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Mark Steven Maulucci

singer and guitarist known as “Kokomo,” was born in Lovejoy Station, Georgia, a small railroad town in Clayton County, approximately twenty‐five miles south of Atlanta. He was raised on a farm and learned some guitar from a relative named John Wigges, who was an accomplished knife‐style guitarist. In 1919 Arnold moved to Buffalo, New York, where he worked in a steel mill. After stops and similar jobs in Pittsburgh, Pennsylvania, and Gary, Indiana, Arnold moved to the Mississippi Delta in the late 1920s. He reportedly made a living as a bootlegger and throughout his life regarded his music as a sideline. He lived for a while in Glen Allan, Mississippi, and played with a partner named Willie Morris.

In 1930 Arnold made his recording debut as Gitfiddle Jim in a Memphis recording session for Victor The two songs Rainy Night Blues and Paddlin Madeline Blues displayed the ...

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Eric Gardner

slave narrative author, was born in Wake County, North Carolina, to Barney and Cherry, two slaves of the High family. Jones's 1883 slave narrative lists his first owner as “Olser Hye,” asserts that his father was “a desperate wicked man” and an alcoholic who died about 1820, and tells of how his “poor dear mother” who taught him to pray was “traded for a tract of land and sent to Alabama.” (1). Jones and three of his eleven siblings were raised in the large High household; he says little about his childhood other than noting that “I had hard struggling to get bread and clothes” and “after I was ten years old I knew nothing about going to church.” (6). When his master's daughter Emily High married planter Tignall Jones on 25 January 1825, Friday Jones seems to have been given to the new couple.

In about ...

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Eunice Angelica Whitmal

daughter, wife, mother, grandmother, and devoted Christian, was the primary subject of the famed African American photographer Gordon Parks Sr. In Parks's famous photograph American Gothic, a scathing reinterpretation of Grant Woods's classic painting of that name, Ella Watson, holding a mop and broom, stands in front of an American flag hanging on a wall in a government office. The photograph is a searing representation of the discrimination and segregation that many African Americans encountered regardless of their gender or class position.Behind Watson's famous image was a woman with a challenging, albeit obscure, life story. Parks recalled several details Watson shared with him during an informal interview:

She began to spill out her life s story It was a pitiful one She had struggled alone after her mother had died and her father had been killed by a lynch mob She had gone through high school married ...