoral race, Maud Cuney-Hare was educated in Texas and became musical director at the Deaf, Dumb and Blind Institute in Austin, Texas. She held other church and college teaching positions before returning to Boston and devoting her life to performance, scholarship, and literary pursuits. She championed the 24 May 1917 Cambridge, Massachusetts, restaging of Angelina Weld Grimké's Rachel (1916), which, according to critic Robert Fehrenbach was the first time a play written by an Afro American that dealt with the real problems facing American Blacks in contemporary white racist society was ...

Article

Felicia A. Chenier

black theater organizer, writer, director, folklorist, chorographer, and educator, was born in Houston, Texas, the only daughter of Gerthyl Rae and Harvey G. Dickerson, an army officer. As a military child Dickerson traveled extensively with her parents and brother, Harvey. After graduating high school in Syracuse, New York, Dickerson studied at Howard University in Washington, D.C. While there she studied theater and was mentored by noted educator and writer Owen Dodson, who was then the Drama Department chair. Noteworthy of her experiences at Howard is her discovery of writings by Zora Neale Hurston. After receiving a bachelor of fine arts (BFA) from Howard in 1966, Dickerson received a master of fine arts (MFA) from Adelphi University in Long Island, New York, in 1968 During the same year she returned to Howard as an assistant professor of drama and staged her directorial ...

Article

Daniel Nuñez

was born on 10 October 1955 in the town of Cata, on the coast of the state of Aragua, in Venezuela. Born José Francisco Pacheco Croquer, he was one of nine siblings in the home of his father, Pastor Pacheco, a farmer, and his mother, Paula Elvira Croquer, a folklorist and community leader. Early in his childhood, Pacheco learned many of the local Afro-Venezuelan musical and religious traditions from his mother and other cultural leaders in Cata. Growing up, Pacheco participated in the Diablos de Corpus Christi ceremonies, and attended other local religious celebrations, such as the Fiestas de San Juan, the multiple days of celebration in honor of Saint John, the patron saint of Afro-Venezuelans in the Central Coast region. It was during festivals like the Fiestas de San Juan and the Christmas parrandas that Pacheco learned the broad repertoire of local traditional Afro Venezuelan songs and percussion ...

Article

Jonathan Ritter

was born on 4 March 1927 in Carondelet, a small village in northwestern Ecuador near the Colombia border. She has spent the majority of her life in the city of Esmeraldas, where she established a reputation in the mid-twentieth century as one of the leading performers, teachers, and choreographers of traditional Afro-Ecuadorian music and dance.

Raised in a musical home emblematic of the musical and cultural mixtures typical of Esmeraldas Province, Palma learned the songs, melodies, and dance steps of the traditional marimba ensemble from her father, a musician and instrument maker who himself had absorbed the repertoires of his Afro-Colombian father and indigenous Cayapa mother. In addition to these indigenous and black traditions, Palma’s musical influences as a child included the popular string band music associated with highland mestizo culture, as performed by her mother’s family.

Palma came to the city of Esmeraldas from Carondelet while still in her ...

Article

María Auxiliadora González Malabet

was born on 24 September 1927 in Noanamá, on the San Juan River, in the department of Chocó, Colombia, and died on 1 May 2008. In 1930, when Ninfa Aurora was 3 years old, her family moved to the seaport city of Buenaventura in the Valle del Cauca department. She lived in this Pacific coastal region for the next seventy-seven years of her life.

Many authors define her as self taught because when she was a child she learned to read and write using charcoal on cardboard to copy the names of shops and barns At the same time she helped her family by selling arepas a Colombian staple food in the village of Pueblo Nuevo In her academic life Ninfa Aurora studied education and culture and she later graduated with the title Teacher of Culture from the Universidad Campesina locally known as the University of Resistance in ...

Article

Nicola Cooney

Solano Trindade was born in 1908 in Recife, a town in northeastern Brazil, the son of a mulatto cobbler and a mestizo (of indigenous and European descent) woman. His interest in folklore and popular arts was instilled at an early age, as he would routinely accompany his father to local folk dances and read aloud to his illiterate mother.

After some advanced schooling, Trindade became a Presbyterian deacon and began to write poetry. His early works were mystical writings, and his black poetry would evolve soon thereafter. In 1936 Trindade published his first book, Poemas Negros, and founded the Frente Negra Pernambucana (Black Front of Pernambuco) and the Centro Cultural Afro-Brasileiro (Afro-Brazilian Cultural Center). These groups united a group of contemporary black writers with a view to collecting and disseminating the work of fellow Afro-Brazilian poets and painters. In 1959 Trindade founded the Teatro Popular Brasileiro Brazilian ...