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Thomas F. DeFrantz

Afro‐Caribbean dancer and choreographer, was born Percival Sebastian Borde in Port of Spain, Trinidad, the son of George Paul Borde, a veterinarian, and Augustine Francis Lambie. Borde grew up in Trinidad, where he finished secondary schooling at Queens Royal College and took an appointment with the Trinidad Railway Company. Around 1942 he began formal research on Afro‐Caribbean dance and performed with the Little Carib Dance Theatre. In 1949 he married Joyce Guppy, with whom he had one child. The year of their divorce is unknown.

Borde took easily to dancing and the study of dance as a function of Caribbean culture. In the early 1950s he acted as director of the Little Carib Theatre in Trinidad. In 1953 he met the noted American anthropologist and dancer Pearl Primus who was conducting field research in Caribbean folklore Primus convinced Borde to immigrate to the United States as ...

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Jason Philip Miller

radio personality and conservative pundit, was born Laurence Allen Elder, the middle of three sons of Randolph Elder, who owned a local café, and Viola Elder. The family called the Pico-Union neighborhood of Los Angeles home, and it was in Los Angeles that the young Elder attended school. Both his father and mother placed a heavy emphasis on education and hard work. Elder's father had scrimped and saved and faced years of prejudice before being able to open his own business. Elder's mother urged her son to pursue a life of education. Elder took their lessons to heart, graduating from Crenshaw High in 1970 near the top of his class and matriculating to Brown University. He graduated with a B.S. in Political Science in 1974. He continued his education at the University of Michigan Law School, from which he earned the J.D. in 1977 ...

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Debbie Clare Olson

filmmaker, producer, director, playwright, writer, and cultural critic, was born in Newark, New Jersey, but spent most of his childhood in North Carolina. Little is known about his family. After high school, Moss moved to Baltimore and attended Morgan State College, where he earned a bachelor's degree in 1929. He also attended Columbia University in New York City, where he formed a troupe of black actors called “Toward a Black Theater.” The troupe toured around New York City and performed at various black colleges.

Moss was active in the theater and radio and acted in his first film, The Phantom of Kenwood, in 1933. The film was directed by Oscar Micheaux, one of the more prolific early black filmmakers. Between 1932 and 1933 Moss wrote three dramas—“Careless Love,” “Folks from Dixie,” and “Noah”—for a radio series called The Negro Hour ...

Article

Jennifer Lynn Headley

cultural critic, historian, performance and installation artist, photographer, writer, and activist, was born in Boston, Massachusetts. Her mother, Lena, emigrated from Jamaica to Boston in the 1920s. She earned a BA from Wellesley College in Spanish and Economics and an MFA in Fiction Writing from the University of Iowa, studying-in its renowned Writers' Workshop. From Iowa, she moved to New York City and began writing for the Village Voice and Rolling Stone as a rock critic. She changed her career course with her first performance pieces in the 1980s and her critical writings about art and its effect on students and peers.

O'Grady's first performed as Mlle. Bourgeoise Noire, loosely translated into Ms. Black Middle Class; her alter ego was a rowdy uninvited guest to numerous high-profile art exhibitions. Mlle. Bourgeoise Noire Goes to JAM (1980), Mlle Bourgeoise Noire Goes to ...

Article

Elizabeth Heath

One of the founding figures in African filmmaking, Paulin Vieyra was responsible for dismantling barriers blocking the birth of film in Africa. Not only famous for these achievements, Vieyra was also influential as a film critic and film historian and did much to promote African cinema abroad.

Vieyra was born in Porto Novo, Benin, where he spent his early childhood. His father, a high-ranking civil servant in the French colonial administration, sent him to school in France at the age of ten. An excellent student, Vieyra was admitted to the University of Paris. When a bout of tuberculosis sent him into the hospital, Vieyra met film school students there who encouraged him to enroll in film school. He was admitted to l’Institut des Hautes Études Cinématographiques in Paris and in 1955 became the first African to graduate from the school.

After graduation Vieyra organized the film group Le Groupe Africain ...

Article

Samba Gadjigo

Beninese filmmaker and film critic, was born the oldest of eight children in Porto Novo, Benin (former Dahomey), on 30 January 1925. Vieyra’s great-grandfather, a Muslim Yoruba, was a member of a Bida royal family in Nigeria that was sent to Brazil as slaves. Following the 1835 Muslim slave rebellion in Bahia and emancipation in Brazil, Vieyra’s great-grandfather settled in the former Portuguese slave port of Porto Novo (New Port), which was said to be a tributary of the Yoruba kingdom of Oyo. He brought with him a mulatto wife, the daughter of his former Jewish Portuguese master and a black slave, and the Portuguese last name Vieyra.

Vieyra’s father was a Yoruba railroad administrator. His mother, originally from Sierra Leone, was a merchant. In 1935 they sent Paulin then ten to France to attend boarding school During the war his school was closed Moving from family to ...

Article

Betty Kaplan Gubert

Walton, Lester A. (20 April 1882–16 October 1965), diplomat, journalist, civil rights activist, and theater producer, was born Lester Aglar Walton in St. Louis, Missouri, the son of Benjamin A. Walton, Sr., and Olive May Camphor Walton. After graduation from Sumner High School, Walton began his career as a journalist at the Globe-Democrat. He worked as a court reporter, covered general stories, and wrote a column on golf for the St. Louis Star Sayings, later the St. Louis Star-Time, from 1902 to 1906. Walton was thus the first African American to write for a white daily, and he was an active member of the St. Louis Press Club. For a time he also wrote for the St. Louis Post-Dispatch, under Herbert Bayard Swope.

During these years Walton and Ernest Hogan a well known entertainer were copyrighting the words and music respectively ...