1-12 of 12 results  for:

  • Applied Arts x
  • Writing and Publishing x
Clear all

Article

Robert D. Young

Arab-born Egyptian poet and calligrapher of the Ayyubid period, was born 27/28 February 1186 in Mecca. He is also known as al-Bahaʾ Zuhayr. He moved to Qus, in upper Egypt, at a young age. Zuhayr’s later diwans (a Persian term meaning “collection of poems”) indicate some recollection of his time in Mecca; he likely moved to Qus when he became old enough to attend school. Qus was then a center of Islamic learning and culture. Zuhayr studied the Qurʾan and Islamic literature but was most enthused by poetry. Zuhayr made friends with another poet and quoted substantially from the “ancient” poets such as Imru al-Qays (c. 501–544), some of whom were pre-Islamic.

Despite a fascination with poetry Zuhayr also cultivated his position among the political elite He dedicated his first praise poem to the governor of Qus Zuhayr did not stop with the locals traveling to places such as Damascus ...

Article

Valerie Belgrave's best-known work is Ti Marie (1989). Belgrave is also a visual artist whose has exhibited her dyed works in Trinidad and Canada.

See also Literature, English-Language, in the Caribbean.

Article

Christopher Campbell

London‐born poet, printer, visionary, and ‘prophet against empire’. Over the course of his lifetime Blake confronted the horrors of slavery through his literary and pictorial art. He was able both to counter pro‐slavery propaganda and to complicate typical abolitionist verse and sentiment with a profound and unique exploration of the effects of enslavement and the varied processes of empire.

Blake's poem ‘The Little Black Boy’ from Songs of Innocence (1789 examines the mind forg d manacles of racial constructions in the minds of individuals both in the poem itself in the form of the black child and his white counterpart and also in the minds of those involved in the political dispute over abolition Seeming to explain a desire for racial acceptance and spiritual purity through assimilation into white British society and seeming also to be endorsing conventional assumptions of white racial superiority the poem ...

Article

Elizabeth Kuebler-Wolf

typesetter, potter, and poet, was born and lived his entire life in and around Edgefield, South Carolina, an important center for pottery production in the nineteenth century. Dave's parents were slaves belonging to Samuel Landrum, a Scottish immigrant who had moved his family and slaves to Edgefield, South Carolina, in 1773. The outlines of Dave's life story can be traced through the business activities and legal papers of his various owners, oral history from Edgefield, and Dave's own pottery upon which he inscribed sayings, verses, and dates.

After moving to Edgefield the Landrum family became involved in the making of pottery and other entrepreneurial enterprises. Amos and Abner Landrum, sons of Samuel, became partners with a third man, Harvey Drake, in a pottery concern. Dave first appears in the legal record in a 13 June 1818 mortgage agreement between Harvey Drake and Eldrid Simkins both ...

Article

Mark G. Emerson

As the second son and namesake of his father, Frederick Douglass Jr. was born in New Bedford, Massachusetts. He attended public schools in Rochester, New York, where he also helped his brothers, Lewis and Charles, to aid runaway slaves who were escaping to Canada on the Underground Railroad. While he did not serve in the Civil War as his brothers did, Frederick acted as a recruiting agent for the Fifty-fourth and Fifty-fifth Massachusetts Infantry regiments, as did his father. Following the war, Frederick attempted to enter the typographical workers' union. When that plan failed, he went with his brother Lewis in 1866 to Colorado, where Henry O. Wagoner, a longtime family friend, taught him the trade of typography. While he was in Colorado, Frederick worked with his brother Lewis in the printing office of the Red, White, and Blue Mining Company. In the fall of 1868 Frederick returned ...

Article

Elena Bertoncini Zúbková

Swahili poet, scribe, calligrapher, woodcarver, performer, tailor, musician, and dance master, was born in Lamu on the northern coast of Kenya. Nicknamed Kijum(w)a, “little slave,” by his mother at his birth (hoping this nickname would be auspicious), his full name was Muhammad bin Abubekr bin Omar Kijumwa (also Muhamadi bin Abu Bakari, Mohamed Abubakar Kijumwa, and other possible transliterations from the Arabic script). He studied at the qurʾanic school, made the pilgrimage to Mecca three times, and became a renowned and versatile artist, who handed to his son Helewa the craft of carving the beautifully ornamented doors in Lamu. Among other skills, he made musical instruments and was a famous player of the kibangala a seven stringed lute He passed most of his life in Lamu but in the 1890s he worked as a scribe in the small protectorate of Witu inland from the Kenyan coast which was part ...

