artist and educator, was born Betye Irene Brown in Pasadena, California, to Beatrice (maiden name unknown), a seamstress who enjoyed quilting, and Jefferson Brown, a salesman who liked to sketch and write. Jefferson Brown died from kidney problems when Saar was six years old, and Betye and her brother and sister lived with her mother's great-aunt and great-uncle until her mother remarried a man named Emmett six years later. After the second marriage, Beatrice had two more children, a boy and a girl. Saar spent summers with her grandmother in Watts, where she saw Simon Rodia'sWatts Towers, a vernacular example of assemblage consisting of eight tall conical spirals. Built from steel rods, covered in concrete, and encrusted with found objects like bottle caps, glass, broken tiles, and shells, the Watts Towers seemed like “fairy-tale castles” (Isenberg, State of the Arts 23 to Saar and ...
Lisa D. Freiman
Betye Saar’s multidimensional work destroys the distinctions between the traditional art forms of painting, sculpture, and printmaking. She has participated in group and solo exhibitions throughout the country, and her work is in major collections in museums across the United States.
Betye Saar was born in Los Angeles. As a child she often visited her relatives in nearby Watts, where she actually observed the construction of Watts Towers (1921-1954) by the self-taught artist Simon Rodia. Saar credits the memory of the construction of the towering spirals (from bottle caps, glass, tiles, cement, and steel) with her lifelong interest in putting together or assembling creative works using different art techniques, and from castoff, found materials. Saar graduated with a degree in design from the University of California, Los Angeles, in 1949 and pursued graduate work at California State University Long Beach in art education and printmaking ...