sculptor, ceramicist, and educator, was one of America's most prolific and respected three‐dimensional artists in the mid‐twentieth century. Born in Washington, North Carolina, to Elizabeth Davis and Thomas Miggett, he lived primarily with his father until the fall of 1926 when he relocated to Harlem and began living with his mother and her husband, George Artis. In New York he assumed the surname of his stepfather. He attended Haaren High School and went on to study sculpture and pottery at the Augusta Savage Studio of Arts and Crafts in the early 1930s, joining the ranks of Jacob Armstead Lawrence, Gwendolyn Knight, Romare Bearden, Norman Lewis, and other notable artists whose initial studies included instruction under Savage. Artis was also a contemporary of his fellow sculptors Selma Hortense Burke and Richmond Barthé the latter the most exhibited and honored three dimensional artist associated with ...
Amalia K. Amaki
Norma Rodney Harrack
one of the eminent figures of twentieth-century pottery, is widely recognized as the father of modern pottery in Jamaica.
Historically, the Taino, Jamaica’s earliest inhabitants, settled on the island about 600
Born on 22 November 1908 in Bangor Ridge Portland Jamaica to farmers Isaac and Emma Baugh Cecil was the youngest of four children He attended elementary school in Bangor Ridge ...
ceramist, sculptor, filmmaker, and cofounder (with her husband, James Hatch) of the Hatch‐Billops Collection, an archive of African American cultural history, was born in Los Angeles, California, to Lucius Billops, a cook and merchant seaman, and Alma Gilmore, a dressmaker, maid, and aircraft assembly worker. Billops graduated from Catholic Girls High School in 1952, and in 1954 she began her studies at the University of Southern California. She majored in occupational therapy, which included drawing, sculpture, and ceramics. She transferred to Los Angeles State College in 1956 after she became pregnant, and then she changed her major to special education. Billops worked during the day as a bank bookkeeper and maintained a full academic workload in the evening. At the end of 1956 her daughter, Christa, was born, and Billops put her up for adoption. This was an experience she would explore in her 1992 ...
typesetter, potter, and poet, was born and lived his entire life in and around Edgefield, South Carolina, an important center for pottery production in the nineteenth century. Dave's parents were slaves belonging to Samuel Landrum, a Scottish immigrant who had moved his family and slaves to Edgefield, South Carolina, in 1773. The outlines of Dave's life story can be traced through the business activities and legal papers of his various owners, oral history from Edgefield, and Dave's own pottery upon which he inscribed sayings, verses, and dates.
After moving to Edgefield the Landrum family became involved in the making of pottery and other entrepreneurial enterprises. Amos and Abner Landrum, sons of Samuel, became partners with a third man, Harvey Drake, in a pottery concern. Dave first appears in the legal record in a 13 June 1818 mortgage agreement between Harvey Drake and Eldrid Simkins both ...
Renée R. Hanson
sculptor, illustrator, ceramicist, and entrepreneur, was born in Lexington, Kentucky, the first of three children born to the Reverend Hathaway and Mrs. Hathaway. Hathaway's mother died when he was only two years old, and his father and grandmother raised him and his two sisters, Fannie and Eva.
A trip with his father to a local museum inspired Hathaway to become an artist. Walking through the museum's galleries, which were filled with busts of famous white American heroes, Isaac noticed the absence of-many African Americans, such as Frederick Douglass. He asked his father why they were absent, and the elder Hathaway simply stated that there were no trained African American sculptors to sculpt prominent African American people. The young Hathaway determined to change this by becoming a trained artist.
Hathaway began his career as an artist at Chandler College in Lexington and continued it ...
Kenyan ceramist, was born in Nairobi, Kenya, on 5 May 1950, of the Abanyala people, a subgroup of the Abaluyia. She received her early education in Nairobi and New Delhi, India, where her father worked as a journalist in the 1950s. His passion for jazz spurred Odundo’s interest in art from an early age. Multiple prizes won at local poster competitions during high school encouraged her to pursue commercial art.
After graduating from high school in 1968, Odundo worked as a graphic designer for almost three years while taking evening classes in commercial art at the Nairobi Polytechnic. She moved to Cambridge, England, in 1971 to attend the Cambridgeshire College of Art and Technology now Anglia Ruskin University There she took a range of foundation courses including ceramics but graphic design remained her primary focus She soon grew restless however and reconsidered whether she wanted to go ...
Mozambican ceramicist and sculptor, was born in rural Cabo Delgado possibly in the 1930s, although her identity documents carry the 1945 birth date. She learned how to make pottery as a child, as pottery and working with clay were crafts that were usually done by women, though they primarily made pots for cooking and storage rather than artistic images. She married and had three children with her first husband. After her husband left her, she joined the liberation struggle, working to end Portuguese colonial rule over Mozambique. There she met her second husband, with whom she had five more children. As a FRELIMO (Frente de Libertação de Moçambique, Front for the Liberation of Mozambique) member she carried weapons and ammunition for the militants. Six of her children died during the war, leaving only the youngest, and her husband left her at independence in 1975 Soon after those events ...
Potter and active participant in the fight for the abolition of slavery. Wedgwood was born in Burslem, Stoke‐on‐Trent, the youngest son of Thomas Wedgwood, a potter. From 1787 until his death in 1795, Wedgwood sought to highlight the injustices of slavery and the slave trade. He was politically and socially conscious and was interested in the consequences of the American War of Independence and the French Revolution. His awareness concerning slavery was probably evoked through his friendship with Thomas Bentley, a Liverpool merchant who remained hostile to the trade and refused to welcome slavers back to the port. Another close connection of Wedgwood's was Thomas Clarkson, who set up the Sierra Leone Company, which sought to provide a habitable colony for freed slaves. Wedgwood eventually became a shareholder of the company.
Wedgwood s most significant contribution to the abolitionist cause was the production of a medallion ...