Article

Lisa D. Freiman

artist and educator, was born Betye Irene Brown in Pasadena, California, to Beatrice (maiden name unknown), a seamstress who enjoyed quilting, and Jefferson Brown, a salesman who liked to sketch and write. Jefferson Brown died from kidney problems when Saar was six years old, and Betye and her brother and sister lived with her mother's great-aunt and great-uncle until her mother remarried a man named Emmett six years later. After the second marriage, Beatrice had two more children, a boy and a girl. Saar spent summers with her grandmother in Watts, where she saw Simon Rodia'sWatts Towers, a vernacular example of assemblage consisting of eight tall conical spirals. Built from steel rods, covered in concrete, and encrusted with found objects like bottle caps, glass, broken tiles, and shells, the Watts Towers seemed like “fairy-tale castles” (Isenberg, State of the Arts 23 to Saar and ...

Article

Lonnie Graham

artist. Born Betye Irene Brown in Los Angeles, California, Betye Saar is a renowned assemblage artist and the mother of three daughters—Lezley, Alison, and Tracye Saar—two of whom, Lezley and Alison, are also well-known artists.

Betye Saar earned a bachelor of arts degree from the University of California at Los Angeles (UCLA) in 1949. She did graduate work at California State University at Long Beach from 1958 to 1962. Later in 1962 she returned to Los Angeles to attend the University of Southern California to specialize in printmaking; she also continued her studies at California State University at Northridge that year. In 1970 she entered the Pasadena School of Fine Arts to study film.

While residing in Pasadena during the 1950s Betye Brown took a turn from her professional life as a social worker and became active in her early artistic career as ...

Article

Earnestine Jenkins

Betye Saar’s multidimensional work destroys the distinctions between the traditional art forms of painting, sculpture, and printmaking. She has participated in group and solo exhibitions throughout the country, and her work is in major collections in museums across the United States.

Betye Saar was born in Los Angeles. As a child she often visited her relatives in nearby Watts, where she actually observed the construction of Watts Towers (1921-1954) by the self-taught artist Simon Rodia. Saar credits the memory of the construction of the towering spirals (from bottle caps, glass, tiles, cement, and steel) with her lifelong interest in putting together or assembling creative works using different art techniques, and from castoff, found materials. Saar graduated with a degree in design from the University of California, Los Angeles, in 1949 and pursued graduate work at California State University Long Beach in art education and printmaking ...

Article

Robert Fay

Born Betye Brown in Los Angeles, California, Betye Saar (pronounced Say-er) is the daughter of Jefferson and Beatrice Brown. She married artist Richard Saar shortly after earning a B.A. degree in design from the University of California at Los Angeles (UCLA) in 1949. Saar pursued graduate studies at California State University at Long Beach, the University of Southern California, and California State University at Northridge. She has taught at UCLA and at the Parsons-Otis Institute.

Although Saar began as a printmaker and graphic designer, she later made a transition to three-dimensional work. The work that marked this turning point was Black Girl's Window (1969 in which Saar placed a print of an African American girl into a segmented window frame with existing objects She gradually replaced prints in her assemblages with existing objects She has increased the scale of her work to include room sized ...

Article

Charles Rosenberg

journalist, compositor at the Government Printing Office, collector of books and manuscripts on African American history, was born in Louisville, Kentucky, to Charles Henry and Sarah Smith Slaughter. Since Proctor is not his mother's family name, his parents may have chosen to name him after the one-time Kentucky governor of the same name, who died in 1830. Charles Henry Slaughter died when his son was six years old. Slaughter sold newspapers to support himself and his mother. She often heard him read aloud from printed descriptions of slave life, which, having been enslaved at birth, she knew were untrue, and told him so. The existence and frequency of slave uprisings were among the many details she exposed.

Slaughter graduated from Louisville Central High School in keeping with Kentucky law at the time students considered white were sent to other schools He was salutatorian of his class and ...

Article

Dorothy B. Porter

Henry Proctor Slaughter was born in Louisville, Kentucky, the son of Sarah Jane Smith and Charles Henry Slaughter. When he was six years old his father died, leaving his mother with two boys and a girl. He sold newspapers to help support his mother, and as he worked his way through school he became the main support of his family. After graduating as salutatorian from Central High School, he served his apprenticeship as a printer on the Louisville Champion. There he became associate editor with Horace Morris, who in 1894 was deputy grand master of the Prince Hall Masons of Kentucky. Slaughter also began to write feature articles for local daily newspapers.

By 1893 Slaughter was foreman of Champion Publishing Company, and in 1894 he became associate editor of the Lexington Standard. Shortly afterward, as manager of the Standard he was described as making ...